Is there an electric guitar growing into existence there .... Indeed!

Oh, I like that 1st note there on the git ... expressive!

really nice ending too,love those bass notes

it's grandiose! large spaces open up! the sound texture is beautiful!

Great photo for the track. Tense track, itself.

I lovs those bells, perhaps not bells, but i really appreciate the way they carry a subtle rythm, you absolutely know what your doing with this sound. Well done, thanks for putting this up  

I am often guilty of tunnel vision while "being in the zone", working on my tracks - so I spent too little time scanning all the great work out there ... This playlist will at least not harm my possibility to follow others. 

By purpose a heterogeneous list with the common denominator that I liked these tracks. In many cases, each artist has many more fantastic tracks - all of which could be represented here. And maybe they eventually will! The main point, though, is that I can initiate the list and remember "Ah, that artist X, wow - I better take a look at the latest uploads there" - or why not earlier uploads. 

Timeless music, thanks - no trends for Mr. Svensson please

GREAT MISC TRACKS BY FELLOW SC COMPOSERS

The Dreamsmith has made a new kind of dreamstate in his forge. It's open source, so the dreamer can work it further. 

Made with Padshop Pro and Granular Symphonies by Simon Stockhausen, tweaked into something...
Dimension Pro percussion and I don't remember right now ... will update info when I can or when asked...
Vacation is over

The Dreamsmith's New Alloy

Changed the picture, the AI umbrella was replaced by wet bricks of the streets on Urk, a former island in The Netherlands that stole my heart a little.
I like AI, but I also see many dangers coming with it. How much does it actualy cost to generate one picture? So, I will share my scenes from my own life in flesh and blood, stones and woods, whatever I find irl.

Drizzle

Kiss Me in Los Gigantes

Mrs.Kernel | Art pop Mix

August 2025 . The residency has just finished, heading home soon to start work on developing a couple of long format works from all the sound captures. 
These are the 3rd batch of 3 short sketches using field recordings captured around Montegiovi, Tuscany. With these little works I am experimenting freely with what can be produced from each days sounds - manipulating them and stitching them back together with the aim of producing a long format work at the end of the residency. I have done maybe 20 or so  since the beginning of August. The idea is to have them done by the end of the day (or night) then move on to something fresh the next day.
I am truly thankful for this opportunity that has been provided for me by the Salamanca Arts Centre in Tasmania and Cultivate Projects/La Baldi residency in Italy and The USA.
And of course the wonderful people of Montegiovi !

Tuscany Experiments  8 - 10

found myself jamming with the birds and sounds of the neighborhood, placed a mic at the studio window screen, ordered field mic stereo pair for further exploration

sequential take 5 w/ poly beeb0->boss space echo
moog muse
tascam board recording

morning jam

Villagers whispered that when El Chalambra appeared, time bent sideways—clocks stuttered, rivers reversed, and memories no longer obeyed their owners. His presence was both omen and invitation: to step beyond the known map, to risk dissolving in the kaleidoscope of his gaze, and perhaps never return the same.

El Chalambra

⚠🛏⚠✔⁂©All Rights Reserved 09-2025
©Lyricist, Mixer, Mastering, Creator & Pro License: Lady ElectroTrek
***This track is Protected by Page Defender & the EP release will come with an additional Pro MIXEA BADGE/'
https://distrokid.com/hyperfollow/electrotrek/pixelated-love

TITLE: PIXELATED LOVE
____________________________________________________________
LYRICS: 
(Verse 1)
Scrolling shadows, endless stream
Perfect bodies in a digital dream
No scars, no bruises, no stretch of skin
Just flawless masks where the love wears thin

(Verse2)
Fingers swipe, but the heart don’t feel
Chasing ghosts that ain't even real
Trapped in a glow, the screen's my cage
A pixelated love on a hollow stage

(Chorus)
Can’t touch, can’t hold, just a flickering spark
Perfect faces hiding in the dark
Flaws erased, but the soul’s gone missing
Pixelated love, no one’s kissing

(Verse 3)
Eyes get numb to the human frame
Every imperfection feels like shame
Chasing ideals, but they fade to static
Hearts grow cold, the love turns automatic

(Verse 4)
Wires and glass replace the flesh
Reality fades, it’s a tangled mess
A lonely crowd in a silent room
Chasing beauty, but it spells our doom

(Bridge)
The mirror cracks, but I can't see
The flaw’s not them—it’s inside of me
A loveless loop, a cold routine
A heart desensitized by a glowing screen

Loveless Loops Gone Nowhere

Pixelated Love


Thank you very much for always paying attention to my track and taking the time to do so.  
I am always grateful.
In outer space, sound cannot travel. Yet surely the stars whisper to each other—about what, I wonder? About noisy planets like Earth! If no whispers could be exchanged in the cosmos, how would humans communicate?
If telepathy were our means of communication, we could connect through our true hearts and face each other as our authentic selves. That would be wonderful. It might require a little practice to interact with our unvarnished selves!
‘Which moment from your past does this song remind you of?’

The Space Of Tranquility

Soft Departure is a piece born from the need to preserve the inner fire in an environment where relational and professional dynamics tend to wear it down. It explores the gesture of quiet withdrawal, not dramatic, not reactive, simply the choice to stop investing where energy no longer flows. Built around a warm, enveloping bass played on my Crave, the track acts as a guiding thread through a soundscape that can be unstable at times. It evokes the act of staying present without being pulled in. A form of inner persistence in a noisy world. This is a work of conscious disengagement, a way of saying: “I’m still here, but I’m no longer playing the game.”  Soft Departure is also a tribute to those who choose to leave without noise, to step away without war, and to keep alive what doesn’t need to shout.

