*About
"Flawlessly tight with infectious melodies & tons of soul." - Relix  "Full of rocking blues, soul, and depth." - Huffington Post  "An act to get behind." - USAToday

*Biography
10 out of 10 Dads approve of this rock and roll band. Heavy soul and lots of groove. Coming to a town near you soon, leaving no stages un-thrashed.

New record "Live, Volume One: No Way, Let's Do It!" available now on CD and at all digital retailers. http://wildadriatic.bigcartel.com/

Afropop Worldwide is an internationally syndicated weekly radio series, online guide to African and world music, and an international music archive, that has introduced American listeners to the music cultures of Africa, Latin America and the Caribbean since 1988. Our radio program is hosted by Georges Collinet from Cameroon, the radio series is distributed by Public Radio International to 110 stations in the U.S., via XM satellite radio, in Africa via and Europe via Radio Multikulti. 

Hailing from the river town of Stevens Point, Wisconsin, HHG plays something like progressive high-energy Old-Time folk music. With strong roots in old-time and bluegrass, the band has formed it's own unique style born from the diverse musical backgrounds and interests of the five friends who make up the band. All born and raised in the great state of Wisconsin, Horseshoes and Hand Grenades began playing music and their earliest shows in the spring of 2009. Since then, the band has shared the stage with the Infamous Stringdusters,Yonder Mountain String Band, Charlie Parr, Pert Near Sandstone, Art Stevenson and Highwater,.357 String Band, The Big Wu, and many more. Being mostly inspired by rivers, valleys, good friends, and good drink, this five piece is as sturdy as any midwest riverbed and will make your toes tape from sundown to sunrise.

One Week Records is a Digi-label. We release artist recording sessions as a complete event. The artist sleeps, eats and records 10 songs in 7 days. 
The sessions are produced by Joey Cape at his home studio in San Francisco. 

For WARBLY JETS (Samuel Shea and Julien O’neill) their second LP marks a new era, a shedding of skin, a clean slate. It’s been three years since the release of their first LP—years filled with all the highs and lows of growing up, and finding their footing as a band. “The first album changed our lives explains Shea. “But parts of it feel too one-dimensional since there are no rules in pop music anymore,” adds O’neill. “We’re witnessing a rebirth of what music can be. Music is getting way more flexible and people’s ears are wide open. It’s easy to be inspired by the infinite possibility. That’s what this album is about for us.” Defined by experimental, genre-bending production, massive sound-collage hooks, and the search for identity in an industry that has yet to fully accept them, MONSTERHOUSE features the alternative duo’s most personal yet highly relatable songwriting to date. “It’s a patchwork narrative of our own experiences,” explains O’neill, “but I hope people listening will find a lot to relate to with the questions we’ve been asking ourselves. Things like, why do you feel that you can’t go on without that person? How did you grow up so fast? How do you change again for the better?”

Bill Coady is following