[BR-043] V/A - RIGOR MORTIS (pt.1) delivers a harsh soundscape filled with a captivating array of dark, varied noises from the depths. It begins with a slow descent, pulling you in until time seems to slip away. As the trip unfolds it tests your patience, driving tension to the edge, periodically shifting and controlling the overall mood. The interplay of muffled, strange, and surreal sonic textures draws you further into darkness. The experience feels as if you're being torn from reality, drifting into the unknown, caught in a blurred dream where everything around either contracts or expands. Piercing sounds occasionally pull you back to reality, or for some, cast you into a void perhaps even a state of expanded consciousness.

Track-list:
1. LES ANGES MORTS - Outer Threat 
2. B.Lindenleg - Slow Down The Burning Cold
3. Noisesculptor - Ancient Love 
4. KØNY - Labyrinth Of Doom 
5. ROBotron - Raptor 
6. M Reilly - Mother Fucker 
7. Coaxial Veins - Cortisol 
8. Capxul - Not Anyone 
9. L184 - Loviatar 
10. Killdollslowly - Tears And Fire 

Artist links:
https://soundcloud.com/capxul
https://allmylinks.com/capxul
https://linktr.ee/capxul

Artwork and designed by Beryllium

More about us:
instagram.com/berylliumproject
facebook.com/berylliumproject
http://berylliumproject.bandcamp.com

RIGOR MORTIS pt.1

Not Anyone

[BR-043] Capxul - Not Anyone

Coaxial Veins is an underground electronic music project which has been created for live performances and based on a dawless philosophy, but quickly grew into a full-fledged project.

C-V is inspired by the diversity of dark music, from early industrial bands to various types of experimental and rare directions and explores the most sides of them.

Just like live acts, the workflow includes the use of hardware gears, live and field recording, and many modern composing methods and techniques.

Sound of C-V consists of gloomy atmospheric synths and drones intertwined with any kinds of noise and rhythmic elements. 

C-V is a communication tool for human surviving in a dying world, which stops the blood, causing it to flow back.

@berylliumproject - base
@aabarkly - main acc

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Abrasive soundscapes with post-techno and noise elements. Spoken word voice. Atmospheric experiences traversing dark and dystopian worlds.

Robert Sipos, born 1974, first met techno at the end of the 90s; initially visited clubs, parties, absorbed the music and listened. Almost became a second home to the 1999 opening Supersonic Technikum, and related techno events. Those important and noteworthy for his professional life were DJ Grega, who unwittingly pointed the way towards techno, and Mixer Smith, who gave the first major technical equipment. Noisesculptor is unbroken since its inception, representative of this line which is not exactly popular: techno primarily within industrial and dark line moving - doggedly trying to stay underground, as far as possible these days... In addition to mixing the music, editing really is what fascinated him, looking and researching new sound. His music is both modern and ancient: from the era when music was born instinct, sounds, feelings...

Several publishers discussed - and discuss today. In 2011, Robert appeared on Mixer Smith's tel joint debut album, titled "General Effect", which is now the well-known not only in Europe but also in many countries of the world (Japan, USA), and appeared on the popular www.audioexit.com label. Subsequently began to draw attention to it in the domestic and international trade: the requests were mixes, radio shows. His first solo album (Structures) marked with the names of Exigent (Perlei Imre) was released on Paradise Gate Records. On the European level, he is well known as a contributor / radio  of the Art Style: Techno - Underground Techno magazine. His work has been featured on various compilation discs, and well-known DJs and producers like to use them for their mixes.

Independent international community.
Industrial, dark and experimental sounds

⚔️⛓️✡  The tree is still growing  ✡⛓️⚔️

(changing to Milibri ) AITNETNES - a mirror image of the word “sententia”, which from Latin means “opinion, view, way of thinking.” That is, this is an opposite judgment about already existing ideas. A different understanding of the philosophy of the sound wave, the interweaving of sound frequencies into a single rhythm of life, which moves and flows through the veins and veins of a person.