PREDATOR

samarinda

A session done originally in Nanoloop made in the last year and edited in ableton on the fly.

version update of 22/09/2022 edited in cubase 
i think that is more accurate than the first in ableton.

Work in progress

Many Thanks to the freesound.org users: 
https://freesound.org/people/benjammin2006/
https://freesound.org/people/Mystikuum/
https://freesound.org/people/koutino/
https://freesound.org/people/Jagadamba/
for their rainstick samples

Night prayer © 2022 by Nadir is licensed under CC BY-NC-SA 4.0

Night prayer

night prayer

Objets Mathématiques. Objets Naturels. Objets Sauvages.

Johanna Vargas, soprano
Ensemble Linea
Carolina Santiago Martinez, piano
Keiko Murakami, flute contrebasse
Louis Siracusa, double bass
Jean-Philippe Würtz, conductor

IV. Gradual Abruptness
ooo –– ooo –– oo –– o 
gradual abruptness 
french 		(mr., rhythm acuto intros.) 
ital 		(riposante musica, ritmo meno acuto, adattabile)   
                 o                   –– 
non avete da mostrarmi un’altra macchina? (repeat rhythm) 

[…]

(– oooooooo – )

[…]

tu pensi:   
 –  o o  –  o o o  – o o o  –  o 
ha una macchina ancora da mostrarmi? 

Un poco di buon ordine feroce
Aspettare in tempo

	Évidemment

		si tu ne peux
Poétiser
	il te faudra
Cohabiter
Rime e accenti allineati
Évidemment 
Si tu ne peux
		analyser
Il te faudra
		coaliser
Io vado di solito a letto alle undici
o – o o – o o – oo – oo
La poésie du succès 
Le succès du sexu

Bisogna sfruttare i buoni momenti
o – oo – oo – oo – o
– o oo – o ooooo –

Autumn is a season of which I am very fond [about]

Regarde
Au moins
Ce qui est
Écrit
Sur le bout
De ta langue chérie
In nous faudra
Que tu y vas
(synthèse-douleur)
tu parles en prose  

V. Allons, plongeons
Allons, plongeons dans le réel (il le faut)
l’Esthétique Jaune dans son lit de Mort 
l’Esthétique Jeune dans son Lit Subtil
ou bien  
Nous sommes 
[dans son lit de la mort subtile
dans le lit de son jeune mort
dans la mort du lit du son
dans le son subtil de la jeune mort] 
 
(dans la gaze de la réalité). 
Nous passons dans la gaze du réel. 
Arrive l’enfer. L’impératif 
de la[…]
[…]réalité
(nous sommes en communication).

4. Gradual Abruptness 5. Allons, plongeon

A Lineage Of Knighthood In The Parlance Of Our Times (2016)

Video;
youtu.be/IdVaF7w4_as

Genres;
#Electronic
#Pop

Made in #Ableton (2023)

Midnight Vibe

Wooden Floor And Wood Bass

“Singing in hiding”

Art work: Bianca Van Dijk via Pixabay
Vocal: Vocaloid Yukari and a dove cooing in the treetops of a neighbor's garden.

鳩のごと梢の影にかくれたし

I want to sing like a dove, hiding high in the treetops.

Singing in hiding

Singing In Hiding

Composed 2017, recorded July 2023

Bernhard Plagg - trumpet 1
Stephan Stadtfeld - trumpet 2
Lionel Speciale - horn
Vladimir Vereś - trombone
Fabian Neckermann - tuba

Sound recording in the studio of the Landesmusikakademie Berlin, 2023
Sound engineer: Benjamin Ostarek

Program Note
Tagundnachtgleiche (Equinox) was created on the occasion of a composition competition for brass quintets announced by the publishing house Furore Verlag in 2017.
At the beginning of 2023, I decided to record the piece in a recording studio and to make it available to the public. The trumpeter Bernhard Plagg was kind enough to take on the project. He put together a brass quintet, organised rehearsal dates, etc.
The composition consists of two elements that alternate or interpenetrate each other. On the one hand, composed, notated music, harmonic and rhythmic in the broadest sense. And on the other, improvised music, mainly consisting of differentiated, nuanced noises and representing a kind of random music, like random sounds in nature.

Tagundnachtgleiche for brass quintet

PA Looper Print 2024 - 04 - 24 1710

Antifesto is a creative alias of Bert-Jan Zuiderduin, a Dutch composer and sound-designer who doubles as a psychotherapist in private practice and at a human rights charity in London.

Bert-Jan originally studied Art and Media Technology at the University of Utrecht before going on to study composition at the Royal Conservatory in The Hague. As greatest influences he cites Conlon Nancarrow and Morton Feldman. 

Through his later psychotherapy studies and practice, Bert-Jan stumbled across Carl Jung’s theory of the Transcendent Function, which describes a dialectic transformative process very much akin to his own way of writing. In essence, this theory describes two opposing forces joining to create a third. 

Bert-Jan’s work juxtaposes often contrasting ideas or even techniques. Makes use of extremely structured as well as completely improvised or accidental material. Another characteristic is the simultaneous occurrence of repetition and continuous change as has also been explored in minimalist music.

Previously, Bert-Jan worked more conceptually, for example his work ‘Beauty Sleepers’ existing of field recording made in Teylers Museum, Haarlem, where the composer attempted to bring back to life the ‘sleeping’ scientific instruments from bygone ages. There was even an electronic homage to Frank Zappa (‘20.000.000 False Moustaches Can’t be Wrong’).


Album:
https://antifesto.bandcamp.com/album/the-hearsayologist

Objets Mathématiques. Objets Naturels. Objets Sauvages.

Antifesto

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