I was a Kidnapped Hippie Love Childe

2015

Another Year, Another List

Indie Pop-Ups

out now, on lolipop records...
WINTER- "Daydreaming" (CASS)
SERIOUSLY AMAZING SHOEGAZEY BUBBLEGUM DREAM POP GEMS FROM WINTER!!!
100 purple cassettes pressed 

WINTER- "Bedroom Philosophies"

New single coming out soon on Kingfisher Bluez and Cloudberry. Parcel Post is a collaboration between Lisle (Fireflies) and Scott (Summer Cats), and on this song, with Kristine (Tiny Microphone) on backing vocals. More info soon. 

Parcel Post - Centimetres

From the new album The Scene Between out 23 March (UK), 24 March (US).

www.thegoteam.co.uk


The Go! Team - The Scene Between

Child Model

https://www.youtube.com/watch?v=MYuIJNjvTkw

Second single from Brisbane band Love Signs. Produced and mixed by Miro Mackie. Mastered by Dominic McGlinn. Artwork by Emma Caskey.

Hold You Down

Rebble

Blowtorch - from the album The Scene Between

www.thegoteam.co.uk

The Go! Team - Blowtorch

A cover of an obscure 80s French pop track. If you have a spare copy of this 7", we'll buy it ! Written by François Babin (apparently)

L'Hiver Au Bord De La Mer

The Toll - Türkenmädchen - 1981
Michael Girke, Andreas Henning, Cord Budde, Jürgen Jahn, Pascal 
Proberaum Herford

The Toll - Türkenmädchen - 1981

Produced by Gil Norton at Rockfield Studios, mixed by Dan Austin.

I DON'T KNOW

Don't Look Now

Time is an empty space
We got to fill it with ourselves
And love, and love is a vacant face
You got to know which one to help

From afar I hear you
It sounds just like you're falling down
Feet will not touch the ground
Not while I'm around

You better believe we'll be going strong
Now you are with me I'll never treat you wrong
Everyone wants a part of you and me
Oh, they've got it wrong
We're going strong

I know you're a real hero
I can see it in your smile
I'm cool, I'm cool just to take it slow
Even though that's not my style

From afar I hear you
It sounds just like you're falling down
Feet will not touch the ground
Not while I'm around

You better believe we'll be going strong
Now you are with me I'll never treat you wrong
Everyone wants a part of you and me
Oh, they've got it wrong
We're going strong




Download

Strong

facebook.com/compnymusic
twitter.com/compnymusic
youtube.com/user/compnymusic

Buy on iTunes

Lovers

Good With Words

Big Quiet's debut release and contribution to Unblinking Ear Record's "Serious Rockers" compilation. Check out the full comp here https://unblinkingearrecords.bandcamp.com/releases

Ghost

I Never Knew

Ernie on bass.
Thanks to @gersch-1 for letting me use his 12 string.

Secrets To Yourself

Recorded in Gainesville FL, at Michael Rotolante's Studio

Written By: Scott David Beckey and Daniel Bissing Beckey

Scott Beckey: Guitars, Drums, Vocals
Daniel Bissing Beckey: Organ / Bass Pedals / Tambourine 

Engineered by: Michael Rotolante

Passages In Every Room

Taken from the "Dressed For the Rain" Split Single w/ Dinosaur Feathers out Dec 2010, via Music Mule

Dressed For The Rain

Recorded March 1989 for the Sound Affects  6" flexi single 

Heaven No!

For UK , EU please check out Very Gun Records  for "Maura & Dana" 7" out now on Unblinking Ear records 

http://verygunrecords.bigcartel.com/product/big-quiet-maura-dana-7-vinyl

US

https://unblinkingearrecords.bandcamp.com/album/maura-dana-7


As with a lot of great bands, when you really listen to Big Quiet, you understand the depth of its attendant members’ music fanship. These three know their source material, whether it’s Athens, GA in 1982, Scotland in 1988, or New York right now. The Brooklyn trio's knowledge of jangle rock and post-punk history is real, and they’ll talk your ear off about it if you ever ask. But what Big Quiet plays isn’t just some kind of stoic record-collector rock. In a live setting, you’re struck by their sheer viscerality and volume. Marisa Cerio’s Rickenbacker can scorch faces, dousing her rapid-fire strumming in treble and reverb. She belts out a song so emphatically; you’d think she’s trying to sing to the next room over. Chris Matheson’s steady, propulsive bass erupts in a gnarl at just the right moments. Pete Smith's drum beats are all manic, percolating, tom-thumping bounce.