(all music by grischa lichtenberger, except all vocals by artists as stated below, machine-isolated)

00:00 0120_19_kt ns [vs.] john j. niles - brother's revenge
03:05 0420_10 lisafem porn glt [vs.] perfume genius - moonbend
05:11 0919_03_ gran dr loop [vs.] perfume genius - moonbend
08:47 0621_04_re 0820_18_re 0717_26 [vs.] jeff buckley - mojo pin
11:20 1008_18_lv 2 ss1 [vs.] cat power - crossbone style
14:44 0122_16 git re 1015_25 [vs.] elliot smith - twilight
17:54 0820_19_re 0916_23_re 0916_02 lv1b [vs.] the van pelt - you are
22:02 0921_05_feedback 2_0921_13 [vs.] fiona apple at lago
26:13 0220_16_spnt 1d ostranenie parasite [vs.] 0222_windows screenreader
30:03 0621_17_vcv recsd dub 2 [vs.] bob marley - war
35:14 0921_13 lv 1 0220_28 ostr [vs.] aldous harding - horizon

"The Disaster is the time when one can no longer - by desire, ruse or violence - risk the life which one seeks, through this risk, to prolong. It is the time when the negative falls silent and when in place of men comes the infinite calm which does not embody itself or make itself intelligible." M. Blanchot, The Writing of Disaster

https://youtu.be/SL4ydI_zU2E

0322_hauntological mixtape (zeitenwende/turning of times vs. the time is out of joint)

BEAT DESTRÓI PAREDÃO - DJ THIAGO MARTINS E DJ BONEKINHA IRAQUIANA

KH - Essential Mix 2022

Artist - Title - Label

01 T Williams - Way One - n/a
02 Skrillex + Boys Noize - Want Some More - n/a
03 Altrice - bda creature - Jiaolong
04 Altrice - eyes - Jiaolong
05 Koreless - Joy Squad (Facta + K Lone remix) - Young
06 Anna Lunoe - Back Seat (Chris Lorenzo Instrumental) - NLV
07 Dog Blood - Turn Off The Lights (RamonPang flip) - n/a
08 Anna Lunoe - Back Seat (Chris Lorenzo Instrumental) - NLV
09 Hagop Tchaparian - Round (Four Tet DJ version) - Text Records
10 KH - Feelings - n/a
11 Anish Kumar - Aa Gayi - n/a
12 Benomorph - B4 I die - n/a
13 Nikki Nair - Showmelove - n/a
14 Anthony Naples - Swerve - Running Back
15 Hagop Tchaparian - GL - Text Records
16 Oklou - God's Chariot (SH Remix) - Welt Discos
17 Four Tet - Mango Feedback - Text Records
18 Karima F - Crab Ride - 
19 Waleed - Se Rompen - City Slang
20 Four Tet + Fred Again - Unreleased demo - n/a
21 Fear Of Jazz - Moon In Pisces - n/a
22 A+A - North Star - n/a
23 Joy Orbison - Pinky Ring - XL
24 Floating Points - Vocoder - Ninja Tune
25 Floating Points - Problems - Ninja Tune
26 East Man - Selector -
27 Two Shell - Round - n/a
28 Chloé Robinson + DJ ADHD - Pax (Four Tet remix) - Pretty Weird
29 Chloé Robinson + DJ ADHD - Redbull - Pretty Weird
30 Flume - Sirens - Transgressive 
31 HiJinx - Shush -
32 Sir Spiro - Check -
33 KH - Looking At Your Pager - Ministry Of Sound
34 Adam F - Circles (Pola & Bryson bootleg) - n/a
35 Skrillex - Supersonic - Atlantic
36 Daphni - Cloudy - Jiaolong
37 Four Tet - Scythe Master - Eat Your Own Ears

KH Essential Mix 2022

Taken from SBKT055: TRANCE BAND - Entrancing
Release date: 3rd March 2023

In a global landscape that increasingly prioritizes individuality over collaborative expression, TRANCE is a distinctive project. Initiated by Chinese multidisciplinary artist Tianzhuo Chen, best known for his work with Asian Dope Boys, TRANCE is as artistically amorphous as its constantly evolving line-up, that fluctuates as it shimmers across borders and time-zones. In 2019, the project was demoed in Beijing as part of a solo exhibition from Chen, a 12-hour durational performance that examined the altered states of living and dying and pondered the sounds, sensations, bodies and spaces that notion might suggest. On hold for three years due to COVID-19 restrictions, TRANCE was eventually premiered in Hamburg at the Kampnagel Theatre last year where it was presented as a surreal three-day ceremony. This time around the Trance Band was made up of Berlin-based noisemaker and vocalist Dis Fig, Indonesia's Gabber Modus Operandi, musician and MC KIM KHAN, guitarist and engineer Felix-Florian Tödtloff, and Vancouver-based percussionist and producer CITY. Chen directed the show, channeling each artist's unique energy into an alliance that highlighted their independent skills while pushing towards ideas that simply couldn't have been realized discretely.

