✿♥ (^v^) ♥✿ !!!!!

Tracklist:
SCYTHE - LUMBERJVACK x Zonii
Pe$o - ASAP ROCKY (Sinatra Flip)
Drowning - SAKA x FLY
Clocking - Pretty Sweet x DUBV
Sure Thing - Okay Jake
Zoom - Griz (NJOY Flip)
Shorty Wanna Ride - Young Buck (LARJ Flip)
Roll in Peace - Kodak Black (Okay Jake Flip)
Section - LYNY (Instant Party! Flip)
Grimey - Troyboi (Dmtree Flip)
I GOT THAT - Crucial
Waves - CHROMEVTOSE Original
SHIMMER - CHROMEVTOSE Original
Lose it - Oh Wonder (Aledsi x TWOS)
Everything is Bad - .GAV
Red Eye To Paris Flip - CHROMEVTOSE Original
Elegos Bumps - CHROMEVTOSE Edit ID
Mr. Rager Flip - CHROMEVTOSE Original

DUBWUB Live Set

The artist SANTOS opens his DJ performances with his recorded mix concept by transforming his Parisian apartment into a wild dance floor.

This beautiful #livedjset  captures the raw energy and haunting vibes of the 80s Funk/Disco scene.

Here is the mix "Funk, Disco & Boogie '" by SANTOS.

—————————————
Connect with me : 

➡️ Instagram: @santos.prd
➡️ Booking : mngmt.santos@gmail.com

—————————————

Funk, Disco & Boogie mix vol 2 | SANTOS

Dr. Jeffrey Yip, Associate Professor of Management at Simon Fraser University's Beedie School of Business, offers transformative insights through his innovative "Listen and Build to Unlock Change" approach. Drawing on extensive research and practical leadership experience, Dr. Yip emphasizes that attentive listening is not just a soft skill, it is the foundational discipline that unlocks meaningful organizational change and drives effective leadership.

Dr. Jeffrey Yip’s research sheds light on the “listening paradox” the reality that listening is hardest precisely when it’s needed most, such as during conflicts, emotional situations, or employee grievances. Managers often default to a speaking reflex, prioritizing solutions over understanding, but Yip’s work stresses three critical perspectives: the listener’s own mental experience, whether the speaker truly feels heard, and the impact of structured formats (like interviews or meetings) on effective listening. His “Listen and Build to Unlock Change” approach, taught in executive programs, emphasizes gathering input through attentive listening and then acting on diverse perspectives to fuel innovation and drive organizational momentum.

This podcast is brought to you by Global Management Consultancy. For more information, please visit www.globalmanagementconsultancy.com.

Disclaimer:

A. The background music used in this video is the property of its respective developer and is protected by Copyright. Although it is a free version, Business Talk, Global Management Consultancy and Deepak Bhatt do not hold the rights to this music.

B. Dr. Jeffrey Yip generously shared profound insights from his research, “Listen and Build to Unlock Change,” during his appearance on the Business Talk podcast channel. The uploaded video contains copyrighted material; therefore, any modifications to graphics, music, or the presence of the author or host are strictly prohibited.

Unlocking Leadership Change: Dr. Jeffrey Yip’s Listen and Build Framework

Fern Hill by Dylan Thomas Read by Kathryn R. Rieber

Audiopiece des Citizen.KANE.Kollektivs zu ihrem Stück Dickes Blut - Unsere Eltern im Naturfreundehaus Steinbergle.
Die Premiere ist am 28.11.2025 um 20 Uhr.
Im Studio: Christian Müller, Ida Liliom, Maximilian Sprenger / Am Telefon: Cary S. Clay

In „DICKES BLUT - Unsere Eltern" erzählt das Citizen.KANE.Kollektiv von der Recherche zur neuen Performance „DICKES BLUT – eine Familienfeier mit dem Citizen.KANE.Kollektiv“. Aus den Interviews und den eigenen Erinnerungen entsteht eine Performance zwischen Essen, Emotion und Eskalation – ein generationenübergreifendes Ritual, das ein familiäres Zusammenkommen in einen öffentlichen Raum überführt. Denn Familie ist nie nur privat. Familie ist die Keimzelle der Gesellschaft, der erste Proberaum des Zusammenlebens und eine politische Bühne, der niemand entkommt.

