Compositions reflets de mes différentes expériences.Bonne ecoute.

CLIPS:
https://www.youtube.com/channel/UCttErQEWnNSm_0FcybmUUaQ

website : www.tidouz.com/djlass | email: dramealassane@gmail.com
LOVE IS THE ONLY SOLUTION. Thanks for Comment. One Love

distribution Rubadub
in store atm :
- Hun Hun “Frantic Flow Of The Gong” LP NEW!!
- Dr. Strange "Animorphisationismagories" LP NEW!!
- The Jaffa Kid "A Teq Approach by" 2xLP 
- Pieter Kock "The End II" 2xLP 

coming soon :
- Rayakita LP (Feb 2026)
- Heavenphetamine LP (Mar. 2026)

Colin Patrick Harper hails from the Bermuda Islands. In the music industry, he is known as the reggae artist Collie Buddz. Buddz was born on August 21, 1984 in New Orleans, Louisiana. After graduating from high school, he attended Full Sail University in Orlando, FL, where he decided to study studio engineering.  Upon graduating from college in 2006, Buddz began looking for work in the recording industry as a performer or producer. One of his first major gigs was working with recording star Shaggy on the single "Mad Mad World" from Shaggy's new album entitled Intoxication, which was release in 2007. That was the same year he released his self-titled debut album with Sony Music. The album was a moderate success, but well-received by critics.  WWE (World Wrestling Enterprises) fans would immediately recognize Buddz's voice from the entrance theme ("SOS") for WWE superstar wrestler Kofi Kingston, which was included on the 2008 compilation WWE The Music, Vol. 8. Over the next year, he would continue making guest appearances on the works of other artists.  It is no small coincidence that his stage name "Buddz" is slang for marijuana. There have been photographs taken of the artist holding bongs and other pot-smoking paraphernalia over the years. Of course, other reggae artist such as Bob Marley have made weed seem an essential part of the reggae lifestyle.  At the end of the decade, Buddz started his own record label called Harper Digital. When not working in the studio, he found himself selling out venue after venue on one of his many exhaustive tours. In 2011, he would finally release his second album entitled Playback. As was the case with the first album, this album was a modest success commercially, but the critics loved his work.  With a couple of albums and a good reputation under his belt, Buddz is a frequent performer at many of the major reggae festivals around the world.

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

Originally from Saint-Etienne in France's industrial heartland, Dub Inc fuse classic roots reggae with dub, dancehall, ska, hip-hop and African influences. They create an intoxicating musical hybrid with highly charged and socially conscious songs which have earned them cult status in their native France. 

Their wild, high-octane live performances led to an ever expanding and loyal fan base. With a fierce independent spirit and away from the media spotlight, Dub Inc have become the most successful reggae band playing in Europe today, and are now a fixture at major festivals across the world, having already appeared at Paleo, Francofolies, WOMAD and headlined Rototom Sunsplash or Summerjam. 

Charismatic lead singers Hakim "Bouchkour" Meridja and Aurelien "Komlan" Zohou sing in English, French and Kabyle (a Berber language native to Algeria). Backed by deep rolling bass (Moritz Von Korff), keyboards (Frédéric Peyron and Idir Derdiche), guitar (Jérémie Grégeois) and drums (Grégory "Zigo" Mavridorakis), Bouchkour and Komlan convey strong positive messages through their striking vocals creating music with a truly universal appeal. 

Since forming in 1997, Dub Inc have produced six studio albums, two EP's and two live albums. Their new album So What (2016, Diversité) perfectly embodies the potent combination of infectious energy, distinctive melody and engaged, combative lyrics.

French rap duo

Booking: anthony.devin@caramba.fr

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