Name: Max Eilbacher 'Metabolist Meter (Foster, Cottin, Caetani and a Fly)' (excerpt) (SPGRM 002) by Editions Mego
Duration: 4 min 59 s
Description: Taken from the album 'Metabolist Meter (Foster, Cottin, Caetani and a Fly)' released as LP and Digital.

Morceau issu de la compilation Musique Muscle #15 ☀
Sortie le 1er mai :)
Artwork: Samuel Biscuit ♨
www.instagram.com/samuelbiscuit/

A2 Claude Roger - Bagdad Maté

This composition is the result of my artistic residency at Uncool in Poschiavo (Switzerland 2021).
It is a radio portrait of Poschiavo town, its surrounding mountains and glaciers. During the residency I did outdoor self-made recordings of VLF natural radios phenomena, meteor echoes, electromagnetic field and radio communication. This portrait is a part of my ongoing  project started in 2014 about creating radio portraits around the world called “The unknown beyond” .
PHOTO CREDIT: Thomas Rohrer

Radio Portrait of Poschiavo 

" Poschiavo - A Radio Portrait" @UNCOOL artistic residency 2021

a few sketches with the mungo c1 convolution/bbd module. 
- live convolution of modulated filter pings and a static synth chord
- bbd demo with a borrowe melody from martial canterel :)
- another bbd with sequenced delaytimes

c1 some

For this tape Joni used samples from all tsss tapes' releases starting from the very first, Free Percussion, and he stopped right before our 30th, Free Percussion/Water.

Releases November 22nd, 2022

Joni Void, Bruitsss

The white moth

American avant-electronic musician and essayist Bret Schneider holds no institutional allegiance to one artistic medium. His background encompasses a wide range of work experiences and reveals a man who is connected to the world around him in complex, alienated ways. His thoughts on music and philosophy are intertwined into a billowing exposition. But when exploring the dark recesses of his more aural works, there is an inherent flexibility. Phasing percussive elements and frayed droning lines all lead to a perpetually shifting feeling for an aural uncanny. As fractured as his music can be, there is a dim spark of rumination that threads through his synthetic machinations.

On his latest release, “Xilinx,” Schneider taps into a primordial electronic noise—the kind that rests just on your periphery, unwinding itself to reveal myriad sordid circuits and disjointed projections. These tracks maintain a wired mania, expressing an unsettling undercurrent of ragged repetition and warbling drones. There’s an unexpected elasticity to Schneider’s cabled rhythms, and they often shift across several temporal lines before turning inward, struggling to illuminate an intimate dissonance or imagine a multi-chambered core. Displaying a raw and unusually concise knowledge of how these sounds might fit together, “Xilinx” is part zoetrope, part post-industrial dreamscape. It is an inquiry into the idea of internal movement, a contorted experiment in musical patterning, and an experiment in self-replication.

Xilinx

Bret Schneider - VaVE1

momang

This is a work-in-progress and part of a research presented via https://a-desk.org/magazine/within-visual-phenomena-vol-i/


Sound Recordings / Sections:

I — Floaters - Minute 0:00 — 2:02
II — Blue Field - Minute 2:03 — 4:40
III — Tree - Minute 4:42 — 8:58
IV — Hourglass Pattern - Minute 9:06 — 11:13
V — Blue Arcs - Minute 11:13 — 11:34
VI — Phosphene - Minute 11:35 — 14:01

Barcelona — August / September 2019

Within Visual Phenomena Vol. I

Arnau Sala Saez — Within Visual Phenomena Vol. I

A preview track from the forthcoming CD "Scaath Catfish". From the mud of the Illinois River and some chromium dioxide found along the Mississippi.

Scaath Catfish

Catfish Splinter

Taken from the album 'Metabolist Meter (Foster, Cottin, Caetani and a Fly)' released as LP and Digital.

Max Eilbacher 'Metabolist Meter (Foster, Cottin, Caetani and a Fly)' (excerpt) (SPGRM 002)

On her first solo lp, Roxane Métayer fully explores the sonic possibilities of the violin, field recordings and folk oriented orchestration and melodies. The violin is often taken the melodic lead, but at the same time serves a drone background, but just as much a percussion instrument. In any case: the focus is definately on the sound itself. She’s not afraid to use effects, minimal percussion, whistles and the occasional hushed vocal to expand the sonic palette to a maximum effect, resulting in multilayered, semi-improvised meanderings, gently evolving around a tight core.

Roxane Métayer - Opalescentes Épopées.

Independent record company based in Vienna.
For Spectrum Spools go here: https://soundcloud.com/spectrumspools

Max Eilbacher 'Metabolist Meter (Foster, Cottin, Caetani and a Fly)' (excerpt) (SPGRM 002)

Editions Mego

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