Cold Void

Cold Void (Moscoman & Komilev Remix)

Bringing another gem to the forefront, DGTL Records releases new music with DJ/Producer Randy Collé (@colleofficial). The young artist’s years of production experience, combined with a multitude of music styles, is mirrored in his timeless yet fresh sound. Following the success of his single ‘Losing Time’ featured on his jointly-run label ‘Point in Time’, the 4-track EP reflects the emotion and depth that Collé has long brought to his sets. Inspired by artists like Cubicolor, Canada and Floating points — the new EP will be released on the 18th June 2021.

Setting the scene for the EP, the opening track ‘ATFER’ eases the listener into those first few moments on the dancefloor; with enticing grooves accompanying melodic electric-guitars and dramatic synth build-ups. The track is a direct imprint of his distinctive genre of music, which despite steering clear of clichés, manages to resonate with all audiences. It also embodies the inspiration for this release, stating “I always want to create something I feel touched by.”

It’s the perfect warm-up to what follows. True to its name, ‘Horizon’ is a playful storytelling of groovy electronica coupled with entrancing undertones. The surging nature of the track keeps the listener closely in its grasp, and is a masterclass on sleek sundowner sounds. It’s the perfect deep-dive into Collé’s production process; which he describes as a short film for which he makes the soundtrack.

Showcasing a more emotive style than its predecessors, ‘Now Here or Nowhere’ is the third track on the EP; with a somber take on signature house-percussion and emotive synth chords. Merging a sense of contemplation and depth, the track is an original take on dancefloor production that crosses over to the early hours of the morning.

As the closer of the EP, the fourth and final track is a remix on ‘ATFER’, by Silician DJ/Producer Musumeci (@musumeci). Adding an italo-ish spin on the original, the artist has been specially hand-picked by Collé to work on the EP. Re- imagining the track with his two decades of playing for international clubs and festivals around the globe, his adaptation of signature dance tempos and club-heavy electronic elements is the perfect wrap-up to this unique EP. We’re excited to see what’s next in-store for Collé.

Artwork is delivered by Tasso Okinawa, as part of the ongoing series he curates for DGTL Records.

Horizon

Collé - Now Here or Nowhere

Tracklist:

Cúrame (Amarcord 'Curami' Remix) Ivan De La Rouch, Mike Sacchetti
ID - INVÕKER
Liquid Perception (Original Mix) DC Salas
Drama (Original Mix)	Zakmina
Venetian Blinds (Panthera Krause Remix) Kasper Bjorke
Micropacer (Original Mix) Hedgehog's Dilemma
Anthem (Original Mix)INFRAVISION
Omicron 8 (Original Mix) Fort Romeau, Panthera Krause
Calib (Original Mix) Red Axes
Hangar 77 (Original Mix) Damon jee
Amor Salvaje (Original Mix) Alvaro Cabana, Snem K
Kella Villa (Original Mix) Secret Factory
Death Goes To Disco (Phunkadelica Acid I Love You Mix) Echonomist
Jupiter Hymn (Original Mix) Max Lessig
James (Original Mix) Louis De Tomaso
Oh No Please Don't Let Me Down (Musumeci & Dodi Palese Remix)	Psycho Radio
Alone (Original Mix) Adana Twins
Lovers (Original Mix)	End Of Twins
ATFER (Original Mix)	Colle

Resilienza

Out August 6th. 
Pre-order: https://smarturl.it/WGDIG004

With his album project slowly coming full circle, Biesmans delivers a stellar four track remix pack of 'Trains, Planes & Automobiles'. Remixes from associated artists Adana Twins, Alex Medina & Man Power meet Biesmans’ own reinterpretation of ‚Hawkins‘ that proved to work especially well in his live sets.

@adanatwins
@alex-medina
@manpower-1
@biesmans

Biesmans - Hawkins (Biesmans Remix)

Biesmans - Save the Night (Adana Twins Remix)

Buy/stream: https://kompakt.fm/releases/brainwave_technology_12

Michael Mayer’s latest EP, Brainwave Technology, comes at you purposeful, stealthy and sly. It’s a glorious left turn for the redoubtable producer, one that sees his typically lean and lithe productions buffed to a metallic, futurist sheen. There’s a gleam in the eyes of tracks like “Brainwave Technology” and “Alpha” that speaks of serious fun, of the intersection of the pleasure zone and the frontal lobe.

“Brainwave Technology” itself is informed by Mayer’s deep dive into the thorny terrain of artificial intelligence, transhumanism and posthumanism. Inspired by reading German philosopher Richard David Precht, Mayer found himself heading down the “proverbial rabbit hole,” as he describes it, “watching hours of YouTube material by self-proclaimed prophets of these ‘inevitable’ changes to come.” Never one to be taken in by the egotist’s dance, Mayer’s cynicism about the whole endeavour is tempered, a little, by the deeper questions that these figures gesture towards: “Is it really an evolutionary step that man and machine become one? Or is it rather a marketing plot by Silicon Valley billionaires?”

