The new album ALL HANDS in stores 01.27.15 www.doomtree.net

THE BENDS
Produced by Cecil Otter
Additional production by Lazerbeak
Vocal sample by Will Humphries, Guitar by Jake Hanson, Additional vocals by Joe Mabbott and Isaac Gale
(Dessa)
Leave when the snow melts / on the first clear night / River runs deep / walk against it / Walk til the Southern Cross peaks on the west edge / of the brine lake at the dredged end / Ruts in the mud, then gravel, then a paved one / left at the Amoco, right at the station / First train—wait / take the second headed east
/ window seat, pretty girl with the gold teeth / has a hotel key with your name on it / Stay on it til the train hits the border in the morning / Duck the conductor, leave through the back door / wait for my sign on the platform / Smoke on the skyline / welcome to Delphi / They’ll come with questions / answer what you can / everybody knows the new oracle’s at hand
(Hook)
Oh, there prolly ain’t another way / and I watch so amazed / and float through everyday / hoping I don’t float away / that I don’t float away
(Stef)
Cold world, no blanket / dark nights, no Batman, what up? / I keep a nail in the hand and a hammer on
the nightstand / locked in, no B plan / Keep the mouth shut, let em stay lost / radio up, radio off / Either
no guts or it’s so what / rather read up then trust my neck to the blood suck / Full moon, hand fulla silver bullets / high noon all day with these assholes / How soon is too soon to pull it when I doubt they count they paces at all / So fly took a bullet in the wax wing / so high but didn’t get the chance to melt / so tight how when he came down didn’t even look scared / just eased on back into the veldt
(Hook)
(Sims)
The woods are deep / yeah them woods are deep / I was drinking that cheap shit to fall asleep / and really solely to hold my feet / because these days I’ve been taking that heavy so lightly / that I might float away completely / in my psyche I’m the natural man in a Black Friday stampede / LED murder spree for cheap / and the video screams Worldstar War Z / I’m feeling dirty but feeling so good I just smile at the thieves / fold up a note in the breeze / I’ve got a few miles to go before I concede
(Hook)
(Cecil)
You got it wrong, but you got it made / a lot of weight but you gotta wait for a lot of aid though / and I’m not a maid or amazed by the raise in your payroll / ergo silence the offers / High-wire walkers, child actors / ain’t vying for your father figure fodder / Otter out, we outta town, you outta line you lil faulker / taut line from the dock to the Oscars
(Mike)
And I’m reading like a Rorschach / hiding lines in the pantomime, allegory in a smirk / Where my eyes won’t take you my moves do that work, a nonverbal creep / Where the O.G.s weep / slide, slip, test glide / Connect like catchin rec like R-E-S-P-I-R-ation from the Westside / Now it’s strong in the Midwest in my own nation
/ got a fam and we crewed up in sub-clans, no subjugation / with the wings and the chops, put the beans
in the pot / like the seeds to the crop, Doomtree No Kings cut the top / head em off at the neck, better off dead, dead em all / better them than you, right? / Forever type shit
(Hook)

DOOMTREE "The Bends"

How Do You Feel Now?

Parade

Form

Last Resort and Spa

Buy on iTunes

See Through

See Through (feat. L1ZY)

Put Me to Work

Candy

Evolutional (feat. L1ZY)

Slay (feat. L1ZY)

Possession

No Shoulder

F.E.A.R.

Get Strong

BIG DATA is the paranoid pop brainchild of producer, Alan Wilkis. His music explores the relationship between man and machine, and the ways in which technology is reshaping the human experience, all with a healthy dose of distrust.

In 2014, BD made waves with the #1 alternative hit, “Dangerous (feat. Joywave),” which has since been certified Gold in the US and Canada, and with nearly 40M streams. Big Data’s 2015 debut album, 2.0, featured collaborations with Kimbra, Rivers Cuomo, Twin Shadow, and Jamie Lidell.

3.0 is the long-awaited upgrade from Big Data. In creating 3.0, Wilkis became obsessed with the subject of artificial intelligence and its many possible applications in our not-too-distant future. While AI may become humanity’s greatest achievement, it carries with it a potential risk that is both existential and irreversible… one of many reasons why experts refer to AI as our “final invention.” This tension is both fascinating and terrifying all at once, and it is the chief inspiration behind Big Data’s latest effort.