It adds character, since things all rust in their own eloquent patterns... as are music productions! This is a great interpretation of the corrosion process!

that rusty texture is wonderful, it's like extra massage for the ears and soul!

'Rust never Sleeps",  Neil young and Crazy Horse

it reminds us to focus on aesthetics, not function

Rust is beatiful, as long as it doesn't appear on my Synths or Drums!

Kit: Hammerhead, volca fm, uKORG, Jamstik, Air (eno), Teraverse, SynthMaster One, Logic Pro X.

Acknowledgements:
Vocals - 
(1) Modified excerpts from “I Am Stretched On Your Grave” traditional 17th century Irish folk song (unknown) sung by queeniemusic (Kimberly Steele) (2009). Licensed under a Creative Commons Attribution (4.0) license (CC-BY).
(2) Field recordings from Valencia. Hotel rooftop bar guitar duo, church choir, accordion busker, people.

Cover Art - Detail from “Far from here” by Klara Kristalova, which features “Beast” (2019) and “Watching the sleeping woman [after Rousseau]” (2017).

Stretched On Your Grave (ft. queeniemusic)

Firstly a big thanks to Shane of Harmful If Swallowed for agreeing to do do this male duet. It’s a first for me and probably for him, so a very interesting concept. It’s been a song that’s been hanging around a while just waiting for the right type of vocalist to agree. I am a great admirer of Shane’s work because of his fine lyrics and interpretations of real life. 
The song Elephant In The Room was wrote over five years ago with my son Owen  who would of been around 18 at the time. He had got into playing guitar and dabbling in song writing so my role was helping him with melody and lyrics. 
It’s a song I always thought had great potential and as I wasn’t that active in music myself at the time only a raw acoustic version existed.
This version is what we used as a sketch and Noobly transformed it into a full blown production. Seriously Noobly is a real talent and absolute pleasure to work with so respect to him.
There as been slight lyric changes but the melody is the same.
The song is about to close friends sitting in one of their living rooms in silence. There is an elephant in the room for both of them because a serious matter is not being discussed and neither of them are opening the conversation. The one  as done something really bad to the other so use your imagination.
The conversation is only happening inside their heads so hence a male duet of thoughts.
Hope you enjoy the song as much as we did creating it.

Elephant In The Room  -  Conscience of Kings feat Harmful If Swallowed

Love Conquers All

Soundscape or Drone for experimental

please comment  "Tell me the reason why rust is beautiful"
or
Enjoy!
ChatGPT made this poem about Rust

The taste of reddish iron
Emotion that marks the passage of time
Even if it's a fate that eventually rots away
The brilliance never fades

A pale red scar emerges vividly
tell the history of the times
Oh, beautiful rust, that color
Eternal beauty that never fades

Love your hometown and put your thoughts into it
A treasure that is still remembered
The texture of the iron in my hand
Be a proof of your love for your hometown

It shines in the scenery covered with rust
all the joys and sorrows of life
Oh, beautiful rust, that existence
It warmly envelops people's hearts

Tell me the reason why rust is beautiful ：Experimental drone

Spark The Vibe 150 BPM

In Space With MAX

In Space With MAX (Collab with Max)ADULT CONTENT of course

J-Magdalene

Ostousel

... musical meditation featuring flute and Danmoi. all instruments by me. photo: Tim Mossholder, Green Valley, California on unsplash

Green Valley

Ambient improvisation.
Field recordings, air/water noise, synth.

Proceeds to Gaza: gazafunds.com

Download

Extantēs

When my father died, way back in 1993, I became aware of the fact that my grandmother, Doris, who had died when my father was only three years old in 1930, had never had a headstone placed on her grave in our family plot. In fact, until I was a teenager, I don't believe I was even aware that my step-grandmother Charlotte wasn't my actual grandmother. Although Charlotte was a terrific grandmother to me and the only real grandmother I ever knew and loved, I began to wonder more about who Doris Terrill Warner was since she died 26 years before I was born, when my father was only 3. My first effort to reach out to her was having a proper headstone placed on her grave, right next to my father's final resting place. Ultimately I haven't learned much more than a handful of photos can suggest, but the images have provided some happy substance to my connection to her. This song brings out the disappointments of never meeting her but consummates with the joy of realization that she is nonetheless a real part of who I am. And that is indeed a happy ending to a continuing story. As a bonus, I coerced my 89 year old mother-in-law, Barbara, into adding her whistling skills to the ending of this song as you can hear in her protestations as it all falls apart for a bit of fun.

All music written and performed by Craig Durgy
Whistling provided by my mother-in-law Barbara H. Lynch

Lyrics:
Doris by Craig Durgy

Black and white, shades of brown
From the old photo album handed down
There’s a face, that I’m told
Was my grandmother, seventeen years old 
Timid smile, far off gaze
Did she see something coming in her numbered days
My dad was three, Aunt Jean was two,
Then the baby Barbara that she never knew

(Chorus)
And I cannot lose her now, this will be my solemn vow
To raise up her memory like this stone
As I stand above this grave, living proof of what she gave
I believe, that Doris she, is a part of me

Married young, just nineteen
Isaac Lester, and his high school queen
Was she quiet, in the rain
Did she fight for her life in her final pain
Did she grieve, did she laugh
Why did she leave, no epitaph
Does she know, that I got
This gravestone, placed for her alone in the family plot
(Chorus)

Photos few, and far between
Wish I knew, just what they mean
Did Maude and Pa, ever dread
When Doris Terrill Warner was so quickly wed
Still I know, in the end
Where I go, is simply where she’s been
Just a face, in a wooden frame
And a trace of her warm embrace when I say her name

(Chorus) Oh I believe she will always be a little part of me

Doris

New album of my unit Electric Seagull in my studio Live
https://xix-japan.bandcamp.com/album/blueprint-of-the-electric-seagull

new Live Movie: Please follow on my Channel!!!
https://youtu.be/6uO1EnwI_Kg?si=AQm574zyXMKRscyG

Thank you for your listening and following.
I am Japanese Violinist,Improviser,Composer,Sound designer,
Experimental ,Noise,Ambient,Drone,Neo classical,etc

Now,I try to explain why I make music in inprovisation style.
As you know,
We had the big accident last year (2011.3.11)in Japan.

We lost and many people in that accident.Many people now lost their house,
or can`t return their home because of Nukes accident.

I could not play,listen music at all.

But,After several years,I started play music again.

I improvise for lost and living people at the same time.
It is the reason .

New!
Experimental Video on Youtube. Please Check it and follow my channel!!
https://youtu.be/oNdwvPrkYtk

29/Oct/2022  Electric Seagull online live !!
Here  ->https://youtu.be/KCzUQtqLkMU
Please put likes and Subscribe on my channel!! 

iTunes Music store
http://itunes.apple.com/jp/artist/big-papa-shonan/id516489801

Amazon.com
http://www.amazon.com/Everyday-have-Blues--Sing-you/dp/B007RAIIW8/ref=sr_1_2?ie=UTF8&qid=1333765302&sr=8-2
From Papa`s studio in my house(Yamaha Avitex)

Guitar Stratcaster (Fender 1956)
          J-200 (Gibson 1962)
         Dobro,National,  I love vintage guitar.
DTM:Logic pro,Ableton Live,Studio One,and many litlle gadgets

Good music for you.

Tell me the reason why rust is beautiful ：Experimental drone

Keigo Bigpapa Sano

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