Taken from The Caretaker album 'Persistent repetition of phrases'

THE CARETAKER - false memory syndrome

Taken from the album 'Electronic Recordings from Maui Jungle Vol. 2' released as 2LP / 2CD and Download

Anthony Child 'Amoré' (EMEGO 230)

"The first sound is set in motion, is caught up by the next, which is caught up by the next, etc., in a powerful crescendo."  In 1961, Else Marie Pade wrote the tape composition Etude, which was met with greater excitement among reviewers than electronic music in general at the time. The length of the piece is 333 seconds, and as a tribute to Else Marie Pade 11 artists have remixed Etude – all 11 remixes with the same length as the original, available on a new album from Dacapo "EMP RMX 333 – a tribute to Else Marie Pade (1924-2016)". The results are greatly diverse, but all show the inspiration from the grandmother of Danish electronic music who insisted that all sounds are equally valid.

EMP RMX 333 - a tribute to Else Marie Pade (1924-2016)

EMP RMX 333 – a tribute to Else Marie Pade (1924-2016)

Etude (Else Marie Pade's original version, 1961)

Bill Orcutt

Christmas on Earth

Christmas On Earth

"George Chua’s “Evidence of Things Not Seen” has personally been a favorite album of mine for about a decade. In 2006 the title was self released by the Singapore based artist on a limited run of CDR’s and made available for direct download on his website, which is how I obtained it. I remember there was something immediately unique about the 4 pieces; specifically off the first take “Gloria”, that it felt more like the document of a living organism, rather than a piece of music. As you accrue more listens of course your pattern recognition starts to formulate and separate the musical signatures; but the piece still maintains that effervescent living form that moves without you but wills you to follow it. This past year I felt compelled to link friends into the album, however, I couldn't find any digital copy online, and moreover hardly any information on it. This startled me a bit and I got to work- By way of Social Media I was able to get in contact with George (Thanks to friends at Kitchen Label) and he happily agreed to present the album digitally with Anòmia, thus making it accessible to those who missed it the first time around." 
—David Sutton 

More info: anomia.info

Recorded between 2003–2004 using the Plogue Bidule software.

Evidence Of Things Not Seen

ANM043 George Chua — Gloria

Face [Glimpse] (with Oren Ambarchi & James Rushford)

From the Neptunalia LP compilation (LAL-92 / IKU-054). Edition of 300. Release day hopefully July 23rd.

NEPTUNALIA, a festival of Neptune, celebrated at Rome, of which
very little is known. The day on which it was held, was probably the 23rd
of July. The festival was celebrated with games. Respecting the ceremonies
of this festival nothing is known, except that the people used to build
huts of branches and foliage, in which they probably feasted, drank, and
amused themselves.
From a "Dictionary of Greek and Roman Antiquities" by John Murray, London,
1875.

Side A:
David Edren - Whale Bubbler
H. Takahashi - Deep
Nuslux - Hippocampi
Olli Aarni - Eliksiiri A & B
Ilpo Numminen - Speleothem

Side B:
H. Takahashi - Coral
Non Local Society - Latiaxis Mawae
Kuupuu - Jään alle
Marja Ahti - Silent Floor
Miaux - Rip Current at Avalon Beach

Compiled by Roope Eronen
Cover Art by Leon Sadler
Mastered by Tommi Keränen
Laquer cut at Duplates and Mastering

Lal Lal Lal & Ikuisuus, 2018

Miaux - Rip Current at Avalon Beach

Excerpt of B2 from

Eks - Echo Courts - C20

Out September 28th on Archivio Diafonico

www.archiviodiafonico.org
archiviodiafonico.bandcamp.com

Eks - Echo Courts - B2 (excerpt)

composition by Zinc & Copper + Leonor Antunes

Robin Hayward - microtonal tuba
Hilary Jeffery - trombone
Elena Kakaliagou - french horn

recorded live on 18 December 2018 at Pirelli Hangar Bicocca, Milan 
recorded by Attila Faravelli and Matteo Nobile
mixed and mastered by Giuseppe Ielasi
curated by Pedro Rocha
photo by Lorenzo Palmieri

discrepancies with F.H. (#1 #2 #3 #4 #5 #6)

Leonor Antunes + Z&C - discrepancies with FH

Bonus track from the expanded digital release of the 2012 album Cover Versions. Available now at: https://andrewpekler.bandcamp.com/album/cover-versions

Download includes 10 bonus tracks not included on the original vinyl release, a PDF of 100 unique Cover Versions album covers, and installation photos. 

Original press release text:
Cover Versions – Record-edition and installation by Andrew Pekler

For ten days, the gallery Laura Mars Grp. is transformed into a record shop, complete with records in browser bins, recommendations on the walls and a record shop clerk to assist customers. This record shop, however, only sells one record: Cover Versions by Andrew Pekler, each copy of which is packaged in its own individual album cover. 

Andrew Pekler selected 300 different covers from cheap second-hand records and, using colorful geometric elements to cover over all titles, performer's names, and label logos, removed traces of the covers' original contexts. 

The sunsets, couples in silhouette, alpine panoramas, roses on pianos, faces in close-up, and seascapes no longer serve as the packaging for easy listening, , volksmusik, exotica and light classical. Instead, the romantic, bizarre and intriguingly bland images of the original covers are free to lend their evocative powers to the record of new music they now house. 

Likewise, the principle of collage is audible in Andrew Pekler's compositions. The electronically transformed fragments of audio extracted from the original records take on a new existence as Cover Versions.

Cover Versions is a co-production between Andrew Pekler, Laura Mars Grp., Fantôme Verlag and Senufo Editions.

Bandcamp

Organ / Instrument

When the covid-19 pandemic started, in a mixture of distress and concern, it was hard to block out the imagination and its ability to dream up how far things could go. In what feels like a lost tape from a field trip in nuclear fallen-out land, Malvern Brume paints a world seemingly abated. Occasional muffled dictaphone note-taking punctuates caustic interruptions, cryptic utterances, the hollow chime of steel panelling, the movement of 'something' under the gravelly surface. When the journey comes to an end, a crescendo of static noise comes to fore and we hear the splash of water, it becomes apparent that wherever we are is fairly similar to where we are right now.

---

All sounds recorded in London between April and March 2020 during lockdown. Made using various instruments, devices, field recordings and objects including; a synthesiser, modified violin and penny whistle, balloons, tape recorders, bird whistles, bells, a sampler, gardening tools, E3 dawn chorus and other materials found around the house. Both poems were written in response to walks through Victoria park during lockdown.

All music recorded, mixed & mastered by Malvern Brume.

Cover design by Oliver Barrett.

TR001 - Malvern Brume "Gaps in persistent hiss" [sample]

Taken from the album 'Metabolist Meter (Foster, Cottin, Caetani and a Fly)' released as LP and Digital.

Christmas On Earth

Bill Orcutt

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Mathieu CONAN

Super Cool

Workbench Recordings

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