"Entrancing" is a live documentation of that incendiary Hamburg session, powered by the performative fireworks that came from having the project halted for two years before it was allowed to burst into life once more. Just as with previous iterations of TRANCE, the space was terraformed into an alien landscape that allowed the collective to enact a carnivalesque display that was tightly controlled but creatively boundless. Musical u-turns were accompanied by monumental stage overhauls that reshaped a muddy, fog-filled outdoor riverscape into an arena, or a sweaty nightclub. This theatrical impact can't be visualized as clearly on the record, but musical cues do just enough heavy lifting to provide a tantalizing contour. When the alluring electro-acoustic plucks and resonant sustained string tones of 'There's a Ghost in the Lantern' cascade into cinematic drone metal on 'Ylva's Theme', it's impossible not to be drawn into the TRANCE narrative. Sonic stage lights flicker with uncommon intensity as the nebulous group rewrite their collective personal stories into stirring, synergistic poetry.

"Something changes!" KIM KHAN calls out on 'Soft and Black', cutting through warbling synths and itchy beatbox percussion. The track builds quickly, reaching a sizzling crescendo of buzzsaw noise and acidic electronics. It's a stylistic sea change that channels the group's kinetic energy into a rock show, and CITY picks up the message on 'Trance Genesis', adding rapid-fire drums to a barrage of guitar skronk. 'Shaolin Affliction' glues Trance Band's jagged artistic edges to a vintage metal template, gradually dissolving into throaty post-hardcore, while 'My Fortress' brings the show to a powerful conclusion with Dis Fig assuming the role of grunge balladeer, bellowing into the void over cacophonous live instrumentation. Unbound by musical and artistic conventions, TRANCE peers out from the basement, the gallery and the playhouse to forge an expression that's all of this and something new entirely. It's refreshing, witty, exhilarating and most of all, completely unpredictable.

Entrancing

v1984 & City - Parallel Phrases [digital only]

ai ai ai ai bota bota bota bota

Quem quiser baixar aperta em comprar tá dl grátis

CUUUUuuuuuuute - Rosalia

CUUUUuuuuuuute - Rosalía (Levysso Edit)

"microwebs" is an experiment on interactive systems, cybernetic music, smartphones and spatial sound. simple synthesis processes are connected in web of sounds, each interacting with the other creating feedback paths. to perform live I manipulate higher level meta parameters that each synthesis process implements in its own way. 

this recording is composed of some parts of a 30 minutes performance I did at /rosa in Berlin, in September 2023. in the space the sound was send directly to the audience phones as individual channels, in total 32 channels were available. for this recording I mixed down the 32 channel recording to stereo.

microwebs live @ /rosa [excerpts]

mini christmas precursor to upcoming full album "Weltuntergangs Blues" // cover painting: "Das Alter begräbt die Jugend" by Erich Gerlach, 1945, DDR

Outro

Hakuna Kulala is excited to share with you this compilation of works and collaborations, result of a 2 year residency program titled "Afropollination" between artists from Mali, RDC, Rwanda, Uganda, South Africa, Tanzania and artists based in Germany, many of whom from African descent. The aim of this project was to create cross pollination effect between different artists, cultures and disciplines, fostering community, friendships, collaboration and inspiration and of course new music and art. As works continue to develop, here is a first compilation of works produced by the artists in residency.

AFROPOLLINATION is an initiative by Piranha Arts and Boutique Foundation / NYEGE NYEGE in collaboration with MS Stubnitz , Singeli Movement , Modaperf , Yoke Collective , COSMO Radio, Pussy Party, Morphine Studios, Festsaal Kreuzberg , CTM Festival and funded by the Fonds TURN2 of the Federal Cultural Foundation of Germany (Kulturstiftung des Bundes).

microwebs live @ /rosa [excerpts]

bgola

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