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feb22

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Object Blue with ZVRRA & DJ GIRL - 30 January 2022

For the first Therapy Dog show of the year, I invited Imaginary Friend's DJ Fart in the Club (@2shy2dj) at @refugeworldwide . We had a nice little b2b with lots of fun tracks :)

Therapy Dog #3 w/ DJ Fart in the Club & ophélie @ Refuge Worldwide - 19/01/2022

While a lot of DJ mixes attempt to build up an intensity throughout, the trajectory of this mix that @Northworks has created is one of decompression and release as it begins in an atmospheric techno space before gradually melting into some blissful ambient.

Connect with Northworks:
@Northworks
https://www.instagram.com/northworksmusic/
https://twitter.com/northworksmusic

Connect with Self Control Records:
@self-control-records
https://www.instagram.com/selfcontrolrecs/

Tracklist:
1. Persuasion - Pure Delusion [idioms]
2. JakoJako – Eos [Leisure System]
3. Barker – Bent [Ostgut Ton]
4. Mor Elian - Radical Spectacular [FEVER AM]
5. Ilana Bryne - Theoretical Medical Genitals [Naïve]
6. Lone – Realise [Greco-Roman]
7. Future Self - Awake (Northworks Trip Around The Sun Remix) [Self Control Records]
8. Hauschka - Ping (Vainqueur remix) [FatCat Records]
9. Synkro – Transition [Unseen]
10. Manfred Hamil - The Light [Steve Kelly]
11. Optmst - Mindshower
12. Fordell Research Unit - Haints
13. Toby Wiltshire - The Wave and the Water [Cue Dot Records] 
14. Nailah Hunter – Talisman [Leaving Records]
15. Northworks - Keep Trying

Connect with We Are Machine:
@wearemachinemusic
https://www.youtube.com/WeAreMachine
https://www.instagram.com/wearemachinemusic/
https://www.facebook.com/wearemachinemusic

We Are Machine - Afterhours 016 - Northworks

prof.amatör w/ fosil | Root Radio 31/01/2022

Ahead of the release of her new album, 'The Long Count', on @modernlove, @yourdebit records a “pre-hispanic to post/transhispanic ambient mix” for the Recognise series

As Debit, the Mexican-American producer, DJ and audio engineer Delia Beatriz has released thunderous, triplet-filled club music, invigorating ambient, and percussive remixes. She also DJs for Azaelia Banks, and on her new album, combines ancient Mayan wind instruments with machine learning. She speaks to Eoin Murray about her desire to contribute to the canon of electronic music, working with new tech, and making ambient music that goes beyond “beautiful”

Interview & tracklist: https://djmag.com/features/recognise-debit

Recognise: Debit

https://www.youtube.com/watch?v=VqLhCNoCxcI

RETRO X- CROWLEY (VISUALS IN DESCRIPTION)

Retro X - nrgy (Prod.Faya)

In a time when Jazz music is entering a contemporary renaissance and exciting the ears and minds of new audiences, Zombie Zombie's Étienne Jaumet offers us his unique, idiosyncratic take on the sound with the sprawling “8 Regards Obliques”, his 3rd solo album with the Versatile label.

Jazz requires a certain freedom of technique, interpretation and improvisation that already matches Jaumet’s own production style and sonic aesthetic as well as his playful approach towards music.
The eight pieces that make up the new LP were very quickly recorded; Jaumet let himself be carried away by the atmosphere without focusing too much on fine details or the laborious aspects of the composition process.

The finished article is a spontaneous collection that stands out, a true mirror image of the creative process adopted by the artist. Not surprisingly, spontaneity is one of the characteristics already present in his music, in both his recorded output and his live happenings, where he leaves much room for freedom and improvisation.

“8 Regards Obliques” was recorded at the Versatile studio in less than 3 weeks with quite a basic set up: TR 808, selected synthesizers, vocals and of course the saxophone, which is a constant presence also in his previous albums.
For the mix Etienne has again appealed to the maestro I:Cube, a central figure of the Versatile story and a prodigious engineer and artist in his own right. He immediately understood that it was necessary to keep the spontaneous side alive and to not over-produce the pieces or over-edit them, being constantly mindful to retain the power in the sound and in the frequencies.

From Sun Ra with “Nuclear war”, Miles Davis in “Shhh / Peaceful” or “Theme from a symphony” by Ornette Coleman to “Caravan” (already quoted by many jazzmen), Etienne enjoyed revisiting classic masterpieces and paying tribute to his inspirations. He allowed himself only one personal and original composition, “Ma révélation mystique”.

8 REGARDS OBLIQUES

Nuclear war

FOSCONEC2 (prod. Raaash)

Je Suis Venu Te Dire Que Je M'en Vais ft pointwave (ubrajkov)

https://mutualism.uk + http://yco.life

radio on https://nts.live

contact/bookings: bftt[at]yco[dot]life

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