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Purple Moon Dogz Howling

Dirty Orange Puppet Head (You lied to me)

Dirty Orange Puppet Head

This is a preview of a track that was inspired by a conversation I heard between a group discussing 'work' they had  done. I exaggerated it for impact.  Thanks for listening.

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Breakup rage meets punk-pop sarcasm. Shredding Your Script is built to blow the roof off.  

© 2025 Karen Dyer. All rights reserved. Lyrics by Karen Dyer. Demo version. For promotional use only. Not for reproduction or distribution without written permission.



Shredding Your Script

Friends, this is a little song that hopefully makes you feel something. The good thing about this song is that you can hear it multiple times without losing too much time :)

Artist: Reverend Sulanke
Title: The Grey Amnesia
Genre: Post-Punk / Dark New Wave / Coldwave

"The Grey Amnesia" is the first transmission from Reverend Sulanke – a phantom ensemble summoned from the backrooms of a half-forgotten Berlin ballroom, where the raw nerves of early The Cure meet the mechanical pulse of Fad Gadget, and the storytelling despair of Johnny Warman collides with the synth-stabbed melancholy of Depeche Mode’s "Speak & Spell" era.
A 7-minute maxi-single that unfolds like a fever dream: jagged guitars weave through ice-cold synths, while a bassline throbs like a bruised heart. The vocals – half-spoken, half-sung – drag you through the corridors of a memory that isn’t yours, where "the walls are made of static and the floor is made of broken vinyl". This isn’t just a song; it’s a seance. A tape loop of regret, played on a machine that’s always on the verge of collapsing into silence.

Recorded in the dead of night, with the ghosts of 1980s analog gear breathing down its neck, "The Grey Amnesia" is the sound of a band caught between punk’s fury, new wave’s glamour, and the gothic storytelling of a war that never really ended. Think Robert Smith’s guilt, Vince Clarke’s circuits, and Frank Tovey’s (Fad Gadget) clanking paranoia, all stitched together with the thread of a novel you can’t put down.

Written in E minor – the key of melancholy, rebellion, and haunted ballrooms. ‘The Grey Amnesia’ wraps its lyrics in the same dark embrace as The Cure’s ‘Disintegration’ or Siouxsie’s ‘Juju’, but with a heartbeat of 174 BPM.

Did you know? ‘The Grey Amnesia’ was recorded in 441 Hz – the same tuning as a heart racing just a little too fast. 🎵💓

Credits:
Written and produced by Frank Talmon l’Armée 
Band: Reverend Sulanke
Instruments: "Guitars drowned in chorus, synths tuned to despair, drums like distant gunfire"
Mastered on a reel-to-reel machine that may or may not be haunted.

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Künstler: Reverend Sulanke
Titel: The Grey Amnesia
Genre: Post-Punk / Dark New Wave / Coldwave

"The Grey Amnesia" ist die erste Sendung von Reverend Sulanke – einem gespenstischen Ensemble, das in den Hinterzimmern eines halb vergessenen Berliner Ballsaals beschworen wurde, wo die rohen Nerven der frühen Cure auf den mechanischen Puls von Fad Gadget treffen und Johnny Warmans erzählerische Verzweiflung mit der synth-durchzogenen Melancholie von Depeche Modes "Speak & Spell"-Ära kollidiert.
Eine 7-minütige Maxi-Single, die sich wie ein Fiebertraum entfaltet: zerrissene Gitarren flechten sich durch eiskalte Synths, während ein Bassline wie ein geprelltes Herz pocht. Der Gesang – halb gesprochen, halb gesungen – zieht dich durch die Korridore einer Erinnerung, die nicht deine ist, wo "die Wände aus Rauschen und der Boden aus zerbrochenem Vinyl" bestehen. Das hier ist kein Song. Das ist eine Séance. Eine Endlosschleife aus Reue, abgespielt auf einem Gerät, das jeden Moment in Stille zerfallen könnte.
Aufgenommen in der Tiefe der Nacht, mit den Geistern analoger 1980er-Technik im Nacken, ist "The Grey Amnesia" der Klang einer Band, gefangen zwischen Punks Wut, New Waves Glamour und dem gothischen Storytelling eines Krieges, der nie wirklich endete. Stell dir vor: Robert Smiths Schuld, Vince Clarkes Schaltkreise und Frank Toveys (Fad Gadget) klirrende Paranoia, alles zusammengenäht mit dem Faden eines Romans, den man nicht weglegen kann.

In E-Moll komponiert – der Tonart der Melancholie, der Rebellion und verfallener Ballsäle. ‘The Grey Amnesia’ hüllt seine Texte in denselben düsteren Klang wie The Cures ‘Disintegration’ oder Siouxsies ‘Juju’, aber mit einem Puls von 174 BPM.

So wie der Roman ‘Hinter uns das Land’ mit den Grenzen der Erinnerung spielt, verschiebt 441 Hz die Grenzen des Klangs – eine kaum merkliche Veränderung, die alles anders fühlen lässt.

The Grey Amnesia

Old Friend

Perfect Day (Lou Reed)

Maybe Tomorrow

Hold On

Headlights

Good Wood

‘Is Love Even Real?’ Serves as the official first album track release, from Kiera’s upcoming sophomore album ‘Through My Eyes’.

Is Love Even Real?

Let's Heal Today

Ils sont là comme des cons 
Attendant leurs pensions 
On leur dit de ne pas bouger 
Que ce n'est qu'un cap à passer 

Menace rouge et soleil vert 
Une dose de plus dans les artères 
Une dose de démocratie pour mieux vous faire taire 
C'est le bal des abrutis 
Le bal des endormis 
Le bal des abrutis qui applaudissent sur leurs sorts
C'est le bal des abrutis 
Le bal des endormis 
Le bal des abrutis 
Que veux-tu que je te dise

Moutons affamés attendant la tonte 
Moutons se jetant dans le précipice 
Moutons finis à la pisse 
Complices involontaires et gaulois réfractaires.
Complices involontaires les genoux à terre.

Le bal des abrutis

“Forever Only (One and Only)” continues the story that began with Love Risk (Interlude) — a reflection on vulnerability, growth, and the balance between love and purpose. In Love Risk (Interlude), J 2 5 explored the hesitation that comes after heartbreak — the fear of giving your all again. Forever Only (One and Only) moves forward from that space, embracing the idea of loving freely and unconditionally, even when it means letting go. It’s about understanding that love doesn’t always have to end in possession; sometimes, true love is allowing someone — and yourself — to keep growing.

This track also showcases a new side of J 2 5, using a different resonance in his voice that brings a warmer, more soulful tone without straying from his signature depth. It’s a slightly different sound — experimental yet authentic — reflecting his continual evolution as an artist. While it steps outside the familiar, it still carries the emotion, truth, and vulnerability that define his music.

Unreleased Forever Only(One and Only)

Finnish artist and multi-instrumentalist.

Headlights

Between Crises