Für diesen Abend haben die sechs Kollektivmitglieder Carina, Christian, Ida, Malin, Max und Nikita etwas gewagt, was man selten tut: Sie haben ihre Eltern getauscht. Sie haben mit den Müttern und Vätern der anderen gesprochen – über Herkunft und Entfremdung, über Schweigen, Ideologien, Zärtlichkeit und das Älterwerden.

Willkommen bei einer Familienfeier, die alles sein will, nur kein Theater! „DICKES BLUT – eine Familienfeier mit dem Citizen.KANE.Kollektiv“ lädt die Zuschauer*innen ein Platz zu nehmen, Gast zu sein, Teil der Familie zu werden –- oder einfach nur staunend zu beobachten, wie sich die Grenzen zwischen Tisch und Bühne, zwischen Spiel und Leben auflösen. Das Citizen.KANE.Kollektiv lädt ein zu einem sinnlichen, schmerzhaften und humorvollen Abend über das, was uns prägt – und über das, wovon wir uns lösen müssen.


### Termine

28.11.2025 
19 Uhr Essen 
20 Uhr Performance Premiere

29.11.2025 
19 Uhr Essen
20 Uhr Performance

06.12.2025 
19 Uhr Essen
20 Uhr Performance

14.12.2025 
19 Uhr Essen
20 Uhr Performance


### Preise
– Solidarisches Preismodell

Das Kernfamilien-Ticket: 15 €
– Für alle, die mit kleinem Budget dabei sein möchten. 	

Das Geschwister-Ticket: 25 €
– Der faire Mittelweg: Du hältst die Feier am Laufen.

Das Lieblingskind-Ticket: 35 €   
– Du gibst ein bisschen mehr - großzügig & solidarisch.

Das Familienoberhaupt-Ticket: 45 €
Für alle, die mit Herz Verantwortung übernehmen. Du ermöglichst Kultur für alle.

Das Herzensgast-Ticket: 0 €
– Für Menschen, die sich aktuell kein Ticket leisten können. 
   Auf 5 Tickets pro Abend begrenzt. 
   Ohne Nachweis, denn Familie vertraut einander.

Das Essen um 19 Uhr ist optional, à la carte und nicht im Preis inbegriffen. Ebenso die Getränke.


### Ort
Naturfreundehaus Steinbergle am Killesberg
Stresemannstraße 6
70191 Stuttgart

### Fotocredits
- Paluna

### Links
- Infos: citizenkane.de
- Tickets: https://citizenkanekollektiv.ticket.io/

### Kontakt
- https://de-de.facebook.com/citizenkanekollektiv/
- https://www.instagram.com/citizen.kane.kollektiv/

DICKES BLUT – Unsere Eltern w/ Citizen.KANE.Kollektiv

A three-take demonstration showcasing high- precision orchestral mockup work and hyper-realistic solo violin programming using an excerpt from Beethoven's Violin Concerto - one of the most delicate and technically demanding pieces in the repertoire.

Take 1 - Live Orchestra 
The original real-orchestra performance, used as the reference.

Take 2 - Mockup (Matched to Live Performance)
A virtual recreation precisely aligned to the live recording's phrasing, tone and timing.
This take demonstrates the ability to produce a mockup so realistic that it can be compared directly, back-to-back, with an actual performance of Beethoven - and hold up.

Take 3 - Mockup (Alternate Interpretation / Hall)
A second realization of the same excerpt, performed through a different acoustic environment and musical interpretation, showcasing the flexibility and expressive range achievable with virtual instruments.

