techno(ish)

Bimas - Robbing Banks Ep. [Rawthenitc Music]

Underground garage deep house chillin 3

Sabb is back on Noir Music with an ethnic tech house tune destined to cause some serious heat over the rest of the summer season 2013. 

This might be his best effort to date. 
We'll let you be the judge of that. 
Here's "illusiones". 

Dennis Ferrer: "Wow! Sabb is killin' it with this one".
Hot Since 82: "Love It"
Matthias Tanzmann: "I will play this for sure"
Oxia: "Really nice, the dub for me".
NiCe7: "Very, very nice...."
Mihalis Safras: "BIG! straight in my bag"
Carlo Lio: "The dub is dope"
Mendo: "Really, really good track"
Nicolas Masseyeff: "Sure shot..."
Kaiserdisco: "Super nice summer track"
Pirupa: "Really good track"
Tocadisco: "Awesome!"

Sabb - Illusiones ft Rafa Barrios - Noir Music

RELEASE: Pan-Pot - The Mirror EP
MOBILEE119
Vinyl: http://bit.ly/19AQRkB
Beatport: http://btprt.dj/1cC96Zv

Beatport

Pan-Pot "Rosinenbomber"

Rawthentic Music Welcomes back the incredible BIMAS! We are big fans and simply thrilled to have him for his second ep with us. The title track "Your Time" is a peak time techno bomb that is guaranteed to kill any dance floor! Its rolling hypnotic stomping vibe says it all. On the remix we have label boss Carlo Lio who takes original stomper and makes it his own hypnotic journey. ENJOY Rawthentic

Your Time (Carlo Lio Remix - Snippet) RAW079

Your Time (Original Mix Snippet) RAW079

Robbing Banks (Snippet) RAW079

Broken Thumb (Snippet)RAW079

Kaiserdisco start the three-track single with ‘El Tiburon’ that has a pulsating bass line, which isn’t for the feint hearted. This peak time stomper uses a melodic synth and unusual synth effects to create the building atmosphere before it kicks back into the throbbing beat. The ascending bass line on the second track ‘La Caballa’, is supported by white noise and a rising synth that will make any dancefloor erupt into a heated flow of energy. The third and final track ‘La Morena’, is a bit more on the funky side of techno, using rhythmic percussion to create a cool, peak-time vibe.

DC121 - Kaiserdisco - La Morena - Drumcode

DC121 - Kaiserdisco - El Tiburon - Drumcode

Salt-N-Pepa - Push It (Jamie Jones Edit)

Le Youth - Girl, available on Spinnin' Deep: http://btprt.dj/1mp07mZ

Download on Beatport

Le Youth - Girl

Download on beatport: http://www.beatport.com/release/kuaga-remixes/1414466

Pierce Fulton’s “Kuaga” was one of the biggest tunes of 2014. The Beatport chart-topping track earned DJ support from Armin Van Buuren, Above & Beyond, W&W, amongst others and “Kuaga” took the world by storm. To celebrate the successful release, Pierce offered producers around the world the chance to remix his track. After sifting through an astronomical amount of submissions, Pierce and Cr2 Records are pleased to announce the exclusive remixes for “Kuaga”. 

Sonny Alven, the winner of the remix competition, has completely altered the song to a smooth, down-tempo, and inspiring rendition of the original. The Sevag remix is the most energetic of the pack, injected with intoxicating groove and built for dance floors. The Odd Mob have keyed in on the deep house sound and created a sexy thriller. Yotto, last but not least, have created a melodic progressive classic. Be sure to grab your copies of Pierce Fulton’s “Kuaga” remix pack on November 24th! 
 
Cr2 Records are an Electronic Music Company located in London, United Kingdom. Many of dance music's biggest names have featured on Cr2 over the last 10 years, including artists such as David Guetta, Eric Prydz, Chuckie, Fedde Le Grand, Steve Angello, Nic Fanciulli, Avicii, Thomas Gold, Deadmau5, Carl Cox, John Dahlback, Hardwell, Nicky Romero and many many more! Cr2 Live & Direct compilations are recognised worldwide as one of the best-selling house music brands, most notably Cr2 Live & Direct - Miami, and Cr2 Live & Direct - Ibiza.


Kuaga Remixes

DOWNLOAD

Pierce Fulton - Kuaga (Odd Mob Remix)

Cajmere - Percolator (Jamie Jones Vault Remix)

http://www.bimasmusic.com
Born in Belgium in 1980, dj since 1992. Lover of music since then he never stopped even for a second to think to it. Bimas Junior was born in 1980 in Mons, Belgium. He started loving music when he was a little boy by dancing on his father’s vinyl discs (wrong thing, he says!). As a teen-ager, he stopped dancing on discs and began listening to their sound, spending hours by the turntable, and remaining astonished on how a simple stylus could produce such a melody from a piece of plastic. When 12, along with his friends, as a play, he found that mixing, cutting and pasting music could be fun! But soon the fun became a hard work, as he was using tapes on 2 analogic cassette decks and a small mixer to do the mixing. One day, at a friend’s house, when for the first time he saw 2 turntables, the music really changed! So, he set out on a journey to becoming a dj, by presenting his selected music at various feasts and pubs in his home area. Day after day he realized that the music and him would never and ever separate. In 1996 he felt unhappy of simply mixing from vinyl, so he started exploring the idea of creating his own music that made him feel good. He began crossing the way to the music’s creative world and made his first experience in a little recording studio in Bologna, Italy. In 2000, together with friend Maks L.M., they were able to get their first vinyl printed. Bimas, whose artistic name is the short combination of his first and last name, kept producing music in the little recording studio created with Maks; he went through various musical styles and sounds, from dance to trance, including techno and house music, pop/rock, chillout and new age. On his journey, t he guit ar became Bimas new love and a push to exploring the inmost of music to complete himself. The artist stated “I felt incomplete without a musical instrument by my side”. In the following years and now, he is still knowing and collaborating with more and more people and artists of the discographic field that mean so much for his artistic education. As a dj, Bimas doesn’t go by all the rage or music trends; he simply presents and proposes the contemporary music he is fancy of and so far he meets appreciation at large. Bimas masters the ability to shift from the most aggressive sounds to deep or melodic ones with elegance and style. He is also influenced by some tribal sounds, electronic and power grooves. Bimas doesn’t stick to a whatsoever model or idol, and he is free to appreciate anyone who can express their feeling, pleasure and fun with their music, no matter what kind. Bimas uses to say: “If I loved only one kind of music, I wouldn’t have a future with it!”. Bimas holds two certainties in his life: his family and his music.