Gerard Hall signifies a shift in semantics for the artist formerly known as Hendrick. With a heavier focus on distilling a deeper, more daring approach to production, the project challenges the listener to enter a nuanced universe of sound. This world; sophisticated and steeped in an avant-garde attitude, is sonically characterised by off kilter, driving percussion, organic brain tickling textures and innovative, often cinematic sound design. 

At its core, the concept represents a stark juxtaposition between nature and procedural production. Often uprooting samples from nature, the source of natural soundscapes being intercepted by washes of precise yet powerful doses of distortion and delay create a truly remarkable, hyper modern listening experience.

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