This demo highlights advanced solo-violin realism, orchestral balance, and expressive control - a combination rarely showcased at this level, especially using classical repertoire as challenging as Beethoven.
Feel free to contact me for orchestral mockups, virtual soloists, or classical realism work.

Beethoven Violin Concerto - Real vs Mockup

Audioflyer zur Koproduktion RAU(E)NÄCHTE - EIN BEWEGTES HÖRSTÜCK von der go plastic company

Ein Raum zwischen Zeit und Traum öffnet sich: zwölf Figuren, geboren aus Mythen und Ritualen, verweben Tanz, Klang und Erzählung zu einer sinnlichen Reise durch die geheimnisvollen Nächte des Übergangs.

Jeweils eine Stunde vor Vorstellungsbeginn lädt eine TASTFÜHRUNG blinde oder sehbehinderte Besucher*innen und Interessierte ein, die Bühne zu entdecken. Bitte meldet euch unter tickets@lofft.de oder telefonisch unter 0341 - 355 955 10 an.
Außerdem bieten wir an Vorstellungstag einen Abholservice für blinde und sehbehinderte Besucher*innen an. Bei Bedarf holen wir euch von der Haltestelle “S-Bahnhof Plagwitz” ab - am Freitag und Samstag jeweils um 18:45 Uhr und am Sonntag 16:45 Uhr. Meldet euch dafür bitte ebenfalls an unter tickets@lofft.de oder telefonisch unter 0341 - 355 955 10.

Vorstellungen:
Fr. 12.12.25 / 20 Uhr / Premiere
Sa. 13.12.25 / 20 Uhr 
So. 14.12.25 / 18 Uhr
Tastführung jeweils eine Stunde vor Beginn

LOFFT – DAS THEATER, Spinnereistr. 7, Halle 7, 04179 Leipzig


Bildbeschreibung: 
Ein elegantes Cocktailglas mit einer zart rosafarbenen Flüssigkeit steht auf einem dunklen Hintergrund. Der Glasrand ist mit grobem Zucker verziert, und über dem Glas schwebt eine fluffige Wolke aus Zuckerwatte, die teilweise zu zerfallen scheint. Das Licht hebt die feinen Strukturen des Glases, des Zuckers und der Zuckerwatte kontrastreich hervor, was der Szene einen fast magischen, surrealen Charakter verleiht.

Foto: 
go plastic company/KI-generiert

Audioflyer RAU(E)NÄCHTE - EIN BEWEGTES HÖRSTÜCK

17. Hungarian Dance 1, from 44 Duos for 2 Violins, Sz. 98 by Béla Bartók

An explosive orchestral-country fusion bursting with pizzicato swing, brass banjos, and twangy detail.
Groovy, virtuosic, and wide-panned, it’s bluegrass gone symphonic.

Country

A boundary‑pushing orchestral jazz explosion packed with bold brass, swirling tempos, 3D motion and jaw‑dropping mix detail.
Virtuosic, playful and high‑impact, classical finesse meets fearless jazz energy.

Jazz

Beethoven, Mozart, Bach, Vivaldi. Das sind berühmte Namen, die wir aus der klassischen Musik kennen. Leider sind es oft nur die männlichen Komponisten, die als Genies und Klassiker der Musik gefeiert und gehört werden. Das ist ein Problem, mit dem sich das Projekt “Widerstimme” hier in Münster beschäftigt. Dabei geht es darum, Stücken von FLINTA+ Komponist*innen eine Bühne zu geben. Und das für alle zugänglich mitten in der Münsteraner Innenstadt. Teammitglied Carla Markmann war bei uns im Radio Q-Interview und gibt uns einen musikwissenschaftlichen Blick auf die Frage: Welche Stimmen finden Gehör und welche nicht?

