Name: Sunshine by Biomortal
Duration: 3 min 30 s
Description: Track off of our new album, Genesynthesis

Awesome! I always look forward to more Biomortal, you guys have been an inspiration to me since the myspace days when I first listened to you.

Track off of our new album, Genesynthesis

Sunshine

Adam Are You Free? by P C III 2015 Creative Commons.

Great ambient music for studying or to chill out to. Calm relaxation music or study music to chill out to. Original ambient electronic music by Pipe Choir 2015 Creative Commons.
Nightingale sounds from Gerry Gutteridge  https://flic.kr/ps/Mk2zU

This work is licensed under a Creative Commons Attribution 4.0 International License.

How to give credit:

Title:  Adam Are You Free?
Author:  P C III
Source: www.pipechoir.com
Nightingale sounds from Gerry Gutteridge  https://flic.kr/ps/Mk2zU
License: Creative Commons Attribution 4.0 


Adam Are You Free?

P C III - Adam Are You Free? (Background ambient instrumental music for studying)

Arriving November 9th on double transparent vinyl. For more info and to receive an email on release day: http://www.astrangelyisolatedplace.com/asipv004-markus-guentner-theia

There was chaos and violence, a collision of dark matter and heat. 
In the maelstrom, a legacy was created and a new moon born. 
She left something here forever.
But amongst infinite black depths,
Theia rages on. 

Tracklist:
A1. Magnetar
A2. Baryon (Feat. The Sight Below) 
B1. Redshift
B2. Ejecta
C1. Limb
C2. Paragon
D1. Cavus


Markus Guentner - Theia (ASIPV004 album preview)

I'm a big fan of the TV show Nip/Tuck. There was a piece of ambient music made by the shows composer James S Levine, that featured in the more emotional scenes throughout the series. It never got an official release on any of the soundtracks, so I have edited and re-composed the track, trying to take as few personal liberties as possible, to recreate it. Obviously due to the nature of the source (aka direct from the DVD, with only about 50 seconds or so of material to work with) don't expect this to be 100% perfect, but as it stands, it's still quite a beautiful piece of music, that is perfect for looping anyway.

You'll definitely hear the Aphex Twin influence (it's effectively Rhubarb's twin brother)so fans of lush, emotive ambient music should be well at home with this.

All copyright for this track is retained by James S Levine.

James S Levine - Nip Tuck (36 Edit)

From Rainstorms and Rainbows (2008)
Full album here: <a href="http://soundcloud.com/jakechudnow/sets/rainstorms-and-rainbows-2008/s-LKHNx" rel="nofollow" target="_blank">Rainstorms and Rainbows (2008) by jakechudnow</a>
Most sounds made with Korg's DW8000

Video here: http://www.youtube.com/watch?v=yWKlUT1MEXk


Rainstorms and Rainbows (I Am The Hero)

Listen to the Storm

Retrospective ambient explorations.

Download and tracklist: https://www.xlr8r.com/podcasts/podcast-556-helios

XLR8R Podcast

Download and tracklist

XLR8R Podcast 556: Helios

Sometimes, an album comes along which blows everything else out of the water. Then, you learn it’s the artist’s very first release in this particular style. And then, that little tingly feeling you get from discovering a new favourite artist creeps up your back at you sit clasping your headphones with eyes wide open, in anticipation for the next track, for more, and more.

This sounds pretty dramatic, but this is exactly how I felt when I first heard Roger Martinez’s self-titled production as Horizontal Excursions. The electronic DJ/Producer from the Netherlands had well and truly grabbed my attention under his new moniker and his album, was easily one of the best releases of 2011.

Two years later, Roger has revisited his Horizontal Excursions ambient guise, taken a trip into nature’s beating heart and pulled off another absolutely beautiful piece of work that ambient enthusiasts like me, simply fall for again and again.

