​📱 NoruaS — Mobile Production / Digital Archive 🦾

  ​My name is Oleksiy.  I create music entirely on my phone.
​No professional studios, no expensive equipment, and no compromise. I don't use DAWs, I don't use a metronome, and I don't know music theory. Only an Android screen, limited resources, and a raw desire to channel heavy atmosphere through pure instinct.
   ​My style is a fluid, completely improvisational blend of various sonic textures. It shifts freely from quiet, calm ambient melodies to crushing industrial drones and concrete noise — bypassing all traditional rules.
   ​This project is my personal digital archive — captured and recorded on the one tool that is always within reach.
   


Gear: Motorola G60 and a burning desire to create.

   ​Sonic DNA & Influences:
Meshuggah, Rammstein, Anaal Nathrakh, Vangelis, Lorn, Jean-Michel Jarre, Allie X, Lady Gaga, Dance with the Dead, Waveshaper, Perturbator, Carpenter Brut, Skrillex, Clawfinger, DevilDriver, Illdisposed, Fear Factory, Hypocrisy, Ghost, Bathory, Deftones, Sodom, Selofan, Strapping Young Lad, Justice, The Toxic Avenger, Korn, Lazerhawk, Killing Joke, Megadeth, Mushroomhead, Paradise Lost, Slipknot, Space, Candlemass, Cathedral, Cattle Decapitation, The Vision Bleak, The Prodigy, Nightwish, Orax, Pink Floyd, Yes, Rush, Alan Parsons Project, ELO, Testament, Tangerine Dream, Klaus Schulze, Royal Blood, Pain, Keldian, Cryptopsy, Pendulum, The Glitch Mob, Pantera, Oomph, John Carpenter, Rondo Veneziano, Brad Fiedel, Howard Shore, Hans Zimmer, Lake of Tears, Donbor, Saint-Preux, Vitalic, Big Black Delta, Minuit Machine, Hante, Space Laces, Daft Punk, I Hate Models, FM Attack, Rob   Zombie, Marilyn Manson, Stratovarius, At The Gates, VHS Glitch, Reznyck, MASTER BOOT RECORD, Dying Fetus, Devil Master, Demon Hunter, S U R V I V E, Gunship, Street Cleaner, Laserdance, ABBA, Klaus Doldinger, Harold Faltermeyer, Constance Demby, Orbital, 3TEETH, Mick Gordon, Compilerbau, Coroner, Danger, Dethklok, Mindless Self Indulgence, Powerwolf, Samael, SepticFlesh, Velvet Acid Christ, Merzbow, Crematory, Amon Amarth, MØL, Gamma Ray, Coroner, Enforcer, Garth Knight, Magic Sword, GosT, Grip Inc., Skinlab, Pro-Pain, Eminem, Dope D.O.D., Flux Pavilion, DEADLIFE, Excision, Knife Party, The Bloody Beetroots, Rein, Power Glove, Gatekeeper, Gesaffelstein, Misanthrop, Savant, Accept, Immortal, In Flames, The Rockets, Trivium, Vader, White Lies, Wulfband, Type O Negative, Vanessa-Mae, Secret Service, Muse, Dua Lipa, ZHU, Kill Paris, Nero, Pegboard Nerds, Space Art, Street Fever, Kataklysm, Arch Enemy, Kalmah, Turmion Kätilöt, Avatar, Car Bomb, Yello, Arctica, Lustmord, Aethek, Morusque, Eric Prydz, Black Bomb A, Arch Enemy, Johann Sebastian Bach, Die Krupps, Laibach, Muse, Mercenary, Raymond Lefèvre, Igorrr, Burzum, Outerlab, SILENCE WILL KILL YOU, Olltaoff, joerxworx, Joseph Webster, James Geer, Marek Zibrow, David De Michele, CHRIS JUNOS, BOUYA BO-YA, Industrial Emissions, Plague Clock, JTCLG, wejfi, Earnest Woodall, Brian Butts, ragg3d m0th, Forse

https://www.facebook.com/share/1baoVPQVoo/

I’m Harley I’m 19 years of age and 
Grew up with all this shit in my head 
Letting it off in my rhymes

My other Soundcloud account:

http://soundcloud.com/simonreubenwhite



My other soundcloud account:

https://soundcloud.com/simon-reuben-white

Hosting Thursday Drift every Thursday - 20.00 on RadioSputnik.nl or 92.1FM op SD

Spinning vinyl oddities and random treasures. 
No genre, no plan, just good records and curious ears. Each mix drifts through accidental discoveries and personal obsessions, stitched together in crackles and grooves.

Laureato in filosofia e diplomato in trombone, come compositore ha vinto diversi premi, tra i quali il primo premio al concorso “2 agosto” di Bologna (2006) con Papageno made me write this piece per flauto e orchestra e il premio “Potsdamer Divertimenti” con Bricks, per timpani e orchestra d’archi (2008). Ha realizzato, in collaborazione con l'Associazione Motoperpetuo di Pavia, gli spettacoli Kublai (2012), melologo jazz per narratore e sette strumenti su testi tratti da Il Milione di Marco Polo, e Seven Sins Suite (2013), suite polistilistica per sette strumenti ispirata ai vizi capitali. Nel 2019 ha vinto il premio “Città di Todi” con Preludio tudertino, per orchestra studentesca ed è stato segnalato all’Eisenacher Kompositionspreis per Der Kantor, composizione per grande orchestra.

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