Widerstimme - FLINTA+ Komponist*innen durch Performance (wieder-) entdecken

Pyrrhus – The Stillness Between (Live Modular Performance)

Recorded live on a hybrid modular setup, The Stillness Between is a deeply personal journey through reflection, renewal, and resilience. This performance offers a first glimpse into my forthcoming EP, set for release on 12.12.2025 — a project born from moments of stillness during some of life’s most uncertain times.

In this set, I tried to capture the quiet that lingers between change — where tension dissolves and new shapes begin to form. Each sound was built in real time, evolving with the energy of the space, finding calm in chaos and beauty in imperfection.
This is the third live performance in a series that I’ll be sharing over the coming months — explorations of connection, vulnerability, and the fragile balance between control and surrender.

Performed and recorded in Manchester, UK.
By Pyrrhus — DJ & producer.

Pyrrhus Live #3 - Organic/ Chill out/ relaxation/ DJ set/ Electronic Dance

Rewilding the Stage: Agency and Responsibility in Feminine Creativity explores female creativity in the production of NORPA’s performance, WILDSKIN. The panel analyses how themes of ‘rewilding’ were woven into the production, from choreography to set and costume design.

The discussion is chaired by Southern Cross University Senior Deputy Vice-Chancellor and feminist historian, Professor Mary Spongberg.

Panellists include:
Charlotte Haywood; Set and Costume Designer, NORPA
Jade Dewi Tyas Tunggal; Movement Director and Performer, NORPA
Heather Fairbairn; Associate Director, NORPA.

This panel session was recorded live at NORPA.

The musical introduction to this podcast was written and performed by Alako Myles.
 

Rewilding the Stage: Agency and Responsibility in Feminine Creativity

밤이 열려 네 그림자 스며와
하늘을 밝혀줘 just let it ride

네 숨결 번져 내 공기 속에
파도처럼 밀려와 pull me closer
말은 멈춰도 번지는 vibe
입술의 침묵이 대신 말해 tonight

지금 내 이유가 돼
리듬 속에서 we collide
스트로브 번쩍일 때
너의 몸짓이 말해줘

말하지 마 just feel me
Let the beat translate completely
조용히 breathe me
Every move becomes the meaning
손을 들어 lights blur dreaming
Bassline thick hearts screaming
말하지 마 just feel me
Let the night do all the speaking

땀방울 따라 네 맥박 뛰고
피부 위에 남겨진 hidden lines
모든 스텝이 신호처럼
말 없어도 너는 다 알아

눈빛이 yes crowd 반응해
말이 녹아내려 no disguise
가까이 안아줘 숨 멈추고
리듬이 우리를 선명하게 해

말하지 마 just feel me
Let the beat translate completely
조용히 breathe me
Every move becomes the meaning
손을 들어 lights blur dreaming
Bassline thick hearts screaming
말하지 마 just feel me
Let the night do all the speaking

별빛 아래 너의 그림자 dance
시간이 멈춰도 we advance
단어는 사라져 우리는 free
이 순간엔 just you and me

말하지 마 just feel me
Let the beat translate completely
조용히 breathe me
Every move becomes the meaning
손을 들어 lights blur dreaming
Bassline thick hearts screaming
말하지 마 just feel me
Let the night do all the speaking

네 그림자 나를 따라와
밤은 끝나지 않아 until the dawn

말하지 마 just feel me (K-Pop reload)

SNOBS is a nomadic platform that creates temporary environments where experimentation in performance, music, visual art and nightlife can intersect. For this radio show on Kiosk they invite their friends from 09h30_05h30, the hottest space in Antwerp, whose adventurous programming, DIY approach and delicious food we deeply admire. From their team, Misha Rogachev, Diane & Dora Brams create a set to celebrate their existence.


SNOBS invites 09h30_05h30: Misha Rogachev, Dora Brams & Diane @ Kiosk Radio 25.11.2025

WolfCast Trailer

18. Hungarian Dance 2, from 44 Duos for 2 Violins, Sz. 98 by Béla Bartók

dreaming-of-you - By-Reeh-Musics

The entire sound is in my hands. I write cyber poetry, produce, and compose every track ready for Immersive 3D. Every beat is crafted for spatial and next-gen headphones.
Intimate lyrics, total immersion, every track.