-

The wilderness stirs something primal and unfathomable in us all. We become overwhelmed, awestruck, even emboldened, by these untamed frontiers, content to revel in the unspoiled beauty or compelled to explore what lies within. For some, it’s a cold, harsh reality; an unforgiving tundra of survival and subsistence. But, when afforded the indulgence, this isolation is the purest of them all.

“There aren’t many places left in Western Europe where you can still immerse yourself in pure wilderness” Roger begins, “in fact, the only environment where I have truly experienced this is in certain parts of Switzerland. My latest trip to Zermatt, located in the canton of Valais, has greatly shaped the music in this symphony and I was reminded that all of nature is something that should be respected and revered.”

A regular traveller through the country, Roger’s willingness to lose himself (in every sense of the word) in the abundance of natural beauty heralded Symphonica Helvetica – an untainted journey through the mysticism of the Alps, velveteen swoop of Swiss valleys, and the siren-song of nature.

“Away from the large cities of Zürich and Basel, you enter into a totally different kind of environment,” he states. “For me mountainous areas epitomize something indescribable, something sacred. I lose sense of identity and, sometimes literally, become lost in the landscape around me.

Inspired by the power of his surroundings, Symphonica Helvetica crystallizes those moments, and Roger captures, and softens, the endeavour of trekking through the terrain. A symphonic soundtrack that casts a heavy ambient blanket, there’s a sense of uphill resistance as the summit nears; the enormity of casting an infinite gaze for miles; the deep, contented inhale as you survey the forest canopy thousands of feet below and feel, for that moment, like it’s all you.

“In these places you really see nature at work: sculpting, flowing and grinding through the mountains,” Roger explains. “The fruits of my past trips through the mountains of Switzerland have amalgamated into the symphony that I present to you here. This is the musical translation of the visions and experiences I had standing on the edge of mountain cliffs, overlooking valleys, walking through snow-clad forests, enchanted by mountain tops in full view. These are the shamanic songs of Mother Nature still at reign in her grand domain: a living myth put into sound pressure waves.”

http://asip.me/ASIP024

ASIP024 Horizontal Excursions - Symphonica Helvetica

qu 1

i hope i never grow up at all (full song)

"We must live the present to survive the future"

Biomortal’s origins began year 2006. Each passing year, technology and innovation was forced to break the code.

The objective is simple: To take control of the masses and deploy the machine like music they have created. To prepare them for the future they are set to encounter

This is their story so far. . .

Bio-unit Paul Theobald (Guitar-Unit) first started the resistance, he instigated the foundations. It was planned as a lone mission but soon it was realised that an operation this powerful, required assistance to reach its full capacity. He recruited Bionic sibling Robert Theobald (Vocal-Unit) to the front line. It was only until then that Biomortal began to design and sanction the future.

Nothing would stand in their way as the project would not be allowed to fail. The units would spread and soon Jamie Richardson (Bass-Unit) was captured and made to play for the machine. With one place left and the fight nearing ever closer, many rendezvous had taken place and with configurations set. The search would soon be over, as Alex Goodwin (Drum-Unit) was programmed in and had formed the completion of the Bio-units.

Live shows and radio appearances followed. The probability of what the future possessed was becoming very real. When breaking through, Biomortal created and released the album ‘Dirge’ in the summer of 2007. The tracks off this release featuring ‘Drowned Out’, ‘Ticking Timebomb’ and ‘Fate’s Calling’ highlighted what they had set out to achieve.

This was their big introduction and the assignment powered from strength to strength. People began to take notice, a virus if it were. Infiltrating how humans perceived the diminishing biosphere.

Bloodstock realised what was capable of Biomortal, they would appear on the Bloodstock Open-Air 2009 Festival. Their performance had welcomed applauds from the biggest crowd of the unsigned tent that festival weekend. This only but surely powered Biomortal into the music scene and for them to remain there until the operation was final.

It would seem. . .

The future is already here

Sunshine

Biomortal

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