Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

La Bestia Negra.

🐺 follow on youtube ☞ https://www.youtube.com/c/TrndmusikDe
🐺 follow on spotify ☞ spoti.fi/2jzGmv2

TENTERHOOKS ೃ࿔ FEB 6
THE WRECKAGE & NEW WAVE ˚｡･ OUT NOW
https://sspu.lnk.to/Tenterhooks

Producer, Composer, Dj and Drummer
Christian Prommer is an american producer, DJ, drummer and musician who has produced and composed genre defining and award winning dance music for two decades. As founding member of Fauna Flash, Trüby Trio and VoomVoom, as producer and co-writer for Kruder and Dorfmeister, DJ Hell (their effort "Teufelswerk" was “Echo” nominated), Kim Sanders (they won the “Preis der Deutschen Schallplattenkritik”), The Dining Rooms, Incognito and with his own projects Prommer and Barck and most notably Christian Prommers Drumlesson - his own Band, with which he traveled between the worlds of Jazz and Techno festivals.
As a musician and collaborator he has worked with Carl Craig, Tony Allen, Bugge Wesseltoft, Joe Sample, Til Brönner, Mousse T, Wolfgang Haffner, Incognito, Klaus Doldinger and many more.
With his band, solo shows and DJ sets he travels the world non stop from big jazz festivals to the darkest after hour club.

Ex-music types
www.twitter.com/paulsdmcr
www.twitter.com/AlShadowDancer
https://bsky.app/profile/arpegiator.bsky.social
https://bsky.app/profile/paulsdmcr.bsky.social

'FIRE + ICE' feat. Jake Shears 💜 Out now! ⤵️
https://PurpleDiscoMachine.lnk.to/FireandIce

City Calm Down is a live electronic four piece from Melbourne, Australia. 

Band: contact[at]citycalmdown.com

Management: craig[at]fivefourentertainment.com.au

Bookings: ryoung[at]mweentertainment.com

Label: johann[at]iohyou.com

Publishing: info[at]mushroommusic.com.au

"One listen of City Calm Down’s Movements EP is enough to hear why these guys are so hotly tipped. It’s also long enough to deduce that they know it."
Fasterlouder [Feature Album]

"Intense and frantic, [City Calm Down have] created evocative music well beyond their experience ... There are a lot of bands trying to make this type of music at the moment, but most of them aren’t (nearly) this good. City Calm Down have delivered on a major scale with Movements, and this release signals them as a major force in Australian music going forward. Definitely one to watch."
Indie Shuffle

"...City Calm Down are making music far beyond their years, and with the quality of music they’re producing currently, it would be worth keeping an eye on them to see where they end up." - 8/10
Tone Deaf

"This is patient, carefully considered art, with gorgeously arranged instrumentation and beautiful songwriting."
Inpress Magazine

"...one of the more alarmingly dense EPs in recent memory."
Beat Magazine

bennysil is following