Excited to share with you my very first set of 2024, recorded live at Ratherlost party at LoFi, Amsterdam on January 1st, 2024. 
It was truly one of the best NY shows I've ever been a part of. The club was completely packed and on fire as I took over the decks following Quelza & Nørbak’s incredible B2B set. My aim was to keep this massive momentum going while leading the floor on a journey to get lost in the music. Hope you can feel this mood and energy from the recording. 

Special thanks to everyone who attended, and to Ratherlost for curating such phenomenal parties and granting me the opportunity to share this mix.

Wata Igarashi at Ratherlost 2024.01.01

ivan smagghe at floresta

foto: fofo.altinell

Ivan Smagghe at Floresta - Waking Life '24

TRACKLIST

Syclops - New Bro's In NYC
Koreless - Seven (Drumhell)
Kreggo - Pheeroan
Rhyw - Calippo
Unknown Untitled - uu011 - a1
Marcel Dettmann - Cycling Bits
DJ Patrick R ft. MC KVN & DJ Pikeno MPC - Vai no Chão
Deft - It's Made of Shine
Andy Martin - Electric Blue
Pump Media Unlimited - Bobo 500
Identified Patient - My Way (Hilton Mix)
Harmon Eyes - Tension
DJ Doomscroll - Doomscroll
STEYA - Fast Life
Cirkle - Lunar Orbit
Dead Man’s Chest x King Kutlass - Ananda Tandava
Boris Noiz - Inceptive Point
E-Unity - E-Ternity
DE GRANDI - I Can Relate
Aulic Veil - A-V_001.2 (Bonus Track)
G Jones - Help! I Can't Find My Way Out
Meat Beat Manifesto - Into The Sun (Pts 1 / 2)
Dom & Roland - Interstellar Subs
CCL & Ciel - Spiral Drive (Objekt edit)
gyrofield - Occam's Razor
Shxcxchcxsh - DO 3
Uneak - Bless Dem
DJ Trace & HLZ - Raptor
DJ Phiene - Bass Fanactiks
Marco Maldarella - Buio Omega
solar-x - bionic man
Carrier - FATHOM
Stingray313 - Sentiment
Otto - Hazer
AceMo - Jungle Storm
Objekt - Ganzfeld (Djrum Remix - short edit)
CCL - Strange Attractor
Sonic - Taxi Driver
Instra:mental - Photograph

Objekt at Draaimolen Festival 2024

Tatsuya Kanamori quickly became one of the few Japanese techno producers to rise to worldwide prominence within the late 90's techno scene with his productions and remixes as DJ Shufflemaster.
Originally a committed member of the Tokyo-based label Subvoice, where he released several of his early EPs, Kanamori's reputation outside of Japan was greatly aided by his affiliation with European techno heavyweights such as Adam Beyer, Joel Mull, Ben Sims and Carl Lekebusch.

It was no surprise that Berlin-based Tresor knocked on the door and offered Kanamori the opportunity to record her first full-length album. In 2001, he appeared via Tresor, a full-length LP packed with a string of dancefloor-oriented techno productions featuring Kanamori's trademark aesthetic, making him one of the first Japanese techno producers to achieve worldwide recognition.

Tracklist via
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#SlamRadio - 639 - DJ Shufflemaster

ENHEDUANNA – a sonic reflection by Ilhem.

What remains of a name as it drifts through time? 
How does identity persist when time erases its traces?

Enheduanna is carried throughout the ages, lingering like an echo, a trace of presence in the vast expanse of universal memory. The first recorded poet, author and woman to sign her name, she defied oblivion, inscribing herself into history.

This mix explores the weight of name and the meaning of identity, the fragility of existence, and the intricate layers of memory, history, and the stories that shape us.

For Julius and Mosi—whose names and memories will never fade."

foto: ewoutdewaelheyns

'Enheduanna' - Ilhem at Radio Relativa for Waking Life Rádio

An artist with minimal online presence, Commodo is one of an increasingly rare few who make waves through the strength of their music alone. He builds bass-focused beats with soul and substance that never perpetuate a formula. Together with Gantz he just released a monster record on our ITX series. Enjoy!

ITPS117 COMMODO

The Medellín maverick opens RA.997 with another mind-altering home run.

As part of our countdown to the 1000th edition of the RA Podcast, a milestone in the 18-year history of Resident Advisor's weekly mix series, we're switching up the usual format.

This week, following heady excursions through Lagos, Kampala, Detroit and Chicago, our focus shifts to Latin America—arguably the story in underground electronic music since the pandemic.

