Experimental too radical

VCV Improvisation

New trial 2 .Glitch very short tone with glanular synth.

Enjoy!

Glencoe 嘆きの谷

Sound making with Output Porta(Granular synth)l

Enjoy!

Portal Is Opend

FMR Audio RNC1773  : Awsome compressor ! Incredibly Clear tone!
3D sound stage!!

Enjoy!!

Trap  Trap :Analog mixing and compressor test 3D sound stage!!!

Can you hear the beat in the deafening noise?
Can you see beauty in the sound of space-time tearing?

If so, you are a member of the 暗黒爆音クラブ.

Welcome

暗黒爆音クラブ ：Dark matter Noise Club

a sense of anticipation emerges

All my setting suns


Before August 2021, I didn't know how to make music. The turning point came when I was hospitalized in August for surgery to fix my lumbar spine. I don't know what gave me the ability to make music. And in a few days, I will have to undergo the same surgery again. Surgery patients have to endure boring and painful rehabilitation. It was probably the boredom of the hospital room that gave me music four years ago. This time...

Bored in my hospital room, I get musical inspiration(324)

A partial remake of my earlier rearrangement of Frédéric Chopin's Revolutionary Etude, Op. 10 No. 12. 

A Sunday excercise where I laid down a bass part with the Jazz Bass Ultra on top of my earlier rearrangement. I played the electric piano part originally 2.5 years ago as midi in several takes. Also some midi note corrections and quantizations were made back then especially since the changing of the rhythm turned out to be more difficult for the left hand than I expected.. I'm not a pro bassist but it sure was fun playing this! I also didn't want the bass to steal all the attention from the keyboard part:)

I also made a short video of this: 
- https://youtube.com/shorts/3aKReG3pI0o
- https://www.instagram.com/reel/DKp3o9FMKNC

Original full version with a VST Bass: https://soundcloud.com/vintageklavier1980s/chopin-revolutionary-etude-op-10-no-12-arr-for-rhodes-drums-and-bass

F. Chopin Revolutionary Etude Rearranged w/ Bass (excerpt)

Not really satisfied with the singing on the first version, I try this one sung below.


I continue my musical experiments. With this track , I tried to capture the spirit of post-punk rock but with an electro funk touch.  For the text, I let myself be carried away by my irritation against the warrior spirit that is imposed almost everywhere in the world. the lyrics are explicit


Je continue mes expériences musicales. Avec ce morceau j'ai tenté de capter l'esprit ,post-punk Rock mais avec un touche electro funk. Pour le texte, je me suis laissée porter par mon énervement contre l'esprit guerrier qui s'imposent un peu partout dans le monde.les paroles sont explicites

 

Punks Against War

All these stupid guys, thinking with their balls
Listen to  politicians and believe their  lies
Hey  You  asshole /   I don't want  take this way  
Hey  You  asshole  /  i'm going my own way  
 
There is no clean war, too many people die
No land, no country  worth the blood / of the child  who play there
 Hey  You  asshole /   I don't want take this way
Hey  You  asshole  /  i'm going my own way 

I am right in my fight/ shut the fuck up, son of a bitch,  
I protect my country and the world  shut the fuck up, son of a bitch,
My people are the chosen of gods  shut the fuck up, son of a bitch,
My enemies are terrorist dogs    shut the fuck up, son of a bitch,

There Are only two sides, Its not the good against the bad
 But Only those who die and those who get rich.  
 Hey  You  asshole /   I don't want  take this way
 Hey  You  asshole  /  i'm going my own way 


The vile flow of news channels makes me sick, makes me vomit
 Fed up with all these people who kill the future  they   makes me sick makes me vomit

Traduction :
Tous ces mecs  stupides, qui pensent avec leurs couilles
Écoutent les politiques et croient leurs mensonges
Hé,  toi l’ connard / Je veux pas prendre  Ton chemin 
Hé, sal connard / Je vais suivre le mien 


Il n'y a pas de guerre propre, trop de gens meurent partout
Aucun pays ne vaut le sang / Des enfants qui y jouent
Hé, espèce de connard / Je ne veux pas prendre ce chemin
Hé, espèce de connard / Je vais mon propre chemin

J'ai raison dans mon combat / ferme ta gueule, fils de pute
Je protège mon pays et le monde ferme ta gueule, fils de pute
Mon peuple est l'élu des dieux, ferme ta gueule, fils de pute
Mes ennemis sont des chiens terroristes, ferme ta gueule, fils de pute

Il n'y a que deux camps, Ce n'est pas le Bien contre le mal
Mais seulement ceux qui meurent et ceux qui s'enrichissent.
Hé, espèce d'enfoiré / Je ne veux pas prendre ce chemin.
Hé, espèce d'enfoiré / Je vais mon propre chemin.

