A song in which we channel our inner Portishead........

I guess it was just my own world
After all
Having you as the other part
Was nothing more
And nothing less than illusion

Oh you really fooled me good
Oh so good
Good, as in pleasantly 
And good as in sublimely
Good as in nothing wanting
As in I thought you were just too good to be true

CHORUS
Who was the one
Who always said forever and ever
Don’t forget
Who was the one who always said
We were a perfect fit
Who was the one 
Who had no doubt 
The future lay right ahead of us
Who was the one who said
That we were all that we needed
Don’t forget (x3)
It was I all along

Having you as the other part
Was nothing more
And nothing less than illusion

Oh you really fooled me good
Oh so good
Good, as in completely
And good as in oh so very cleverly
And good as in I was good and gone for you 
As in you had me hook line and sinker good

Repeat CHORUS

Oh you fooled me good
Oh so good
As in your disguise was crafted with care
But I had no idea 
They made those costumes
In such a slim fit

9000 Things To See

Keep Me Forever

Slim Fit

Primitive

The backing is a layered series of experiments in creating textures, primarily using the Noire piano. Helen then improvised a vocal performance we might describe as a dreamlike stream of ideas and motifs. After some initial hesitancy wondering what it was we were creating, we decided we rather liked the end result and thought we'd share it to the cloud.

Sparrow

Tokyo Bay Wonder Tour

Swimming with Sharks

After a longer break I needed some inspiration from Cecilia again and I remixed one of her great songs. This time I worked with some finished funky guitar loops, but I also recorded a few tracks myself. You can hardly hear it. Maybe that's better 😄. It's not a masterpiece, but I really wanted to get back into SC. It's good therapy in these crazy times.

Open collab by @specialececilia 
Original Version: https://soundcloud.com/specialvocals/keep-good-vibes-alive-acapellas-special-cecilia
Lyrics & Vocals: Special Cecilia  
Music & Arrangement: OMCB

Cover Picture: Pixabay.com

Lyrics:

Keep Good Vibes Alive & Let them Multiply...
World Wide, World Wide for Better New Times

Thinking Positive than Singing Positive 
Singing Positive Than Thinking positive
Thinking Positive than Singing Positive 
Singing Positive Than Thinking positive

Keep Good Vibes Alive & Let them Multiply...
World Wide, for Better New Times, for Better New Times, for Better New Times

Yeh oh Yeh oh Yeh
Universal Kindness
Universal Mind Set 2X

Happiness no stress.... 3X

Wherever World over
No matter the wheather, no matter the struggle 
with experience we learn , we can get stronger, we can get wiser 
& than we can go further

Good Music is Delicious Food for the Soul 
it give us inspiration uplift & linked us all

Yeh oh Yeh oh Yeh
Universal Kindness
Universal Mind Set 2X

Happiness no stress 3X

let's Be our best without cess
Let's do our best feel life is a bless
let's be our best live in the fullness

Yeh oh Yeh oh Yeh

Universal Kindness
Universal Mind Set 2X
Happiness no stress

Free Download

Keep Good Vibes Alive - Special Cecila & OMCB

___🎹_____A_N_O_T_H_E_R___M_U_S_I_C_____🎹___
_____BE CURIOUS, CREATIVE, INVENTIVE, DARE!_____

It is obvious that we are going to run out of resources in many areas, humans are asking too much of our poor, depleting planet, but what is going to be sorely lacking and is essential to life is WATER!

🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork - Pier WILL
🙏 - Acknowledgements - Ableton, Arturia, Audacity, Cantabile, MSI, Focusrite, Korg, M-Audio, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Electro #Experimental #Minimal #Space

❤️Love, 🕊️Peace, 🙏Respect

The Water War

Inspired by the Artemis project by NASA to return to the moon

Return To The Moon

Моя Казкова

Echoes of Avalon

The Birth of Infinity

Back in early 2019, I released a single called Distant Visions. After hearing it, a fan commented:
“Almost sounds like something from a second interstellar suite.”

They were referring to my 2006 album The Maestoso Interstellar Suite—a project I re-released with extended material in 2016 for its 10-year anniversary. That comment stuck with me. Did it feel like a sequel? Could it be?

I toyed with the idea. But having just expanded the suite into a double-disc format in 2016, I wasn’t sure a sequel was the right move—especially given how the original was structured as a continuous, uninterrupted journey. I had also briefly considered a vinyl edition, but the flow of the piece and the 22-minute-per-side vinyl limit made it a poor fit for that format. The experience would have been compromised.

Around that time, I released a “radio edit” version of the suite called Singularities to provide an accessible entry point. But if I returned to the suite with new material, I feared I’d be stuck doing the same thing again: a full continuous version and a separate edited version. Frankly, I didn’t want to go through that process again—and since then, I’ve moved away from long single-track formats entirely.

Even then, I was already thinking about vinyl-friendly runtimes, aiming to keep my future projects under 44 minutes so they could fit comfortably on a single LP. I’ve also significantly upgraded my gear and virtual instrument libraries since that time, giving me access to orchestral and hybrid textures I could only dream of back then. Now I have the tools—but what should I do with them?

I thought: Maybe I don’t need a sequel at all. Maybe it’s not about making The Maestoso Interstellar Suite Part II, or Return to Maestoso, or anything like that. Maybe I just need to reimagine the entire idea as something ongoing—something open.

Looking back, I always felt I had to make compromises when producing the 10-year edition. Some sounds weren’t what I was hearing in my head. Hardware limitations forced me to bounce tracks just to finish mixing. I wanted that big, lush, hybrid orchestral sound—and I couldn’t quite get there.

Now I can.

And I’ve got older projects—like La Famille Du Solénoïde (The Family of Sol)—waiting for a modern update. Thematically, they fit perfectly.

So I’ve made a decision:
I’m not making a sequel to The Maestoso Interstellar Suite.

Instead, I’m creating something bigger.

Introducing Infinity

Infinity is an evolving series. A collection of volumes. A universe of sound that has no end—only pauses between stars. It’s not a sequel. It’s not a remix. It’s a living archive of exploration—part ambient, part orchestral, part space music, and completely me.

And to start, I’ll revisit the music that inspired it all.

I’ll go back and refine The Maestoso Interstellar Suite one final time—polish the edges, rework the structure to be vinyl-compatible, and finally bring it closer to what I always heard in my head.

But I won’t just re-release it.

I’ll rebrand it.

The Journey Begins

The Infinity series begins with:

Infinity Volume I – The Maestoso Interstellar Suite

Infinity Volume II – Singularities

Each will stand on its own—but together, they form the beginning of something open-ended. Something I can return to any time inspiration calls.

Infinity has no final tracklist. No end. Only volumes.

And when I’m ready, I’ll add another.

Maybe it’s a crazy idea. But that’s okay—I’m doing this for me.
And I hope you’ll enjoy the journey too.

🎧 Listen on your favorite platform:
🔗 owtt.lnk.to/infinity1BC  

Intermission II

We're late starters, hence the name.  Andy started playing and learning how to use a DAW to keep distracted during the covid lockdown, while Helen finally realised a long held ambition to have a go at singing, and is now both writing and performing.
We love the community on Soundcloud, where we can share our music with like minded souls.

Andy & Helen

Sparrow

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