After years of being all but overlooked internationally, the explosion of distinctive club sounds emerging from Peru, Brazil, Colombia and beyond has finally begun to get its due.

Among the movement's great success stories are two artists who exemplify its refreshingly undogmatic energy: Verraco and Bitter Babe, and the former handles the A-side of RA.997. 

Is there a more compelling electronic artist around right now? Both in the studio and behind the decks, the Medellín-based DJ and producer currently sits in that coveted creative sweet spot, where every fresh musical morsel feels like a moment. To bask in any of his singular tracks on VOAM, Timedance and now XL Recordings, is to be bowled over by their rhythmic brilliance, madcap hooks and whirlpool basslines. ("Basic Maneuvers," anyone?)

His mix is tough to pin down—a blend of dubby techno, tribal atmospheres, slanted bass and sharp edits. Or, as he puts it in the accompanying interview: “an intersection between dub-infused techno but with some flow, reduced atmospheric tribal, edgy bass cuts, mental emo-tek.”

There’s plenty of unreleased TraTraTrax material here, alongside tracks from artists like Virginia, A Made Up Sound and a euphoric flip of Ploy’s “Ramos.” Slippery, emotional and surgically precise, it’s Verraco doing what he does best.

Find the tracklist and interview at ra.co/podcast/1001

RA.997 Verraco

This is the recording from my set at Parameter 10, Public Works, San Francisco on 17 May 2025. 

The room was comically packed by the time I started (11pm) and the crowd was visibly itching to lift off, but it was so early in the night and the rest of the (stacked) lineup leant so heavily towards UK and bass-heavy music that I decided to leave the dubstep to the professionals, keep it slow and go in the opposite direction: mid 120s, wriggly, psychedelic, gurgly, engrossing, a little weird but also sometimes fun. Maybe on some level I was level preparing myself for Return To The Source in Detroit the following weekend – though ironically I ended up playing much faster and with more broken beats at RTTS than I did here. In any case, I had a blast. Been really enjoying exploring the 120-130 zone recently. Thanks to Nick for having me back, hope you all enjoy the recording.

Tracklist:

Alexi Baris - Tilde
Kaoru Inoue - Etenraku
Facta - SLoPE
Heiko Laux - Granulate One
Meat Beat Manifesto - TRS2
Emmanuel Top - Bon Acid
Kumo - Kromotron
Sun Electric - Osram 418
Ogoya Nengo And The Dodo Women's Group - Orutu Run (Lena Willikens Remix)
Mutsumi - Paris Hilton
Freaky Chakra - Get Up, Get It
Housebound - Electro Rhythms
Zersetzung - Chaos Vortex
Terrence Dixon - No More Time A3
Mordant Music - Olde Wobbly
Monolake - Digitalis
AOKI Takamasa - mnd-sng01
Exos - Hood
Clay Wilson - Osho (Jasen Loveland’s Twisted Interpretation Remix)
Shards - SHARDS004 A1
Sepehr - Monokrome (demo)
Gong Gong Gong 工工工 - Inner Reaches III 慾望的暗角三 (Zaliva-D Remix)
Beroshima - Volca Polka
Esser'ay - Forces
Xyrex - Psychedelic
Accessories to Murder - Danger
Xes Noiz - B1
Tres Demented - Demented (Or Just Crazy)
Call Super - Mothertime

Objekt at Parameter 10 San Francisco 2025.05.17

Verraco at Waking Life 2025

We’re delighted to share a true collectors item of a mix; a 7 hour b2b from Jane Fitz & Carl H, recorded at Transmissions in Studio 94, London in December 2021.

Some live recordings need to be put out quickly before the music ages and the records become overplayed, but not this one. It could be from any time over the years as timeless-tune-after-sought-after-banger are built and blended with the kind of precision and flow that can only come from DJ’s like Jane and Carl. 

From the low-slung start spanning EBM and downtempo gems through to the tunnelling psychedelic crescendo, this is a true masterclass in how to build and pace a set… and it sounds just as incredible today as it did on the night.

This mix was mastered at the Area 52 Studio

Transmission 003 -Jane Fitz b2b Carl H

A Bureaucratic Desire for Revenge is a two-headed beast of an EP, with both tracks set
to absolutely slay the world’s electronic-oriented clubs. ‘Black Acid’ is nasty, slightly acidic crusher, with a snaking bassline swerving it’s way around spiraling, squalling synths and a relentless rhythm, tension building until the track finally collapses out of sheer exhaustion. ‘H.O.W.L’ is a bit more restrained but no less effective, with a grinding sine wave battling rolling percussion.

Ascii.Disko - H.O.W.L - A Bureaucratic Desire for Revenge EP

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