L’ ignoble flux des chaînes d'information me rend malade, me fait vomir.
J'en ai marre de tous ces gens qui tuent l'avenir. Ils me rendent malade, me font vomir.


Punks Against War

While I was in the hospital, I was surrounded by the warmth of many people and was able to quietly regain my body's homeostasis. At one point I couldn't think of anything. I was that tired. Then I recovered and, like a miraculous jackpot on a slot machine, I got myself back. This is a treasure that cannot be exchanged for money.

I was reborn as myself. It was a very coincidental event (326)

released in Jan 2025 - https://nomatesensemble.bandcamp.com/album/i-am-never-freer-than-when-i-am-with-you. 


Then She Reaches for the Gun was formed in 2021 by Mat Ward. At its essence is sound collage, Ward invites musicians, sound artists, poets and anyone interested to send him files to be used, abused and showcased ‘as suggested by the work’. They are not always musical but field recordings, spoken word, engine noises and drunken rants. Animals participate a lot too! The raw material is arranged with one phrase asking for the next in an alchemical and intuitive process that will most often feature dozens of tracks weaving in and out of each other, colliding, harmonising, arguing and laughing along the way.

Both the aesthetic and the compositional methods use what Frank Zappa called Xenochrony - the mixing together of separately recorded and rhythmically opposing musical phrases to create polyrhythmic and polytempi compositions.The work also features fragmented story telling with the human voice (in many languages) appearing unannounced throughout the tracks offering up snippets of thoughts, conversations, jokes and existential angst. The absurdity of humanities desperate claim to have any real understanding of its place in the universe is revealed through the recorded follies and genuine emotions of the artists. The project is a celebration of chance, diversity and community. It pays homage to all musical tastes and genres whilst maintaining a sense of humour and irreverence that is needed to stay sane in the climate of  21st Century contemporary culture.

Then She Reaches For The Gun is

Humans

Adam Meredith - Ford XD with XF front mods/Voice
Ambient Annie - Electronica/Field Recording/Voice
Andrew Harper - Field Recordings
Angostura Elwar -  2 x Behringer CRAVE analog synths/Yamaha P200 electronic piano 
Antonella Eye Porcelluzzi - Text/Voice
Ariad Music - Clarinet/Percussion/Piano
Axel Weiß - Electric Guitar/Robot Voices
Banalytic - Experimental Electronics
Belial Pelgrim - Digital Strings/Electronica
Brendan Corey Benson - Electric Guitar
Carolyn Wigston - Voice
Chicago Word Brigade - Electronica
Dan Hewins - Bass Guitar
Dane Renshaw - Drums/Voice
Dani Kirby - Keyboard/Piano/Voice
Dylan Banks - Intonarumori/Voice
Frank Wilke - French Horn/Trombone/Voice
Garbage Truck Disco - Drum programming/Electric Guitar/Joyous Pop Punk
Glenn Ward - Electric Guitar/Skyhooks
Hakan - Moog Voyager XL
Hverheij- Drums/Electric Guitar/Synth
Johnny Python- Bass Guitar/Drum Programming/Electric Guitar/Text/Voice
JZsuperstar - Electric Guitar/Field Recordings/Keyboards
Lady ElectroTrek - Organ
Libby Laksmi - Jazzy Loops/Synth Bass
Loop(c)y - Electric Guitar
Malo Bernard-O’Meara - Drums
Maxx Black - Guitar/Ukulele
Minimal Drone Girl - Cat Wrangling/Field Recordings
Oberlin - Eurorack/Piano
Paolo D’Emilio - Electronica
Paul Miller - Electronic Percussion/Keyboards/Phat Electro Bass
Phil Bywater - Saxophones/Voice
Raul Mainer - DAW Programming/Heavy Metal
Robert Jefferson - Akai Rhythm wolf/GakkenSX-150 ll/Korg Kaosilator/Percussion
Rosin Dust - Violin/Field Recordings
Sarah Megahertz - Speedway Noise
Scratch Kelly - Beats/Electronica
Stan Magendanz - Electronica
Ten Atmospheres - Field Recordings/Synths
Texmex Shaman - Electric Guitar
The Windscale Blues Experiment - Clarinet/Flute/Saxophones
Timothy Korstad - Demons/Electronica
Thomas Bergheim - Bass Guitar/Electric Guitar
Tobias Schmitt - Electronica/Processed Organ/Text
Tuonela - Demons/Electronica
Vartch - Drones/Things/Trousers (not T-shirts)/Voice
Widar’s Spiritual Front - Electronica/Ms Pacman
W:I:L-o’ the-wisp - Bass Guitar/Electric Guitar/Electronica
Wivresse - Electronica/Voice
Zanshin - Acoustic and Processed Drums

