2015-2017

Montparnasse //démo

Haptic Cue

Tom Furse (The Horrors) remix of Hero's track 'Punk'.
'Punk' features on Hero's debut EP 'Slipstream', released at the end of February 2015 - available to stream now https://soundcloud.com/hero-fisher/sets/slipstream-ep

Punk - Tom Furse Extrapolation

Taken from Equateur's EP "The Lava Remixes"
Get it on iTunes : bit.ly/RsCAnr

Follow Equateur :
www.facebook.com/EquateurOfficial
twitter.com/Equateur0

© 2015 Nouvelle New Wave 
Cover by Jean-Charles Couderc

The Lava   (Flavien  Berger Remix)

Romantic Stereotype

Artist: Mattheis
Title: Ls/1001
Release date: 2nd of March 2015 (Vinyl only)
Catalog: NOUS005
Label: Nous'klaer Audio

After the ISMS EP made it into our favourite disc jockey's hands, Mattheis returns to Nous'Klaer with his second solo EP. More and more moving away from his influences and further developing his trademarks, Mattheis proceeds looking for his own sound. On 1001 this results in 1001 arpeggiating xylophones, custom built for club play. The A side features his most ambitious take to date: an elevating trance piece, clocking almost 10 minutes and sounding like no other than Mattheis. 

Facebook: www.facebook.com/nousklaeraudio / www.facebook.com/mattheisofficial


Bandcamp

Mattheis - LS/1001 - NOUS005

Glide of Glory

from the upcoming album Oddisee "The Good Fight" (5/5)
https://itunes.apple.com/us/album/the-good-fight/id969829649

In a landscape overrun with abstract indulgence and shallow trend-chasers, the Prince George’s County, Maryland artist Oddisee has created 'The Good Fight', a record that reminds you that it’s music before it’s hip-hop. Due May 5th on Mello Music Group, it’s for the fans and for himself. It finds the musical heavyweight balancing between craft, career, and successfully growing into the world around him. Stream the first single, "That's Love".

Album Description:
Oddisee makes music that rattles in your bone marrow. It’s imbued with love, honesty, and selflessness. It’s virtuosic in its musicality, direct in its language, and infinitely relatable.
 
In a landscape overrun with abstract indulgence and shallowtrend-chasers, the Prince George’s County, Maryland artist has created “The Good Fight,” a record that reminds you that it’s music before it’s hip-hop. Released on Mello Music Group, it’s for the fans and for himself. It finds the musical heavyweight balancing between craft, career, and successfully growing into the world around him.
 
For Oddisee, “The Good Fight” is about living fully as a musician without succumbing to the traps of hedonism, avarice, and materialism. It’s about not selling out and shilling for a paycheck, while still being aware that this is a business requiring compromise and collaboration.
 
It’s music that yields an intangible feeling: the sacral sound of an organ whine, brass horns, or a cymbal crash. It’s not necessarily the syllables, but rather what they evoke. A song like “That’s Love” is more than a declaration; it’s a meditation on our capacity to love and the bonds binding us together. Ambition and greed war with our sense of propriety. “Contradiction’s Maze” offers a list of paradoxes we all face (“I want to tell the truth when it hurts/but when it comes to me, I want the blow softened.”)
 
Oddisee’s production simmers in its own orchestral gumbo. You sense he’s really a jazzman in different form, inhabiting the spirit of Roy Ayers and other past greats.  The Fader’s compared him to a musical MC Escher, calling hailing his “grandiose and symphonic sound” and “relevant relatable messages.” Pitchfork praised his “eclectic soulful boom-bap.”
 
“The Good Fight” acknowledges the stacked odds, but refuses to submit.
 
It’s both universal and personal. The child of a Sudanese immigrant highlights the rigors of his own upbringing: his pregnant mother working the register until she was about to burst, his pops’ shuttered diner that couldn’t survive Reaganomics—the one that Oddisee drives past every time he returns home, just to remind him how quickly the world can turn bad.
 
It’s these minor details that add into something major. It’s testament to the indelible nature of art: when you can turn what you love into something that lasts.