On “Brainwave Technology”, Mayer plays the charlatans at their own game, turning their logic against them by exposing the fruitiness of their ‘visions’. “I chose irony as my sword with which I chopped off some quotes from some of those batshit crazy prophets and self-promoters,” he explains of the drooling psychobabble he drops in the track’s lacuna. There’s a sense of humour here – how could you not laugh at these hungover egotists? – but there’s levity too, a sense that Mayer’s using sound to expose the contradictions and double-speak at the heart of these half-formed ideas. It’s a Burroughsian tactic, to slice into the heart of the voice to see what hidden truths surface.

It was Burroughs, too, who once said that “when you cut into the past, the future leaks out”; Brainwave Technology cuts into the logic of the futurologist to leak out the messiness of modern reality. On “Alpha” and “Gamma”, Mayer seems to conjure up the stark, ominous music that’d soundtrack a science fiction reinterpretation – or preinterpretation – of our modern malaise, all funereal wreaths of electronic noise and clatterboxing beats. As the EP resolves with “Device For The Young At Heart”, Mayer’s questions are piling up: “Do we want to become immortal and live on as a download? Do we really give up on Earth and put all our effort into colonising Mars?” There are no answers, of course, but plenty of imaginings-to-be. Brainwave Technology soundtracks both dystopian and utopian possibilities of what could come next.

Michael Mayer - Brainwave Technology

Fish

Fish (Perel Remix)

Buy link: https://bit.ly/3Gemea2

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DxHeaven

Release info.

Premiere: Emmet Read - Dxheaven (Mala Ika Remix) - Weirdos Records

The six tracks on IDEM are a selection of what he created over the past two years with his synthesizers; each piece represents a different facet of Gioray’s versatile sound. The title track opens the EP with a dreamy synth sequence and deep drum programming that immediately reveals his attention to detail. Mirroring takes a subtle club-oriented turn rhythmic, hypnotic, yet never predictable while Terraflux feels rawer and more direct, with sharp drums, a strong synth hook, and a brief break to catch your breath.


On the B-side, Ardone unfolds a deep, charged track that effortlessly shifts between broken rhythms and a steady 4x4 groove. Violet shows another side of Gioray: a raw, in-your-face live jam centered around his hardware setup. The record closes with a spaced-out mix of IDEM, a soft landing after a journey through Gioray’s sonic landscape.

Idem EP

Ardone (Vocal Mix)

London Summers - Edit

Catz 'n Dogz welcome old friend and kindred spirit Alvaro Cabana to the Pets family with this powerful quartet of electric bulldozers. Building on the momentum he's been enjoying on his own Rotten City label, here we find the Spanish DJ in overdrive with three originals and one version.

'Ritmo Espiral' starts and ends the piece. Slapping with electroid spikiness and a pushed groove that thumps like it's the mid 2000s all over again, there's a timelessness here to both the original and the dub mix that bubble over with dark funk and nod in all directions from Black Strobe to Tiefschwarz.

They're joined by two more big time bruisers: 'Los Muertos Misteriosos' continues the electro theme with waves and layers of textures crashing down over a relentless drum/sub swagger while 'Barrio Solar' revels and writhes in more of Alvaro's groovecraft. Tight guitars, shimming top notes and a breakdown that will send you into space. Strap in tight, we'll see you on the other side.

Ritmo Espiral EP

Barrio Solar (Original Mix) [feat. Geerra]

BOOKING: markus@imagine-agency.eu
MGMT: helene@melting-clocks.com

I’m Biesmans—Belgian-born, Berlin-based. I make “Heart Groove”: house music that’s supposed to do three things: make you move, make you feel something, and connect you with the people around you.

The sound? Warm grooves, analog synths, melodies you’ll remember on the way home. Nothing overly complicated. Just music that works on a dancefloor — the kind that needs a few hours to really take you somewhere.

I’ve played some incredible club spaces: Panoramabar, Fabric, Fuse, Dedge. Festival stages: Tomorrowland, Pukkelpop, EXIT, Fusion. And plenty more rooms in between

My music’s been released on Running Back, Turbo Recordings, Correspondant, and my own label MUEM Records. Made an album called Trains, Planes and Automobiles, and put together the Watergate 28 compilation with people like Mathew Jonson, Zombies in Miami, Kasper Bjørke, and Shubostar.

I’m passionate about synths — spend way too much time in the studio messing with machines and posting (POVs) about it. That’s how the music gets made: trial, error, and finding sounds that hit right.

Currently working on a new album for 2026. Same mission as always: create moments on dancefloors where people lose themselves, feel good, and remember why they love this music in the first place.
That’s it. Physical, emotional, social. Everything else is noise.