🙏🏻

Soft Departure

||| Eternity |||
A darkwave / EBM track exploring the benefits of shadow work, being the process of exploring and integrating the unconscious parts of personality that may be repressed or rejected, often referred to as the "shadow self." This practice aims to increase self-awareness, heal emotional wounds, and promote personal growth by acknowledging and accepting all aspects of oneself, including those that are uncomfortable or hidden.

Open your mind to savage beats, pulsing synth bass and echoes in the abyss, while minimalistic spoken vocals guide you through the shadows.

Watch the video:
www.youtube.com/watch?v=lAGcFIKXQWU&feature=youtu.be
lyrics
Fast falls the eventide
The darkness deepens...
There is no life
No life
Without its hunger
But then you come
And I am filled with wonder
Sometimes
I think
I glimpse eternity...
The darkness deepens
I glimpse eternity
In the silence
Until you come
I glimpse eternity
Until you come
In the silence
Until you come

Echo

Eternity

Moonlight

In memory of a man who was always there - like a rock, reliable and consistent. 
But even a rock turns to dust at some point.

In Memory

All instrument Peter Hofland
Remastered: 2020-02-11
Artwork unknown (Tumblr)

Visions

A song for that someone special in our lives.
Thanks for listening.
Arranged and produced & cover photo by, Mike Hilton © 28/02/20

Instruments;

Takamine 6-string
Fender Stratocaster
Synth Angelina (VST)
Vox amp

Angel

Just a song I threw together after work. I had a creative itch to scratch. Has my trusty Takamine guitar and some duduk, and some electronic sprinkles...

Solar Winds

Solar Wind

Composer of multi-instrumental music, with a preference for longer, progressive and complexly arranged pieces.   

Have played guitar for many years, but I am probably a slightly odd type of guitarist. Not particularily interested in the guitar genre, not too keen on listening to long solos, etc. I don't enjoy playing for people - a party-killer, in short. However, leave me alone with this wonderful tool (or the keyboard, which I play too), and I will start experimenting with it, searching for something to develop. 

Strongly interested in classical music and anything remotely related to that. I want to construct music with a similar structure and complexity, although with other instruments, and in my own way...  
___________________________________________________________

During 2010-2013, I worked on a suite of related pieces, GUITARS PLAYED BY DS, with every sound played on the electric guitar. A major undertaking, and (all-in-all) 45+ minutes long, all complexly related and released in five segments.

During 2014-2015, the main focus was on the full-format 'LONG INSTRUMENTAL', a progressive work with lots of different instruments and sounds, restless and complex. Some sections stand on their own feet: MYSTERY, and FANFARE. 

The 2014-2015 recordings also resulted in two shorter pieces: CAMBRIAN EXPLOSION and CLUSTER OF WARNINGS.

During 2015 I initiated a suite played on classical guitars - GUITAR STRUCTURES. It is a series of slowly changing ideas, a weave of melodies and harmony, the first section out in April 2015 (the 2nd came 2 years later).  

I played guitars on Tolubai's wonderful ambient piece 'MEMORIES' (August 2015).

EARTHSHINE came out in January 2016; a darker and slightly dissonant progressive piece, and one of my personal favorites. So is SILENCE, out 1st July 2016. September 2016: IGNITION  with TOLUBAI and LET THERE BE LIGHT 22th Sept 2016 with PuppyWolf. 

20/11-2016: The OORT CLOUD PROJECT I-IX. An 18+ minutes long progressive synth-based instrumental, with lots of short guitar phrases integrated. Also, the spin-off PASSAGE was released. 

GROTESQUE released too in the end of 2016. The 19th January 2017, I released the sketch OMMA CONTRAPUNCTUS PROJECT. The 4th February 2017, the track '3 WORLDS COLLIDE' was released.

'Guitar Structure No. 2' out in March 2017, took 2 years to complete.

BEST OF 2 WORLDS was released in November 2017, another personal favorite composition.

APPROACHING: an unfinished sketch released 1st April 2018. TAURUS IV released 8th April 2018.

New Years evening 2019, quickly improvising a track: DECADE. Uploaded 23:58 local time. It was a very fun way of ending the year and I used a symbolic art cover with red sweeping in, but I wouldn't have dreamed of what was to come soon.

One main project this year is the SNOWFLAKES VARIATIONS suite; the Prelude was released in January 2020.

8th April 2020: CREATURES RISING was released. CREATURES OF THE RAINFOREST also a spinoff track (released 2021).

In the Lockdown March-April 2020, I recorded 'Era', out of frustration...

5th June 2020: REPORT FROM PLANET THREE, which was initiated 31st May 2019. 

31st July 2020: FORECAST was released. April 2021: SUMMER SNOWFLAKES, a 25 minute long track and perhaps my most ambitious ever. 

OCTOBER 22, 2021: OUTPOST. Was hell of a lot work behind this, which started out as the "Conquerer" project already in 2017. 

APRIL 28, 2022: The Disclosure (Part I).
SEPTEMBER 23, 2022: PEACE GUITARS. A track very dear to me, much of it written outdoors at the shores with my lovely dog with me. 

OCTOBER 6, 2023: SHAMBOLIC GUITARS.  Intensive recordings!

DECEMBER 7, 2024: TABOOOO released. (Oldfield Tribute)

SEPTEMBER 6, 2025: WATERFALL (part 1). Another part will follow in 2026!
 ___________________________________________________________
Many thanks for visiting here, and for the comments, 'Likes' & reposts.

D. Svensson Sept. 2022

*********************************************
All rights to the audio/tracks, and album photography are reserved, and respectfully belong to the owner. 

© DavidSvensson.

Exploring a blend of improvisation, styles, minimal composing and maximal production.

Visions

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