Magnificent bass focussed yet augmented by striking sounds and motifs. The same but different indeed!

Nice track, sounds very good... i like it a lot to get more than a track, like your Text.info... Very NICE...

Your use of synths is masterful, each one adds something essential to the rhythm. The mix is clean and alive, everything breathes perfectly together. I love your sound it has depth, balance, and emotion. The structure flows so naturally, it feels effortless. I can’t wait to hear what you release next. Are you currently working on a new project?

Great synth work. Thick phat layers mixed with delicate melodies👌

August 19-20 2025 Krakow city centre
Field Recordings-Mark Heintzman
in 1241 Krakow, Poland was burned to the ground under seige, but not before a tower guard could sound a warning with his trumpet allowing families to flee. This five note Polish bugle call is called the Hejnal Mariacki.

Four Corners Of Dawn-Krakow 1241

Soft Departure is a piece born from the need to preserve the inner fire in an environment where relational and professional dynamics tend to wear it down. It explores the gesture of quiet withdrawal, not dramatic, not reactive, simply the choice to stop investing where energy no longer flows. Built around a warm, enveloping bass played on my Crave, the track acts as a guiding thread through a soundscape that can be unstable at times. It evokes the act of staying present without being pulled in. A form of inner persistence in a noisy world. This is a work of conscious disengagement, a way of saying: “I’m still here, but I’m no longer playing the game.”  Soft Departure is also a tribute to those who choose to leave without noise, to step away without war, and to keep alive what doesn’t need to shout.

🙏🏻

Soft Departure

https://northfield-lenox.com/

“Music In Wires” is planned to be a 4-track project with tracks being added over time in fall / winter of 2025. AS with most NL projects this one is themed, but by music style rather than lyric or storyline.

A Hollow Assembly

Video: https://youtu.be/G8Ngh-gRgO8
A brief intermission from the present—this is a restored moment from six years ago, when I first touched the Pocket Operators and felt something shift. The PO-35 Speak and PO-14 Sub opened a new line of creation for me, and this short jam was one of the first sparks.
Now remastered in 4K with a new sound mix, it returns not as a statement, but as a breath between movements. A reminder of where things began, and how playfulness still finds its way into the process.
Not a full release. Not a throwback. Just a small interlude between deeper lines.
Peace, Mark

Intermission: PO Speak/Sub (2019)

green moon

Soft Glitch Version. This version stumbles where the original tried to glide. It’s slower, more fragile, a gentleman’s walk through emotional static. The track explores the tension between presence and detachment, between the desire to act without judgment and the reality of constant failure.
Glitches become gestures. Loops become longing.
It’s not about escaping emotion. it’s about making space beside it, even when that space flickers.
A soft departure, still — but now with broken shoes and a trembling compass.

Soft Glitch

Another snippet from Caligo Paean - beware of gifts when chasing gods : ) 

Caligo Paean is a 1 hour long sound piece installed on river front property in the town of Franklin, Tasmania as part of the exhibition "When The Fog Clears". It formed part of the Ten Days on The Island Festival March 2025.
The work was installed in several locations across the property including a stack of subs under an old bus, in the main exhibition space and in an abandoned shed some 40 metres from the main area . The speakers were 'tuned' quite differently depending on their location and the sound was not delay corrected with the result of each mini-installation merging with each other in odd sonic ways - kind of calling the listener from one spot to another. The the work features field recordings, percussion, piano, bass guitar and Intonarumori as well as this special one off choir : )

Caligo is the Ancient goddess of Chaos. Born of the fog she controls the darkness, dwells in the void and is as old as the primordial matter that created the universe. This work is a tribute to the goddess as she continues to influence our lives and, in the case of this installation, the site and concept informing the show.

Official press release below for The Fog Clears

Every day, the mists of the Huon Valley perform a seductive dance, gently obscuring and revealing contours of the fertile land and waters. Situated in The Watershed Franklin, When The Fog Clears features six artists from lutruwita / Tasmania exploring the region’s iconic mists through a variety of mediums including installation, sculpture, illustration, sound, and video.

Developed exclusively for Franklin, this exhibit extends from the waterfront itself into the chambers, kilns, and rafters of the shed, inviting visitors to consider fog as an atmosphere that can cloak us in unexpected ways.



Caligo Paean (A gift, a choice)

Scott Wilson - Solo Harmonica
Sparky B. - studio treatments

https://soundcloud.com/scottydubmusic

Studio Chamber for Harmonica

IDM-meets-trip-hop from an independent producer blending analog textures with digital ghosts. Built from self-recorded (and other) samples, found audio, and broken loops.

For fans of Boards of Canada, Massive Attack, and early Bonobo.

Clown Ticket Fuss

OG GREEN ACTION 84 BPM

Independent electronic ambient artist, crafting immersive soundscapes that blend atmosphere with deep exploration of texture and tone. My compositions are shaped by the active imagination described by C. G. Jung and the vivid landscapes of my dreams, translating emotions into evolving auditory experiences.
Influenced by ambient minimalism and deep bass tweaking with VCF filters, my music layers rich harmonics, resonant frequencies, and fluid transitions to create enveloping and transportive journeys.

© All rights reserved. 
Record Label: Shadow Glass Recordings 
No promoters I handle all my own production.

Soft Departure

Mark Mori

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