Illbient, Psychedelic, Hypnagogic Pop, Vaporwave, Plunderphonics, Dark Wave, IDM, Post-Punk

more than 4 hours of @abul-mogard in the mix 

1	.	Abul Mogard	.	Against a White Cloud	.	In a Few Places Along the River
2	.	Abul Mogard	.	Playing On The Stones	.	Kimberlin (Original Soundtrack)
3	.	Abul Mogard	.	Unarmoured Love	.	Drifted Heaven
4	.	Abul Mogard	.	Android Manouvres	.	Abul Mogard
5	.	Aukai	.	Snow ( Abul Mogard Rework )	.	Snow Works
6	.	Abul Mogard	.	Abul Mogard - Trembling With Tenderness	.	In Death's Dream Kingdom
7	.	Abul Mogard	.	Where Not Even	.	Above All Dreams
8	.	Abul Mogard	.	House On The River	.	Circular Forms
9	.	Abul Mogard	.	Black Dust	.	In Immobile Air
10	.	Abul Mogard	.	Over My Head	.	Above All Dreams
11	.	Abul Mogard	.	Bound Universe	.	Circular Forms
12	.	Abul Mogard	.	Staring at the sweeps of the desert	.	The Sky Had Vanished
13	.	Abul Mogard	.	Despite Faith	.	Abul Mogard
14	.	Abul Mogard	.	Airless Linger	.	Drifted Heaven
15	.	Abul Mogard	.	In Immobile Air	.	In Immobile Air
16	.	Abul Mogard	.	The Roof Falls	.	Above All Dreams
17	.	Abul Mogard	.	Tumbling Relentless Heaps	.	Drifted Heaven
18	.	Abul Mogard	.	Everything I Imagined Had Been Forgotten	.	SEQUENCE8
19	.	Abul Mogard	.	Slate-Coloured Storm	.	Circular Forms
20	.	Abul Mogard	.	Clouds	.	In Immobile Air
21	.	Abul Mogard	.	On A Shattered Shell Beach	.	In Immobile Air
22	.	Abul Mogard	.	The sky had vanished	.	The Sky Had Vanished
23	.	COH meets Abul Mogard	.	Far Distances Above	.	COH meets Abul Mogard
24	.	Abul Mogard	.	Studded Procession	.	SEQUENCE7
25	.	Abul Mogard	.	Above All Dreams	.	Above All Dreams
26	.	Abul Mogard	.	The Room	.	Abul Mogard
27	.	Abul Mogard	.	In True Contemplation	.	In a Few Places Along the River
28	.	Abul Mogard	.	Desires are reminiscences by now	.	The Sky Had Vanished
29	.	Abul Mogard	.	Upon The Smallish Circulation	.	Above All Dreams
30	.	Abul Mogard	.	Drooping OFF	.	Abul Mogard
31	.	Abul Mogard	.	The Goldfinch Rises	.	Kimberlin (Original Soundtrack)
32	.	Abul Mogard	.	Half Light Of Dawn	.	Circular Forms
33	.	Abul Mogard	.	Post-crisis Remembrance	.	Drifted Heaven
34	.	Abul Mogard	.	The Other Room	.	Drifted Heaven
35	.	Abul Mogard	.	Drifted Haven	.	Drifted Heaven
36	.	Abul Mogard	.	Sand	.	In Immobile Air

Abul.Mogard.megamix.by.Roel.Funcken

Prepare for an electrifying journey into the realm of experimental electronic music as @freybenedikt takes the reins of our channel. With a knack for curating strange yet captivating sounds, this mix promises to defy conventions and immerse listeners in a sonic landscape unlike any other.

Karagi ಏ Benedikt Frey

@pugilistmusic
@podimension
@ofparadiserecords

https://pugilist.bandcamp.com/album/iridescent

Iridesence

pi premiere: Pugilist & Pod - Iridescent (Of Paradise)

Recording of Lynne's set at les Chaos Ambiants 2024
Mastering by Ryosuke Tsuchiya

Lynne is a Japanese artist who explores the outer realms of techno, experimental, and drum 'n'bass. First emerging in 2013 as part of Tokyo's underground scene, Lynne established herself quickly, winning the Samurai Music Mix competition and playing regularly at respected Tokyo institutions. Over time her sound evolved from its DnB roots to include more textural, obscure and experimental layers as she became fascinated with building emotive atmospheres and twisting them to her rhythm. Now an Astral Industries and Unknown Species resident, Lynne resides between Tokyo and London. She is an artist who is most comfortable in the grey space between genres, where her rhythm is a gravitational force pulling dancers in all the right directions.

[Les Chaos Ambiants]

The Pauza association presents Les Chaos Ambiants, a festival dedicated to the encounter between electronic music, the visual arts and the rich heritage of Burgundy-Franche-Comté.

