From the album Tomorrow Is My Turn

The landscape of American music is littered with the ghosts of the unknowable and mysterious blues musician, scratchy voices on a 78 conjuring up an era and an energy long gone. No one represents this better, perhaps, than Geeshie Wiley, who, along with equally unknown L.V. Thomas, recorded a handful of sides for Paramount Records in 1930–31. “Last Kind Word Blues” calls to me in a way that I can’t really explain, but when producer T Bone Burnett suggested it for the record, I knew instantly it was the way to begin.

Wonderwall

Berk & The Virtual Band

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