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A little over a year and a half ago, songwriter/composer Keegan DeWitt and multi-instrumentalist Jeremy Bullock stripped down a small Nashville row house to build a custom studio. In this space, and together with friend and drummer/producer Dabney Morris, they would record and eventually form a five-piece band around their debut album Youth. Initially shared digitally a little over a year ago, the album will now see a wide release through Mom+Pop on December 10th, 2013 as infectious debut single “Thunder Clatter” sits in rotation on SiriusXM’s AltNation.
Their vision was simple: to share songs akin to fleeting, auditory memories.  A collection of 13 captured moments, much like a found box of letters and photographs, Youth serves as a loose examination of how life refines us as we move through it, how the choices made along the way shape us in potentially unexpected ways. Mixing programmed sounds and live performances – and recorded in less than two months – each song was run through a TASCAM 4-track cassette tape recorder to maintain an intimate, diary-like feel. The lyrics scatter and focus, abstract and refine, encapsulating the elusive feelings of small moments cast aside, such as late night drives, the limitlessness of falling in love, and the freedom of finding a true friend or co-conspirator in an immense and sometimes empty world. The album transitions seamlessly between infectious electro-pop, tropical rhythms, and quiet washes of cinematic new wave reflection. It’s this evocative, cinematic quality that characterizes Wild Cub’s songs, influenced heavily by DeWitt’s extensive work in composing film scores (including 2013’s Academy Award-winning short documentary Inocente; 2013’s Sundance Audience Award for Best of NEXT winner This Is Martin Bonner; and 2010’s Cold Weather).
Since its initial small release, press and touring around Youth has mounted steadily and surely. Paste, Consequence Of Sound, MTV Hive, and The Wall Street Journal’s Speakeasy blog (’12 Acts to Watch at the 2012 CMJ Music Marathon’) all shortly took notice. Things began to take on a break-neck pace of their own in early 2013, with Wild Cub performing at designer Rebecca Minkoff’s Fall ’13 NY Fashion Week show, snagging NylonMag.com’s ‘Band Crush’ stamp and major support from influential station KEXP (“…[Wild Cub’s] brand of darkly-tinged new wave recalls elements of the youthful abandon of John Hughes soundtracks, the baleful allure of Greg Dulli, and the clockwork electronics of New Order’s middle period”), while “Thunder Clatter” was highlighted in Entertainment Weekly’s ‘Singles Swap’ feature. Youth gained notable UK press attention at this time from Clash Music, The Guardian, The Line Of Best Fit, and Top Shop, as Wild Cub’s tracks, remixes, and visually arresting videos continued to premiere in the States on sites including InterviewMagazine.com, RollingStone.com, Noisey, and SPIN.com, among others. The band completed its first two US tours and hit festivals like SXSW (playing eight shows), Hangout Fest, and Lollapalooza (including a sold-out afterparty with UK stand-outs Palma Violets), while Alt Nation began championing Wild Cub as DJ Jeff Regan independently added “Thunder Clatter” to heavy rotation. Roughly 18 months since recording the first rough sketches of Youth in that row house in Nashville, Wild Cub headlined a brimming crowd at New York’s Bowery Ballroom after selling out both the Mercury Lounge and Glasslands a few months prior.
In addition to fall festival dates that include a stop at Austin City Limits, Wild Cub will travel to the UK for two debut London shows in November, where “Thunder Clatter” has made waves on the Spotify Viral and iTunes Top Singles charts after soundtracking a Bose ad. Youth’s wide release through Mom+Pop will also include two bonus tracks, “Blacktide” and “Lies.”
Wild Cub is: Keegan DeWitt (vocals/guitar), Jeremy Bullock (guitar/synths), Dabney Morris (drums), Harry West (bass), and Eric Wilson (keys/synths).

Archpalatine - One of the freshest new artistic voices standing out amongst the backdrop of the City of Brotherly Love’s many multi-faceted and musically talented artists. Archpalatine the singer, songwriter, pianist, performer, and charismatic band front-man Derek Anthony Wilson is poised to not only create a lane for himself and his bandmates (Anthony Pompey - vocals, Aaron Wolf - percussion, Ben High – bass, and John Palmer - synths and direction) but also blaze a trail for creative risk takers, soulful story tellers, and theatrical musicians who challenge the old guard of musical gate keepers.  

Wilson is a classically trained concert vocalist, National Marian Anderson Historical Society scholar artist, and internationally touring musician who’s accolades both on and off-stage are only rivaled by his desire to use his musical platform and gifts to initiate and support social change, engage spirit and talent, and course ambitions within the musical landscape. With a penchant for beautifully and seamlessly blending genres, Archpalatine sires a sound that is just as difficult to pigeonhole into one category as it is to forget.  

