For the past decade, Mad Decent has been invading your ears with fresh sounds. With humble beginnings in Diplo’s Philadelphia studio, Mad Decent’s unwavering mission is to highlight underground, genre-blurring sounds. Mad Decent tops iTunes, Beatport and Shazam charts worldwide with #1 Dance tracks and albums with releases from artists like Major Lazer, Dillon Francis, Grandtheft, Party Favor, NGHTMRE and Yellow Claw. Mad Decent is also home to Good Enuff, a launchpad for artists breaking the norm; notable releases include Bauuer’s “Harlem Shake” and DJ Snake’s “Bird Machine.” As an extension of the Mad Decent sound, Mad Decent Block Party was established in 2006 and now spans across North America and India.

Booking request:  listening.to.exit@gmail.de

„Exit heißt zwar Ausgang, doch bei seiner Mucke verlässt nie jemand den Floor. Drückende Kicks, die dir deinen Magen umdrehen, zusammen mit Melodien, die dich die Zeit vergessen lassen, liefert er mit seinem Sound, der dir keine andere Wahl gibt – außer zu TANZEN! Seit vielen Jahren ist er schon Teil der Bumsmusik-Crew und bereichert jede Party mit seinen einzigartigen Produktionen. Wer sich da noch fragt, wie man die Party am besten verbringt, bekommt genau eine Antwort, nämlich: „LISTENING TO EXIT“.

Referenzen:

- Alte Wollspinnerei Altenburg -
- Hardraise Festival Festwiesen Loburg-
- Altes Ziehwerk Delitzsch -
- Glashaus Worbis -
- Panoptikum Kassel -
- Mikroport Club Krefeld -
- MLK Blankenburg -
- Lovebase Berlin -
- Aerosol Arena Magdeburg -
- Diamantbrauerei Magdeburg -
- Factory Magdeburg -
- Ellen Noir Magdeburg -
- Weekend Club Wolfsburg -
- Holi Helmstedt -
- Musikbrauerei Rathenow -
- Crazy Friesack -
- Miami Stendal -
- Stube Kirchmöser -
- EQ Stundentenkeller Brandenburg -
- Haus der Offiziere Brandenburg -
- Tabakfabrik Haldensleben -
- Flash Club Osterburg -
- Gleis 1 Genthin -
- Kulturhaus Genthin -
- MBIA Berlin -
- Paradox Augsburg-
- Wiesenklang Festival -
- Love Music Festival 22 - 
- Heidewitzka Festival 22 -

OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

atrak.komi.io
www.atrak.com
www.foolsgoldrecs.com
www.goldieawards.com

https://www.youtube.com/watch?v=OWymsDBqmkI

Betti Bartels is following