Mat Ward - Arrangements/Bass Guitar/Double Bass/Field Recordings/Intonarumori/Marimba/Noise/Percussion/Piano

Dogs
Boogie
Brophy
Buddy
Hancho
Jack
Momo
Neska
Poldo
Senna
Shyamsundara
Star
Oily (cat)
And many cows from Milis, Sardinia

Cooking Hard Boiled Eggs in a Cheap Motel In Adelaide part 3

Is it a scary Halloween in July with zero treats and a bagful of disaster?! Everywhere I look in the outside world, countless tragedies, terror, and horror stories run on continuous loop. That’s why, in addition to family illness and death, I took a few months away to explore my inner creative world, where, to quote the psychic medium Tangina from the movie, Poltergeist, “There is peace and serenity in the light.”  🔮😆😜🖤

A proposed soundtrack for a suspense thriller, and a track from the upcoming release of my Time Machine EP. 
 
Electro chill NuJazz with hip hop beats and a touch of tango

I use what I consider a classic hip-hop rhythm for the hi hats that may seem dated, but it’s comforting as a familiar element, me being a fan of Boom Bap, and it adds tension like a pesky fly or a nagging thought. The composition overall is more playful than serious, but sometimes people laugh to keep from crying. Or screaming 😱 

An original composition, no AI, produced digitally using a MIDI keyboard and DAW.

66 bpm

.....................
DAW: Apple Logic Pro X 
MIDI: Akai Professional keyboard 

E-INSTRUMENTS
Concert Grand 
Ambient Lead
Clarinet Solo 
Session Strings 
Lunar Chords
Deterioration synth 
Deep Round Synth Bass 
Minimal Techno Pattern 
E-PERCUSSION 
Drum ‘N Bass Remix Kit 
Pop Kit

LoFi audio of thunderstorm recorded live on June 7, 2025.

.....................
COVER ART: A composite of AI-generated images via the DaVinci app, designed and altered using Photoshop.

.

Hidden Room

The fourth track of CHEMICAL is BEGINNING 3. 140 BPM. 6m1s. This is avant-garde and lacks any clear scale-based melody. In that sense, this may be similar to Polygon Window QUOTH. Dance music consists only of beats, sound effects, and noise. I guess I just hate common sense and preconceived notions. CHEMICAL Link in Bio!

BEGINNING 3

Some say the trees remember all,
that light is how they mourn.
Some say they bleed for what we lost
the moment we were born.

So do not speak. Just lay your head
beside the roots tonight,
and listen to the earth exhale.
where baobabs bleed out light.

Where Baobabs Bleed Light

New album of my unit Electric Seagull in my studio Live
https://xix-japan.bandcamp.com/album/blueprint-of-the-electric-seagull

new Live Movie: Please follow on my Channel!!!
https://youtu.be/6uO1EnwI_Kg?si=AQm574zyXMKRscyG

Thank you for your listening and following.
I am Japanese Violinist,Improviser,Composer,Sound designer,
Experimental ,Noise,Ambient,Drone,Neo classical,etc

Now,I try to explain why I make music in inprovisation style.
As you know,
We had the big accident last year (2011.3.11)in Japan.

We lost and many people in that accident.Many people now lost their house,
or can`t return their home because of Nukes accident.

I could not play,listen music at all.

But,After several years,I started play music again.

I improvise for lost and living people at the same time.
It is the reason .

New!
Experimental Video on Youtube. Please Check it and follow my channel!!
https://youtu.be/oNdwvPrkYtk

29/Oct/2022  Electric Seagull online live !!
Here  ->https://youtu.be/KCzUQtqLkMU
Please put likes and Subscribe on my channel!! 

iTunes Music store
http://itunes.apple.com/jp/artist/big-papa-shonan/id516489801

Amazon.com
http://www.amazon.com/Everyday-have-Blues--Sing-you/dp/B007RAIIW8/ref=sr_1_2?ie=UTF8&qid=1333765302&sr=8-2
From Papa`s studio in my house(Yamaha Avitex)

Guitar Stratcaster (Fender 1956)
          J-200 (Gibson 1962)
         Dobro,National,  I love vintage guitar.
DTM:Logic pro,Ableton Live,Studio One,and many litlle gadgets

Good music for you.

VCV Improvisation

Keigo Bigpapa Sano

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