Oddisee - That's Love

written and produced by petit fantôme (Pierre Loustaunau)
℗ & © 2015 animal factory

Je ne reviendrais pas

REMIX
Written and produced by Thylacine
youtube.com/user/ThylacineOfficial
@thylacinew
facebook.com/thylacine.w

ORIGINAL TRACK
Composition: Héloïse Derly | Cédric Sanjuan
Lyrics: Guillaume Héritier

GoldMund EP
https://itunes.apple.com/fr/album/goldmund-ep/id936601455

Howling Wolf — (Thylacine Remix)

Full length album "Baton Rouge" Available 4/28

Facebook.com/FaunaShade
Twitter.com/FaunaShade


Marzipan

- Broken Art Club -
Chronique radiophonique de 5 minutes diffusée une fois par mois sur Radio Campus Paris.

- Flavien Berger -
"Flavien Berger explore une esthétique et une technique que certains regarderont en levant le sourcil, mais que d’autres utilisent déjà pour penser l’avenir" Les Inrocks

https://soundcloud.com/flavienberger

Broken Art Club x Flavien Berger

Any House- New Single from BRNS' first full length "Patine" released October 2014 on [PIAS].

Any House (Official Radio Edit)

Debut album "Premières vies" is now available :
iTunes ◊ http://hyperurl.co/igibn8
Bandcamp ◊ http://bit.ly/PremièresViesBandcamp

Follow Blind Digital Citizen : 
Facebook ◊ http://bit.ly/BDC-FB ◊
Twitter ◊ http://bit.ly/BDC-twitter ◊

Blind Digital Citizen - Cumbia (Maestro Remix)

Now you can submit your track to be reposted on our Soundcloud
✖✖✖ SUBMIT YOUR TRACK HERE ✖✖✖
artistsunlimited.com/vijayandsofia/submit

Our new official remix is out for free, enjoy ;-)

FREE DOWNLOAD: baboost.com?l=488

✖ SUPPORT US:
- Spotify: goo.gl/vdwpEZ
- Instagram: www.instagram.com/vijaysofiazlatko/
- Soundcloud: @vijayandsofia
- TikTok: www.tiktok.com/@vijay.sofia.zlatko (We just start)
- Facebook: fb.me/tribubelgium
- Youtube: shorturl.at/mGIOR

✖ FEELING GOOD RECORDS
- Soundcloud: @feelinggoodrecords
- More to come soon ;-)

✖ BOOKING, INFO, REQUEST:
vijay.sofia.zlatko@gmail.com

Misun:
Soundcloud @misun
Facebook on.fb.me/1HaRGz6

Tanz Dich Glücklich:
LISTEN --> youtube.com/c/tdg_music
LIKE --> facebook.com/tanzdichgluecklich.de
SEE --> @tdg_music

Thanks for your Feedback ;-)

Greetz from Belgium

Vijay & Sofia

FREE DOWNLOAD

Misun - Harlot (Vijay & Sofia Zlatko Remix)

pre order : geni.us/Acidmonium
Artwork By h5.fr/
Courtesy of www.inagrm.com/ 
On tour : marathonfestival.eu/

BSR019 is the 1rst EP announcing a new album &of Arnaud Rebotini & Christian Zanési called “ FRONTIERES” .

An imaginary frontier separates Arnaud Rebotini and Christian Zanési. 
The former, born in 1970, found his place in the world of techno during the 1990s. The latter, born in 1952, is deputy manager and - above all - one of the official composers in the GRM (Groupe de Recherches Musicales - Musical Research Group), an important institution in the world of concrete and electroacoustic music.

No schools, no boundaries
These two styles of music - techno on one side and electroacoustic music on the other - are traditionally pitched against each other. However the two schools have a number of things in common, particularly the way they approach tone and the treatment of sound via electronics. Rebotini, who actually composed for the GRM, has often reaffirmed his admiration for composers like Bernard Parmegiani and Luc Ferrari. As for Zanési, after originally being in awe of Bartok and Stravinsky, he studied under Pierre Schaeffer in the1970s before discovering (rather late) the music of Kraftwerk and Cabaret Voltaire.
Sharing the same curiosity for classical, contemporary and electronic music (even noise), the two composers decided to bring together and confront their two styles of music in a shared project called Frontières, first on stage and then in the studio.
Over the course of their first live shows, the two musicians began to improvise, varying the intensity and length of the songs, whether playing in a club at 2am or in more traditional surroundings. Since the beginning they have been accompanied by video artist Zita Cochet who composes images to illustrate their tracks and serve as a backdrop to their concerts.