For 30 years I kept unfinished demos to myself, never letting them out. Now I finish what I start and release it the moment it’s alive.

I use every tool available, human or machine, as an instrument.
Technology doesn’t replace creativity. It expands it.

Born Woolfinius Jackson Whürl to two itinerate circus gymnasts, Woolfin would grow tired of the performance life and would go on to seek quieter pastures as a painter and later a writer.

Full Beans Radio is an independent online community radio based in Stuttgart.

Hi, 
My name is Alfred and I'm a music composer alongside every other music related profession.

https://www.airgigs.com/view/99449/

Welcome to Business Talk, your go-to podcast for the latest trends, insights, and thought-provoking discussions in the business world. Whether you're a business professional, entrepreneur, researcher, or academic, our episodes will challenge you to rethink conventional wisdom and inspire actionable ideas.

Brought to you by Global Management Consultancy, we are committed to driving innovation and excellence in the business community. All content Copyrighted 2024 by Global Management Consultancy.

For more information about our past and upcoming podcasts, please click here:https://www.deepakbbhatt.com/businesstalk

We are an online community radio streaming 24/7 from a wooden shack in the heart of Brussels’ historic “Parc Royal”.

A meeting point for music freaks from Brussels and beyond. A tiny kiosk bar serving eclectic music and drinks. Sometimes, in sunny summer days, a safe space to dance under the trees.

For general questions: info@kioskradio.com
For music submissions: music@kioskradio.com

DJ | Producer House Music 

📥 Booking : mngmt.santos@gmail.com
🎹 Music : prodbysantos31@gmail.com
🪩 Mix Full Disco on YouTube

Southern Cross University is a multi-campus university on Australia's east coast, with campuses in southeast Queensland adjacent to the Gold Coast Airport, in New South Wales at Lismore and in Coffs Harbour, where the University’s National Marine Science Centre is also located. We have metro and the Hotel School campuses in Sydney, Melbourne and Perth and Brisbane.

Pyrrhus is a Manchester, UK based electronic artist creating modern classical driven Electronica rooted in melodic minimalism, orchestral texture and modular synthesis. His sound sits at the intersection of contemporary composition and immersive electronic atmosphere — with a signature aesthetic close to the emotionally resonant world of artists like Ólafur Arnalds and Kiasmos.
Performing hybrid modular live sets, 

Pyrrhus builds evolving sound environments that blur the lines between performance, composition and sound design. His work explores emotional space, reflective movement and the tension between silence and rhythm — translating classical influence into modern electronic language.

With releases on Somnia Records and Sequential Records, Pyrrhus continues to define his sound across both Electronica and Melodic House & Techno — focusing on expressive, deeply human forward thinking electronic music for both listening and immersive club environments.

Beatport  
https://www.beatport.com/artist/pyrrhus/613700
Spotify  
https://open.spotify.com/artist/01TJqUr4r1xZYFjEL6WMsA
Main Soundcloud page 
https://soundcloud.com/pyrrhus-music

LOFFT - DAS THEATER ist Leipzigs Produktionszentrum und Spielstätte für Darstellende Künste auf dem Spinnereigelände. Tanz, Theater und Performance bestimmen den Spielplan. Wir arbeiten mit professionellen, freischaffenden und internationalen Künstler*innen und Gruppen zusammen.

IMPRESSUM
LOFFT – DAS THEATER
LOFFT Theaterbetriebe gGmbH
Spinnereistraße 7, Halle 7
D-04179 Leipzig
Fon: +49 (0) 341. 355 955 – 10
www.lofft.de
info@lofft.de

Geschäftsführung: Anne-Cathrin Lessel
Handelsregister: HRB 35636 Leipzig, Ust-ID: DE321151141

New tracks tagged #performance