This event is designed on a small scale to make it as comfortable as possible to listen, meet and move around, with a single stage to promote emerging and established artists, a natural setting conducive to the discovery of musical works and artistic installations, and an eco-responsible approach to limit its environmental impact.

The project has several objectives : to promote the European and international artistic scene, to stimulate and strengthen the cultural and creative network across the département and the region ; to help promote and showcase the natural and cultural heritage of Burgundy-Franche-Comté ; to support local produce and the local economy.

Lynne [Les Chaos Ambiants]

READ > inverted-audio.com/premiere-yoshida-debno

From the low-lit basements of London to the overcast grooves of the Baltic, Berlin via London imprint Laib Und Seele deliver their second collective outing 'Multigrain Compilation II'...Our pick, Yoshida’s 'Debno', opens the compilation with a haunting kind of grace. Hovering somewhere between UK braindance and ambient breaks, it unfolds like a thick mist rolling over a rusted industrial panorama. Pads hum like distant machines stirring to life, while the drum programming shifts delicately between off-kilter and hypnotic, steadily building toward a finely woven crescendo. It’s a track that doesn’t rush to get anywhere, it pulses with quiet intent, leaving space for breath and everything in between.

@lusrec

Yoshida - Debno [Laib Und Seele]

from upcoming MFTEOTW album/compilation 2025

https://xyrmusic.bandcamp.com/album/music-for-the-end-of-the-w-part-one

mastering by Sasha Foam
https://sashafoam.bandcamp.com/

ghostwalker

Deviate >>> https://kiyadama.bandcamp.com/album/deviate

Dark Pit

Suzanne Ciani
Buchla Concerts 1975
FKR082LP
Finders Keepers Records

Finders Keepers invite you to witness the incredible first ever Buchla synthesiser concerts/demonstrations providing a distinctive feminine alternative to The Silver Apples Of The Moon if they had ever been presented in phonographic form. This is history in the remaking.

This spring Finders Keepers Records are proud to release an archival project that not only redefines musical history but boasts genuine claim to the overused buzzwords such as pioneering, maverick, experimental, groundbreaking and esoteric, while questioning social politics and the evolution of music technology as we’ve come to understand it. To describe this records as a game-changer is an understatement. This record represents a musical revolution, a scientific benchmark and a trophy in the cabinet of counter culture creativity. This record is a triumphant yardstick in the synthesiser space race and the untold story of the first woman on the proverbial moon. While pondering the early accolades of this record it’s daunting to learn that this record was in fact not a record at all… It was a manifesto and a gateway to a new world, that somehow never quite opened. If the unfamiliar, modernistic, melodic, pulses, tones and harmonics found on this 1975 live presentation/grant application/educational demonstration had been placed in a phonographic context alongside the promoted work of Morton Subotnick, Walter Carlos or Tomita then the name Suzanne Ciani and her influence would have already radically changed the shape, sound and gender of our record collections. Hopefully there is still chance.

In short, Suzanne was a self-imposed twenty-year-old employee of the Buchla modular synthesiser company, San Francisco’s neck and neck contender to New York’s Moog. Buchla was run by a community of festival freaks and academic acid eaters whose roots in new age lifestyles and the reinvention of art and music replaced the business acumen enjoyed by its likeminded East Coasters. In the eyes of the consumer the creative refusal to adopt rudimentary facets like a piano keyboard controller rendered the Buchla synthesiser the more obscure stubborn sister of the synth marathon, steering these incredible units away from the mainstream into the homes and studios of free music aficionados, art house composers and die-hard revolutionaries. Championed and semi-showcased by composer Morton Subotnick on his albums The Bull and Silver Apples Of The Moon, Buchla’s versatility began to open the minds of a new generation, but the high-end design features and no-compromise modus operandi was often confused with incompatibility and, in the pulsating shadow of Moog’s marketing, the revolution would not be televised nor patronised. Suzanne Ciani, as one of the very few female composers on the frontline (and also providing the back line) did not lose faith.

These “concerts” are the epitome of rare music technology historic documents, performed by a real musician whose skills and academic education in classical composition already outweighed her male synthesiser contemporaries of twice her age. At the very start of her fragile career these recordings are nothing short of sacrificial ode to her mentor and machine, sonic pickets of the revolution and love letters to an absolutely genuine vision of and ‘alternative’ musical future. In denouncing her own precocious polymathmatic past in a bid to persuade the world to sing from a new hymn sheet, Suzanne Ciani created a bi-product of never before heard music that would render the pigeon holes “ambient” and “futuristic” utterly inadequate. Providing nothing short of an entirely different feminine take on the experimental “records” of Morton Subotnick and proving to a small, judgmental audience and jury the true versatility of one of the most radical and idiosyncratic musical instruments of the 20th century. These recordings have not been heard since then.

