http://www.delsinrecords.com/release.php?idxRelease=3872

Back in March 2003 Claro Intelecto announced his arrival in the electronic world with his Peace Of Mind EP on Ai Records. Now, a decade later, Delsin, the label on which he released his latest LP, is re-releasing it in all its glory. Across four perfectly formed tracks the EP proved Manchester’s Mark Stewart to have a fine grasp on techno, electro and dub, and that he was able to do his own unique things with each.

Arguably the most well known cut from the EP is 'Peace of Mind (Electrosoul)', a busy bit of chattery house-come-electro that is wired up with many zithering melody lines and Claro's trademark lush strings. 'Tone' is then a much more frazzled and aggressive bit of techno with raw, slapping percussion, gurgling synth lines and plenty of dystopian electro vibes. 'Contact' then settles into a deep, dubby, spacious groove with airy hi hats and a delightful bassline and carries you along effortlessly, and final track 'Signifier' closes things out in beautifully serene style with ambient swirling pads, organic synths and a curious bassline that rises and falls like the tide. Seminal stuff that still fetches a high price on Discogs, it was the start of a remarkable career for Claro Intelecto.

Buy at Delsin Webshop

Claro Intelecto - Peace Of Mind [x-dsr5]

Album: Der Zyklus II
Funky, crispy, melancholy, minimal bliss.
Support the artists or lose the art


Der Zyklus - Formenverwandler

Our sixth VA compilation continues in the collective spirit at the heart of Pressure Dome; here taking its fullest form. The first of its kind in the label catalogue, ‘Two [Is Greater Than] One’ sees a selection of PD regulars and friends of the label put their heads together across eight atmospheric tracks, equally as suited to the club as to solo listening. 

Those who have followed the label for a while will be no stranger to the comp’s first collaborator. Human Resources teams up with London dub techno specialist, Keplrr, on ‘Spring’: a mood-led composition where the impact is contained in atmosphere. Fragmented drum breaks are engulfed by airy synth pads and punctuated by a dancehall-indebted rhythm that marches at 90BPM. ‘Yuppel’ welcomes Noods Radio mainstay Sid Quirk aka Keppel into the mix. He is joined by label boss, Yushh, on a ruminative percussive tool, guided by cavernous drums that fabricate a vivid, immersive environment. With the guidance of Brighton’s Caldera, the journey continues with Süss Choc. The reverb-laden synth plucks on ‘evoke water droplets, and hallucinatory details echo around them to create the illusion of being in a mountainous cove.

Delay Grounds – an audiophile in the truest sense of the word – is next to take the baton. Together, he and Yushh take it up a notch on ‘Telomere’ – a full-bodied club-ready track packed with glitchy chords and giddy drums. A gnarly, Pariah-esque breakdown segues into the track’s second wind where pitched-up vocal chops accelerate it to the compilation’s energetic climax. With the help of London drum specialist, Syz, ‘Fuzbidun’ keeps our feet firmly on the dancefloor. Breakbeats are chopped and rearranged, flitting between double and half time whilst a distorted mid-bass roughens things round the edges, prepping the ground for the compilation’s move to a more inorganic feel.

Bristol don, Forever, joins Yushh next on ‘Passing Notes’ – a groove-driven club track where skittish percussion ricochets from side to side, so palpable it tempts the touch. ‘Crash Bash Party At BUFOs’ is no different. The link-up between Delay Grounds and dance music’s stalwart of musique concrète, Wordcolour, is completely idiosyncratic to both artists: the perfect combination of found-sound percussion and skillfully rehashed vocal samples. It’s up to two PD mainstays – Roy Mills and Human Resources – to close proceedings. A chugging rhythm bubbles under the surface of ‘Sycophantasy’, sending us on a dubbed-out trip before picking the pace back up again.

