bensnburner

preview of my new album noclip

head over here

https://open.spotify.com/album/4iZJsPtJWzTLvWUWOUEhP6?si=tcix5VWoSzykDKz1DpzeUg

to listen to the full album or 

https://bensnburner.bandcamp.com

to buy the album including bonus stuff or pre-order the Vinyl

___

The limits of a digital game are best if you do not notice them or if they are narrative in themselves. If you feel well in a defined area, because it already gives you enough riddles and contains mysteries, you do not want to go outside. On the other hand, there is the attraction of the forbidden, the question of what lies behind it. 

In the game DOOM, there is a separate cheat code for exiting the given margin: "noclip". Once activated, I can walk through walls and enemies, and the outer walls of each level are no longer an obstacle. 


Actually, I turn on the mini-map and see that I'm getting more and more out of the existing world into the big nothing, farther and farther away from the familiar spaces, towards an infinite void. DOOM does not crash, but the further I step out of the designed room, the more the presentation becomes a confusing loop: walls, enemies, even my weapon multiply, dissolve in a thick layer of overlays. This is not for all eyes, and yet a feature. 

"Noclip" is for those geeks who are happy to have discovered something that no-one has ever seen before. At least believe it. 

words: robert glashüttner / twitter.com/glashuettner 


° ° °° °°° °°°°° °°°°°°°° °°°°°°°°°°°°° 


this album was recorded in an empty 400 square meter hangar with 30 meters high ceiling just to let the sound breath as much as possible. 

the huge reverb inspired to dig deeper into the world of floating atmospheres and ambient drones. 

the production is packed with solo-driven moods along with synth and pedalboard-spirit, heavy post-rock tracks in a classic band-setup as well as experimental collaborations with different artists, bringing in their own way to get along with this very different recording situation 

°°°°°°°°°°°°° °°°°°°°° °°°°° °°° °° ° ° 

video of tracking "blush response": youtu.be/pd_I001tLZI 
video of tracking "do we give a damn?": youtu.be/w8ZR_MO-IWk 

for interview inquiries add me on PSN: bensnburner 

very special thanks to Axel Lienhard! 

credits
released September 27, 2019 

Ben Krahl - Bass VI, Pedals & Synth 
Philipp Schlotter - Synths 
Norman Lonhard - Drums 
Florian Möbes - Guitars 
Bene Abert - Hammond, Percussion & Special FX 
Harald Kimmig - Violin 

Mixed & Mastered by Konrad Dycke & Ben Krahl
license

noclip preview

written & arranged by lisa hasler (lisahasler.ch)

captured july 5th @ loft a46, montreux

vocals:
lisa hasler
wesselina georgiewa
neele pfleiderer

flo möbes - git
konsti könig - drums
bene abert - percussions
ben krahl - bass

pic by george williams

i am leaving - live in montreux

ich frag mich ob es normal ist... (feat. Julia Neumann)

preview of my new album noclip

head over here

https://open.spotify.com/album/4iZJsPtJWzTLvWUWOUEhP6?si=tcix5VWoSzykDKz1DpzeUg

to listen to the full album or 

https://bensnburner.bandcamp.com

to buy the album including bonus stuff or pre-order the EP

___

The limits of a digital game are best if you do not notice them or if they are narrative in themselves. If you feel well in a defined area, because it already gives you enough riddles and contains mysteries, you do not want to go outside. On the other hand, there is the attraction of the forbidden, the question of what lies behind it. 

In the game DOOM, there is a separate cheat code for exiting the given margin: "noclip". Once activated, I can walk through walls and enemies, and the outer walls of each level are no longer an obstacle. 


Actually, I turn on the mini-map and see that I'm getting more and more out of the existing world into the big nothing, farther and farther away from the familiar spaces, towards an infinite void. DOOM does not crash, but the further I step out of the designed room, the more the presentation becomes a confusing loop: walls, enemies, even my weapon multiply, dissolve in a thick layer of overlays. This is not for all eyes, and yet a feature. 

"Noclip" is for those geeks who are happy to have discovered something that no-one has ever seen before. At least believe it. 

words: robert glashüttner / twitter.com/glashuettner 


° ° °° °°° °°°°° °°°°°°°° °°°°°°°°°°°°° 


this album was recorded in an empty 400 square meter hangar with 30 meters high ceiling just to let the sound breath as much as possible. 

the huge reverb inspired to dig deeper into the world of floating atmospheres and ambient drones. 

the production is packed with solo-driven moods along with synth and pedalboard-spirit, heavy post-rock tracks in a classic band-setup as well as experimental collaborations with different artists, bringing in their own way to get along with this very different recording situation 

°°°°°°°°°°°°° °°°°°°°° °°°°° °°° °° ° ° 

video of tracking "blush response": youtu.be/pd_I001tLZI 
video of tracking "do we give a damn?": youtu.be/w8ZR_MO-IWk 

for interview inquiries add me on PSN: bensnburner 

very special thanks to Axel Lienhard! 

credits
released September 27, 2019 

Ben Krahl - Bass VI, Pedals & Synth 
Philipp Schlotter - Synths 
Norman Lonhard - Drums 
Florian Möbes - Guitars 
Bene Abert - Hammond, Percussion & Special FX 
Harald Kimmig - Violin 

Mixed & Mastered by Konrad Dycke & Ben Krahl
license

nocilp

bandcamp

SUCKMYROCKET

noclip

Laura Palmer's Theme

meanwhile (album version)

blush response

do we give a damn?

first single off my new EP Schatulle

infos here:
https://www.facebook.com/bensnburner/videos/578870863027047/

visible

flamingo zamperoni was created as an Alter-Ego of Bensnburner, Producer/Bass-Player & founder of "bensnburner records". 
 
under the Pen-Name flamingo zamperoni he now can finally satisfy his passion for juicy basslines and dusty beats. As a Bass Player, the focus of his work lies on the low frequencies and the little stories between the notes. Listen close to experience carefully chosen samples, laid back drums, blurry keys and deep, organic basslines .
 
be sure to follow flamingo on Spotify to get a fresh beat every second week delivered to your release radar -> sptfy.com/5jo4

flamingo zamperoni - used to be a jar jar

'When you're creating your own shit, man, even the sky ain't the limit.'
-Miles