Digital vs. analogue
Playing some of the most revered analogue synthesisers ever manufactured, Rebotini brings to the project his taste for and mastery of arpeggios, layers of sound, percussion and sequences, all of which were behind the success of his classic albums Music Components (2008) and Someone Gave Me Religion (2011). As for Christian Zanési, he uses his laptop to deliver a host of electronic sounds - feather-light, thinned-down, unreal or a little rough - obtained by digitally altering natural and acoustics sounds.
And yet, it would be simplistic to describe the Frontières project as just a suite of techno tracks with added electro-acoustics.

A unique album, a unique collaboration between the worlds of techno and electro-acoustics, to be discovered during their autumn/winter tour of 2015-2016.

At first , Live création for Le centre Pompidou - Paris / Le centre des Arts D'Enghien-Les-Bains: www.centrepompidou.fr/ - www.cda95.fr/


Acidmonium - Arnaud Rebotini / Christian Zanési

Breton, "Edward The Confessor"

SIGMUND

Breton has announced the release of a brand new single ‘Population
Density’, due for release on 5th November 2012 on FatCat Records.
Recorded between festivals over the summer at the band’s creative HQ The
Lab, the band road tested it for the first time at the Route Du Rock festival
in France last month in front of 7,000 people – it was one of the highlights of the
set.There are two additional tracks on the single – ‘Governing Correctly’,
taken from the band’s debut much laude album ‘Other People’s Problems’
and a dub remix of ‘Governing Correctly from Ed Banger head honcho Busy
P.

The band have been playing festivals all over Europe throughout the summer
and have just embarked on their first headline tour of the States, Canada and
Europe, including a show at the Scala in London on 24th October.

September

7th – The Middle East – Cambridge, MA, USA
8th – Casa Del Popolo – Montreal, Canada
9th – The Rivoli, Toronto, Canada
11th – Magic Stick Lounge – Detroit, USA
12th – The Empty Bottle – Chicago, USA
13th – The Electric Owl – Wanvouver, Canada
14t - Barboza – Seattle, USA

15th - Rotture – Portland, USA
16th – The Echo – Los Angeles, USA
18th – Black & Mortar Hall – San Francisco, USA
21st – Festival Zikametz – Metz, France
22nd – Festival Jour et Nuit – Grenoble, France
23rd – Le Consortuim – Dijon, France
24th – Le Grand Mix – Lille, France
25th - Lun Des Pirates – Amiens. France
26th 6 par 4 laval, France
27th - Gaite Lyrique – Paris

28th – Temp Machine – Tours, France
29th – RDV De Terres Neuves – Begles, France

October
2nd – Abart – Zurich, Switzerlans
3rd – Yverdon – Amalgame, Switzerland
4th – Rockhouse Yeah Club – Salzburg, Austria
5th – B72 – Vienna, Austria
6th – Lucema – Prague, Czech Republic
8th – Rotor Salon – Berlin, Germany
10th – Ekko- Utrecht, Netherlands
11th - Botanique/Orangerie – Brussels, Berlgium
13th - Insanitus/Fluxus Ministerija – Kaunas, Lithuania
17th – Le Vauban – Brest, France
18th – Antipodes – Rennes, France
19th – Chabada – Angers, France
20th – Le Normandy – Saint Lo, France
24th – Scala – London, UK

December
7th – Club Control – Bucharest, Romania
11th – Les Adventuriers – Salles Jacques Brel – Fontenay-sous-Bois,
France

For further information please contact Heather Finlay at Sainted on 07747
611110 or at heatherfinaly@saintedpr.com.

Breton - Population Density

Mesparrow + Funken + Piano Chat 
Mansfield Tya Cover on RenYx

www.mansfieldtya.com/ReNYX.html 

2015-2017

berthu3