Copy – Annie Parker
Artwork – Jesse Webb
Mastering – Matthew Bentley

Süss Choc

Caldera X Yushh - Süss Choc (PDCOLLAB001)

Pub - Summer

Learn to Fly

@urlcst

Artist: URLCST
Mastering: WONY
Artwork: Drenek
Catalog Number: [DC002]

URLCST - Moss & Wire

A Side - Two Different Ways (original)
B Side - Two Different Ways (second way) 

Release date: 14/11/11

12'' Single 
DFA Records 
DFA 2318

Factory Floor

TWO DIFFERENT WAYS

Berlin resident Anastasia Vtorova aka Machine Woman follows up her ‘For Sweden’ 12” on Peder Mannerfelt with two new cuts for Where To Now? Records, accompanied by an expansive and sprawling remix from Kassem Mosse.

Machine Woman is beginning to cement herself as a rather unique figure in the world of Techno. Her music is undoubtedly brutalist, functional, industrial, and stripped back for the most basic of heads down body movement, but there’s a persistent seductive, soulful, and human element to her work which is in a state of constant interplay with this idea of the ‘Machine Woman’ - an approach which is undoubtedly inspired by the pioneers of man vs. machine music - Kraftwerk.

‘Genau House’ opens with the 11 minute ‘I can mend your broken heart’. Shuffling percussion struts alongside a myriad of synthesized melodies and the sound of data processing. For Anastasia, the track is inspired by unsuccessful Tinder dates, and the yearning lyrical content of the tracks certainly laments the implications of this perhaps often mechanical and rigid love seeking world against an honest and seeking heart – A Machine Music space to explore the increasingly common impact of disposable Computer Love colliding head on with a legitimate longing and want for lasting human connection.

‘Friday Night’ encompasses a similar vocal mantra but here the focus is not so much on the intricacies of the human heart, but rather the seduction, enthrallment, and sometimes unfortunate exclusivity inherent in sectors of the Berlin nightlife. Undoubtedly a track aimed towards the pitch-black nightclub ‘Friday Night’ is stricter in its intention, with less space for romanticism. An unrelenting Techno thud grinds with the mechanical shifting of gears and movement to create the desired hypnotic state whilst Anastasia’s heavily treated vocals plume the melody into even darker recesses of the dancefloor.

Kassem Mosse makes an appearance to close the record with his own incredible interpretation of ‘I can mend your broken heart’. To call this a remix is a discredit to Kassem’s ability to completely transform a work into his own whilst staying respectful to the original artists intention. Much like his interpretation of Simone White’s ‘Flowers in May’ (Honest Jons, 2015) Kassem takes the vocal line of the original and sets it against a deep, sprawling, immersive soundscape of his own. Over it’s 10+ minutes a Deepchord style dubwise basin of echo and melody lingers behind the deepest Trip-Hop style palette of slow, churning, and intricately evolving percussion.

“Machine Woman draws upon her foundations in ‘90s Leningrad and the hardest edge of her new home city’s industrial scene to forge a raw, buzzing, and brutalist style working on the cusp of dance functionality and avant-garde, tonal exploration. – Boomkat.” 
credits
released May 13, 2016

Genau House

Machine Woman - Genau House -  I Can Mend Your Broken Heart

Premiered by @resident-advisor 
https://www.residentadvisor.net/tracks/893826

"I made this track from samples of a piano board I recorded in EMS Stockholm with LAIR while we were working on our project. And some microphone hiss for the beats. I have been making purely percussive tracks recently for my upcoming album, so for this track I wanted to have an emotive melodic element as well. The title refers to the difficulty it seems as a human to live as you truly want, as opposed to how you think you should." - @eomac

Eomac - Don't Fear Your Own Heart

Taken from "A Parade, In The Place I Sit, The Floating World (& All Its Pleasures)," by the artist know Loidis aka Huerco S. aka Pendant aka The Royal Crown of Sweden. Forthcoming on anno May 2018.

Loidis - A Parade

Compro

Skee Mask - Session Add

MGMT | av[@]mrkefirmgmt.com
PROMO |  machinewomanhq[@]gmail.com 

⚡ "it's nice to be important but it's more important to be nice" - Scooter ⚡

Machine Woman - Genau House - I Can Mend Your Broken Heart

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