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THE BEST.
"There is no greatness without a passion to be great, whether it's the aspiration of an athlete or an artist, a scientist, a parent, or a businessperson."  No truer words can be spoken of Louisiana recording artist, producer, writer, and entrepreneur, Fiend.  Already boasting two gold records, a Grammy nomination, a successful independent record label, a lucrative management company, a boutique clothing line and a burgeoning film company, Fiend continues to drive his career to new heights.

When asked how Fiend maintains the drive and passion required to fuel his sustained career success, his reply is straight to the point.  "I do this to provide for my family because I have to.  Secondly, I must advance my legacy as an artist, musician and entrepreneur.  I want to push the envelope and show the world that there are still artists out here who can record cutting edge music that is rooted in the past, standing in the present while branching out into the future.”  It is this sentiment that has taken this Hollygrove, New Orleans native to unprecedented heights for over twenty years.

Fiend began his career as a teenager, landing a gig free-styling on New Orleans’s hottest radio station, Q-93 FM.  Fiend quickly became a voice of New Orleans, and was signed to a local record label where he released his debut LP,The Baddest Mutha Alive.  The record instantly became a regional classic and is still a record that is still highly sought after by collectors of New Orleans hip hop. Regrettably, Fiend’s tenure with his first label was cut short when the label folded, leaving Fiend without a home until 1997, when he inked a game-changing deal with Master P’s No Limit Records.
 
During his tenure with No Limit Records, Fiend appeared on over 20 gold and platinum No Limit albums including his two solo full length releases, the There’s One in Every Family, and Street Life.  Both albums achieved Gold status, and vaulted Fiend into the spotlight as one of the most influential Southern rappers in the game. 

In addition to his talents as a recording artist, Fiend also contributed writing credits for various No Limit acts including, Master P.  After years of continued success as an artist, writer and developer of talent for No Limit Records, Fiend felt that a major change was necessary.  With multiple options on the table, Fiend opted to leave No Limit to take full creative control of his career and create his own independent record label, FE Entertainment.  FE Entertainment provided the opportunity Fiend needed to expand his musical horizons and reap the full financial benefits of his work.  The loyal fanbase that Fiend had built afforded him the opportunity to build his own empire, and begin to foster the careers of other around him. “After leaving No Limit, it was only right to start a company to further my art for me and others.  The experience I had gained as an artist put me in a position to be able to develop new acts while still maintaing control of my own future.”
Under the banner of FdE Entertainment, Fiend released five albums totaling over 300,000 units sold independently.  Chief among his indie releases is the LP, The Headbussas Vol. 1, a famed collaboration project featuring Fiend with 3-6 Mafia’s DJ Paul and Juicy J).  On the shoulders of the the lead single from the record, "That’s How It Happen to Em", the record sold over 190,000 Soundscan units independently.  His underground compilation projects, Can I Burn Vol. 1 and Can I Burn Vol. 2, have both sold over 40,000 Soundscan units and counting.  The Go Hard or Go Home compilation introduced Corner Boy P, a known member of the Jetlife family, to the world and the subsequent LP, The Addiction, garnered Fiend accolades as a producer.  

After independently selling hundreds of thousands of records worldwide, Fiend landed a publishing deal with Mike Caren of Atlantic Records. Caren immediately introduced Fiend to producer Jim Jonsin and the two wrote Twister’s hit single entitled “Girl Tonight.”, which landed on the top ten on the Billboard Singles charts.  Fiend also earned a Grammy nomination for Best Rap Single for Lil Wayne’s Don’t Get It (Misunderstood) from the classic LP, The Carter III.  Fiend continued to work with Caren and Atlantic Records as A&R and a writer for Atlantic where, according to Fiend, he “discovered a lot of talent and made a lot people wealthy.”


“He is just an honest, driven, compassionate dude who cares for the people around him.  We share the same ideas and drive and have committed to continue to grow and take over the world together.  And that’s what we’re doing...”		
					- Fiend speaking of Curren$y

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Adam edwards
UK BASS - GARAGE - DNB
DJ and producer from the North West
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