Die 'Alien-Geräusche' sind aus einem Taster-Pack von loopmasters.com.
Der Track ist in 115 bpm. Der Avenger ist auch wieder dabei.
Viel Spaß!
Auch als Video auf Youtube: https://www.youtube.com/watch?v=MZsvCRwnehs

Aliens

Back

Dub-Version der hypnotischen Reise und neuen Projektreihe.
Dub version of the hypnotic journey and new project series.
123bpm

ΔlpнΔ (Deep Dub Version)

Very Long Version. 14:14:14 length in Time.
This time I tried to let the elements melt into each other with appearing melodies and abstract pads, which separates from each other again in the next moment. 
It's like mounds of plasticine that you knead together and separate again. 
Next comes a dishwashing machine and mixes like chewing gum what you just chew in your mouth, in time.
Abstract moments where melodies overlap and contesting with each other.
This trippy version sent me away quite a bit when I had smokesticks on.

ΔlpнΔ (Behind Your Mind Extended Mix)

Moin, 
Just times what hit in the blender to see what comes out😁😁
Maybe it was also a search for new creativity, strength or but also to reduce stress. In any case, I find what came out at the end not so bad😉😁😎
So just listen to the story😉
LG Lion

ACID Techno

Been on a Synthwave kick recently, so here's another one!

Cover art made with DALL-E:
https://labs.openai.com/

Thanks for listening!

The City Is So Dark

The City Is So Dark - 0niGeist

hOlA DripPy BoyZ!.mp3

Benny Hill

Dark, hypnotic deep and minimal techno with cinematic atmosphere, pulsating sub-bass, and evolving synth layers creating a tense, immersive club vibe.

Dark City

Beatport

I'm In Love Again [Protagonist Dark]

Infinite Skies

Midnight Voyage

Elektronische Geräusche sind mein Begehr.
Ich war schon immer ein Kind der Underground Musik.
Angefangen hat alles Ende der 80er mit dem C64.
In den 90ern bekam ich den Amiga, da wurden die ersten Experimente gemacht.
Irgendwann bekam ich den ersten PC und somit entstanden auch die ersten Tracks mit dem ScreamTracker, später entdeckte ich Rebirth.
Neben dem Yamaha RX-5 wurde der Korg Polysix, Technox, TB-303 und TR-606 bis Ende der 90er benutzt.
Geprägt durch die Party-Zeit der 90er (Macht der Nacht, Loveparade, Clubs) entstanden die ersten Projekte, die anschließend aus dem Kofferraum meines Autos, auf den Parkplätzen vor den Clubs, dröhnten.
Die Begeisterung Anderer machte Lust auf mehr.
Schließlich kam FL Studio raus und ich habe die DAW für mich entdeckt.
Musikalisch bin ich von Depeche Mode, Dead can Dance, Kraftwerk und andere dieser Richtung geprägt, daher ist das Düstere zumeist in den Tracks zu hören und natürlich von der Party-Zeit der 90er.
Meine Musik geht in die Stilrichtung Elektronik (Ambient/Chillout/Acid/Trance/Techno/Experimental) und hat sich bis heute nicht geändert.
Electronic sounds are my desire.
I was always a child of underground music.
It all started at the end of the 80s with the C64.
In the 90s I got the Amiga, there the first experiments were made.
Sometime I got the first PC and so the first tracks with the ScreamTracker were created, later I discovered Rebirth.
Besides the Yamaha RX-5, the Korg Polysix, Technox, TB-303 and TR-606 were used until the end of the 90s.
Influenced by the party time of the 90's (power of the night, Loveparade, clubs) the first projects were created, which afterwards roared out of the trunk of my car, on the parking lots in front of the clubs.
The enthusiasm of others made me want to do more.
Finally FL Studio came out and I discovered the DAW for myself.
Musically I am influenced by Depeche Mode, Dead can Dance, Kraftwerk and others of this direction, so the darkness is mostly heard in the tracks and of course from the party time of the 90s.
My music goes in the style of electronics (Ambient/Chillout/Acid/Trance/Techno/Experimental) and has not changed until today.

ΔlpнΔ (Deep Dub Version)

Bionic Hands