Suzanne Ciani - Buchla Concerts 1975 (Excerpts)

Samantha Glass - Preparation For A Spot In The World (HD032) 03. Council Grove - Location One

Berlin resident Anastasia Vtorova aka Machine Woman follows up her ‘For Sweden’ 12” on Peder Mannerfelt with two new cuts for Where To Now? Records, accompanied by an expansive and sprawling remix from Kassem Mosse.

Machine Woman is beginning to cement herself as a rather unique figure in the world of Techno. Her music is undoubtedly brutalist, functional, industrial, and stripped back for the most basic of heads down body movement, but there’s a persistent seductive, soulful, and human element to her work which is in a state of constant interplay with this idea of the ‘Machine Woman’ - an approach which is undoubtedly inspired by the pioneers of man vs. machine music - Kraftwerk.

‘Genau House’ opens with the 11 minute ‘I can mend your broken heart’. Shuffling percussion struts alongside a myriad of synthesized melodies and the sound of data processing. For Anastasia, the track is inspired by unsuccessful Tinder dates, and the yearning lyrical content of the tracks certainly laments the implications of this perhaps often mechanical and rigid love seeking world against an honest and seeking heart – A Machine Music space to explore the increasingly common impact of disposable Computer Love colliding head on with a legitimate longing and want for lasting human connection.

‘Friday Night’ encompasses a similar vocal mantra but here the focus is not so much on the intricacies of the human heart, but rather the seduction, enthrallment, and sometimes unfortunate exclusivity inherent in sectors of the Berlin nightlife. Undoubtedly a track aimed towards the pitch-black nightclub ‘Friday Night’ is stricter in its intention, with less space for romanticism. An unrelenting Techno thud grinds with the mechanical shifting of gears and movement to create the desired hypnotic state whilst Anastasia’s heavily treated vocals plume the melody into even darker recesses of the dancefloor.

Kassem Mosse makes an appearance to close the record with his own incredible interpretation of ‘I can mend your broken heart’. To call this a remix is a discredit to Kassem’s ability to completely transform a work into his own whilst staying respectful to the original artists intention. Much like his interpretation of Simone White’s ‘Flowers in May’ (Honest Jons, 2015) Kassem takes the vocal line of the original and sets it against a deep, sprawling, immersive soundscape of his own. Over it’s 10+ minutes a Deepchord style dubwise basin of echo and melody lingers behind the deepest Trip-Hop style palette of slow, churning, and intricately evolving percussion.

“Machine Woman draws upon her foundations in ‘90s Leningrad and the hardest edge of her new home city’s industrial scene to forge a raw, buzzing, and brutalist style working on the cusp of dance functionality and avant-garde, tonal exploration. – Boomkat.” 
credits
released May 13, 2016

Genau House

Machine Woman - Genau House -  I Can Mend Your Broken Heart

The perception of dance can be received in different ways. Guillermo, aka Discknocked, knows it well. Five ways to interpret the landscape through the density and lengthening of the sound. Essential work, an essay full of references and danceable quality.

Vakuum

Click to buy

Discknocked - Gaap

Preparation for a Spot in the World

Removing the Fictional Barrier

“Brodermordet” appears on At War for Youth, Out Now

iTunes- https://itunes.apple.com/us/album/at-war-for-youth-single/id498550753?ign-mpt=uo%3D4
CD/LP- http://www.sacredbonesrecords.com/products/sbr069-war-at-war-for-youth

Website:  http://www.sacredbonesrecords.com/collections/var
Facebook: https://www.facebook.com/varvarvarvarvarvar/


War - Brodermordet

The Senja Recordings

Steinfjord

The Cobra extends its skin to welcome Benedikt Frey and Yu Su to Thailand's Siamese Twin Records family.
Today we are excited to premiere the Space Cat Re-interpretation from the German producer, DJ, and founder of the Love Pain Sunshine & Rain Label, Benedikt Frey. Well known for his fearless production, Frey masterfully reworks the relatively straightforward Mogambo's Matum, released on Cobra EP in September 2020, into a dubby sci-fi-esque wormhole. Bit-by-bit re-creating a technogenic ambition of launching cosmic troopers cats to conquer outer space, Frey transforms the original track into a beautiful and trippy multi-dimensional collage inspired by the tribal leftfield sounds.

Mogambo Remixed w/ Yu Su & Benedikt Frey Remixes is out on Nov 16, 2020, via Siamese Twins Records. 

Benedikt Frey on SoundCloud: https://soundcloud.com/freybenedikt
Siamese Twins Records on SoundCloud: https://soundcloud.com/siamesetwinsrecords
Siamese Twins Records on FB: https://www.facebook.com/siamesetwinsrecords



www.itsdelayed.com

Steinfjord

Biosphere

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