Beautiful and folky! Knap uitgevoerd..Liking a lot, perfecte mixtape spul

LA VOCE DELLE PERLE CHE SI SVEGLIANO DI NOTTE
IL PIANOFORTE DI GHIACCIO
IL GESTO CHE INCANTA IL SUOLO

ALATA ONDA 3 SONGS

Yeun Elez

Sun Stands Still

Between two seas, between two eras, voices that transmit and transfigure time to cross the abyss.

An Hour Is A Sea  w/ Mélodie Blaison (28.10.22)

Bios Contrast - On The Banks Of Daya

@musiquechienne propose une mixtape regroupant des musiques découvertes et écoutées en concert pendant son séjour à NYC, mais aussi une sélection de morceaux l'ayant inspirée pendant le voyage.

IL Y A QQE CHOSE KI CHOSE w/ Musique Chienne (03.03.23)

Underl(iii)ng

Caius Williams – 'Ame' (from 'Gwannach' - Otoroku, 2023)

Lost Among The Sand Dunes

American avant-electronic musician and essayist Bret Schneider holds no institutional allegiance to one artistic medium. His background encompasses a wide range of work experiences and reveals a man who is connected to the world around him in complex, alienated ways. His thoughts on music and philosophy are intertwined into a billowing exposition. But when exploring the dark recesses of his more aural works, there is an inherent flexibility. Phasing percussive elements and frayed droning lines all lead to a perpetually shifting feeling for an aural uncanny. As fractured as his music can be, there is a dim spark of rumination that threads through his synthetic machinations.

On his latest release, “Xilinx,” Schneider taps into a primordial electronic noise—the kind that rests just on your periphery, unwinding itself to reveal myriad sordid circuits and disjointed projections. These tracks maintain a wired mania, expressing an unsettling undercurrent of ragged repetition and warbling drones. There’s an unexpected elasticity to Schneider’s cabled rhythms, and they often shift across several temporal lines before turning inward, struggling to illuminate an intimate dissonance or imagine a multi-chambered core. Displaying a raw and unusually concise knowledge of how these sounds might fit together, “Xilinx” is part zoetrope, part post-industrial dreamscape. It is an inquiry into the idea of internal movement, a contorted experiment in musical patterning, and an experiment in self-replication.

Xilinx

Bret Schneider - VaVE1

On her first solo lp, Roxane Métayer fully explores the sonic possibilities of the violin, field recordings and folk oriented orchestration and melodies. The violin is often taken the melodic lead, but at the same time serves a drone background, but just as much a percussion instrument. In any case: the focus is definately on the sound itself. She’s not afraid to use effects, minimal percussion, whistles and the occasional hushed vocal to expand the sonic palette to a maximum effect, resulting in multilayered, semi-improvised meanderings, gently evolving around a tight core.

Roxane Métayer - Opalescentes Épopées.

vinyl, cd, lathe, tape, zines and shows since 2000

Roxane Métayer - Opalescentes Épopées.

Morc Records

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Mathias D. Clain

Mathias D. Clain

tg gondard

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