Archpalatine breaks down genre to create a new sound that may eloquently and appropriately be called “Histrionic Cosmic Soul”.  The feel-good music gifted to the audience at an Archpalatine show offers a long-time abandoned experience that can be enjoyed by every group of people from all walks of life, every taste in entertainment, all preferences and interests, and moves the soul, be it in the form of smiles on faces to dancing out of your seat. 

Archpalatine infuses his musical presentations with theatrics traditionally reserved for stage shows and are reminiscent of large-scale Broadway features — be they performed on a grand scale, in intimate rooms, or at the trendiest outlets.  Performances by this musical powerhouse develops rapport with the audience, encourages audience participation through call & response, and incorporates danceable rhythms. Shows regularly include one-of-a-kind fashion designs and electronic components that engages both the audible and visual senses, alike.  Not content with mere showmanship and intriguing music that makes you feel elation? Archpalatine aims to leave his audience so infused with good vibes and positivity that any in attendance is prone to leave a show feeling more jubilation than possessed upon arrival. 

Archpalatine provides a voice and an instrument to the feelings of hope, joy, love, and triumph that is so needed in this current climate. This serves as a departure from the mundane and discouraging weight and obligation life places before us. Archpalatine has been named among WXPN’s “The Philly 100” list as well as a designated staff pick for ALT 104.5’s & iHeartRadio’s 2019 Year End Awards.  

Trends fade, new artists come and go, but Archpalatine is the stuff of legend and poised to make each next year his best year, this last year his past year and his right now IS what’s next.  With the recent release of their leading single “Riding & Rolling” (written by Wilson and Danny Newport) from Archpalatine’s latest offering “Transition Period” [EP]. I introduce and welcome you to Archpalatine.

Ansolo is 21 years old out of NYC,
His record Unite, which dropped on Tom Staar's brand new label Staar Traxx, charted at #5 on the beatport progressive charts, His follow up TOTEM along with Tom Staar released SIZE records. TOTEM had a tribal assault on the charts both on Itunes, ( #9 Dance ) and Beatport ( #3 Progressive house)
Ansolo has gained support from

Steve Angello 
Nicky Romero 
Afrojack
Above and Beyond
Armin van Buuren
Tiesto
Hardwell
Knife Party
DADA LIFE
Bingo Players
Sander Van Doorn
Fedde La Grand
Deniz Koyu
Tommy Trash
Thomas Gold
Sunnery James & Ryan Marciano
Dannic
Showtek
Chuckie
R3hab
Morgan Page
Danny Howard on BBC

And a lot more :)



I love music🎵
https://sikdope.komi.io

Management: Jacob.m.gitt@gmail.com

Bookings: robb@supermodifiedagency.com, sam@supermodifiedagency.com

Don’t sleep on Sikdope; he’ll make sure it costs you. The young Polish beatsmith has built a reputation as a chameleon in the studio — from vicious bass-house to radio-ready progressive cuts and futuristic trap sensibilities — with an uncanny knack for keeping everyone guessing. Sikdope’s brand of merciless festival ammunition would go on to catch the ears, and co-sign, of Calvin Harris on his breakout hit, “Snakes,” essentially lighting a fuse that just continues to burn. Now the tenacious young producer has one hand firmly gripping the wheel and a lead foot flooring the gas, steering the direction of electronic music’s most exciting new sounds. When he’s not relentlessly canvasing club and festival circuits across the world, the “My House” producer is usually buried under headphones in the lab, tampering with dangerous new club-primed sonics, building an endless catalog of blistering original works and head-splitting remixes. With a decade of classic musical training at one of Europe’s top production schools fueling his creative process, Sikdope constantly has an arsenal of new projects ready to be loaded into the chamber at a moment’s notice. Simultaneously pressing his brand of punishing trap products to innovative new limits and helping pioneer a colossal bass-house swell, Sikdope is an ever-increasingly menacing force, both behind the console and the decks. A growing legion of fans all over the world, from Los Angeles to Sydney with a massive movement forming in Asia, know one thing is certain, “music is the cure,” and Sikdope consistently proves to have the remedy. Having dominated festivals across four continents —from Belgium’s Tomorrowland to EDC Orlando’s Main Stage — with releases on Spinnin, Fly Eye, and now Tiësto’s legendary Musical Freedom powerhouse, Sikdope is positioned as one of today’s most explosive talents, and he’s dead set on taking over the game.

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