This release is so sick! Always getting my support!

Gentle People - Journey (Aphex Twin Care Mix)

Love Inc.   Germany
(aka Wolfgang Voigt, Gas, Mike Ink)
Label:Force Inc. Music Works
Released:1995
Music By [Musik] - Mike Ink
http://www.technique.co.jp/items.html?range=all&q=Mike+Ink

LOVE INC. - Life's a Gas

Magic Waterfall

Naarky - Oral Traditions

~as the sun burns off the last tatters of morning cloud~

PRB011 
Release Date: 21 July 2015 
http://proibitorecs.biz/

PRB011 A1 - Rushing To Paradise

'Cold Sweat / Fluid Being' is out now on @HumanPitch.

Purchase here:
MP3/Stream: http://smarturl.it/hp06-digital
Bandcamp: http://smarturl.it/hp06-bandcamp

Rioux on the web:
www.rioux.fm
www.facebook.com/riouxmusic
http://twitter.com/rioux__
http://instagram.com/rioux__

Cold Sweat / Fluid Being

Fluid Being

Rioux - Fluid Being

FROM MY NUMBER ONE HIGH/TAKE ME DOWN THE DUNES 7" SINGLE OUT JUNE 2016 ON DUNNO RECORDINGS DISTRIBUTED WORLDWIDE BY RUBADUB GLASGOW

'First track sounds like dark twisted fantasy about carnival in some cheap tropical spa. The other one will reach your guts and throw them upside down.' 

COVER PAINTING BY TOMASZ KOWALSKI

MY NUMBER ONE HIGH

Berlin resident Anastasia Vtorova aka Machine Woman follows up her ‘For Sweden’ 12” on Peder Mannerfelt with two new cuts for Where To Now? Records, accompanied by an expansive and sprawling remix from Kassem Mosse.

Machine Woman is beginning to cement herself as a rather unique figure in the world of Techno. Her music is undoubtedly brutalist, functional, industrial, and stripped back for the most basic of heads down body movement, but there’s a persistent seductive, soulful, and human element to her work which is in a state of constant interplay with this idea of the ‘Machine Woman’ - an approach which is undoubtedly inspired by the pioneers of man vs. machine music - Kraftwerk.

‘Genau House’ opens with the 11 minute ‘I can mend your broken heart’. Shuffling percussion struts alongside a myriad of synthesized melodies and the sound of data processing. For Anastasia, the track is inspired by unsuccessful Tinder dates, and the yearning lyrical content of the tracks certainly laments the implications of this perhaps often mechanical and rigid love seeking world against an honest and seeking heart – A Machine Music space to explore the increasingly common impact of disposable Computer Love colliding head on with a legitimate longing and want for lasting human connection.

‘Friday Night’ encompasses a similar vocal mantra but here the focus is not so much on the intricacies of the human heart, but rather the seduction, enthrallment, and sometimes unfortunate exclusivity inherent in sectors of the Berlin nightlife. Undoubtedly a track aimed towards the pitch-black nightclub ‘Friday Night’ is stricter in its intention, with less space for romanticism. An unrelenting Techno thud grinds with the mechanical shifting of gears and movement to create the desired hypnotic state whilst Anastasia’s heavily treated vocals plume the melody into even darker recesses of the dancefloor.

Kassem Mosse makes an appearance to close the record with his own incredible interpretation of ‘I can mend your broken heart’. To call this a remix is a discredit to Kassem’s ability to completely transform a work into his own whilst staying respectful to the original artists intention. Much like his interpretation of Simone White’s ‘Flowers in May’ (Honest Jons, 2015) Kassem takes the vocal line of the original and sets it against a deep, sprawling, immersive soundscape of his own. Over it’s 10+ minutes a Deepchord style dubwise basin of echo and melody lingers behind the deepest Trip-Hop style palette of slow, churning, and intricately evolving percussion.

“Machine Woman draws upon her foundations in ‘90s Leningrad and the hardest edge of her new home city’s industrial scene to forge a raw, buzzing, and brutalist style working on the cusp of dance functionality and avant-garde, tonal exploration. – Boomkat.” 
credits
released May 13, 2016

Genau House

Machine Woman - Genau House -  I Can Mend Your Broken Heart

Physical: geographic-north.com/#/GN40-detail
Digital: https://geographicnorth.bandcamp.com/album/love-is-the-capital
Catalog #: GN40
Limited to 300 LPs on clear vinyl
Mastered by Paul Gold at Salt Mastering

'Love is the Capital' the debut LP by Hiro Kone, the recording alias of Nicky Mao. The album is a follow-up to the incredibly well received 'Fallen Angels' cassette, bringing with it some of Mao's most emotionally and politically driven work yet. It is Hiro Kone’s long coming opus, examining a number of all-too-relevant themes: capital, the state, egoism, anxiety, and steadfast optimism. 

The eight songs on 'Love is the Capital' highlight Mao’s austere, politicized techno battling for the greater good. Songs are visceral meditations of rhythm, noise, and melody in the vein of Pan Sonic, Chris & Cosey, Muslimgauze, and Kangding Ray.

The sounds were often recorded in scenes of isolation, whether physically or emotionally. “Infinite Regress” was during a trek with Roxy Farman (Wetware) up to the sleepy, upstate NY town of Palenville. There, frozen in a cabin with the most DIY of recording booths, Mao recorded Roxy’s vocals and what would be the track that would put into motion the entire album.“Less Than Two Seconds” was written in a single afternoon in late December 2015 when it was revealed that the grand jury had declined to indict the police officer who shot to death 12-year old Tamir Rice.

The taut techno, industrial minimalism, and aural upheaval is embedded in tracks “Rukhsana” (featuring Drew McDowall, formerly of Coil & Psychic TV, on modular synthesizer), “The Place Where Spirits Get Eaten,” and “Less Than Two Seconds,” an emotionally wrought blitz of serrated Monomachine tones flanked by timeless recordings of essayist, poet, and social writer James Baldwin. Mao ventures deep into heady, prismatic runs of hypnotic techno, on “Don’t Drink the Water” and “The Declared Enemy.” On opener “Being Earnest” and “Love is the Capital,” foreboding motifs brood their way back into the narrative.

Still, the album maintains a sense transformation, burdened with an alien tension– the awareness of an impending and necessary collapse. And what may come next.

Hiro Kone - Rukhsana (Feat. Drew McDowall)

@whities dubplate 04 - Free download

Artwork by Alex McCullough
Mastered by John Davies - peckhamcuts.co.uk

Version of a track from 'All Abawd', my cassette for @the-trilogy-tapes
https://bullion.bandcamp.com/album/all-abawd

LCD Anna

Taken from 'Yes', Shinichi Atobe’s fifth album for DDS, his first in two years. Mastered by Rashad Becker.

Shinichi Atobe - Lake 3

Oh, Yoko - Seashore (Sprinkles' Ambient Ballroom)

next show : RENATE (BERLIN, DE) 09/05 https://ra.co/events/1856156

┌(▀Ĺ̯ ▀-͠ )┐
booking, remix, inter, promo, sync machinewomanhq[@]gmail.com 

⚡ "it's nice to be important but it's more important to be nice" - Scooter ⚡

Machine Woman - Genau House - I Can Mend Your Broken Heart

𝐌𝐀𝐂𝐇𝐈𝐍𝐄 𝐖𝐎𝐌𝐀𝐍

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