Doom 🖤

PYRIT's Debut LP available here : www.bookmakerrecords.com
Out ltd Vinyl + Digital June 2015

Fade Away

Free

This remix has been made using exclusively a Prophet 08 and the music recorded by Ochre.

Ochre - Paper Unicorn (Marc Melià Remix)

from the album 'precious systems' available 7/15

mj guider 'lit negative'

Vocals: Tigerlight

Production: Payfone

Released on vinyl.

Video:
https://www.youtube.com/watch?v=lR6gsJsryls

BUY: 
https://golfchannelrecordings.bandcamp.com/album/paradise-mice-life-subconscient-lamentation

Payfone ft. Tigerlight - Subconscient Lamentation

Brainwaltzera debuts on FILM. The anonymous producer, whose work has has already received online approval from legendary british IDM auteur aphex twin, offers up an extended EP for the berlin based imprint. In 2015 a soundcloud profile under the name user18081971 - now identified as belonging to richard d. james, commented on curious Brainwaltzera upload quilat spring 1 [outtake]. The move prompted speculation as to who exactly is behind the music. Exquisitely produced and executed in such fine fashion so as to decry pure imitation - there’s plenty to theorise here. Regardless of their true creator - which will undoubtedly remain a secret for the time being, the compositions on FILM006 are of similarly high calibre. Varied in approach and marrying both electronic & acoustic elements with ease, the six tracks that comprise the record range from yearning ambient segues and dreamy down tempo grooves to otherworldly krautrock and more direct, dance floor fare - but remain bound tight as a cohesive and functional body of work by a glorious, arcane musicality. whether weaving soft electronic tones in and amongst snappy breaks or detuned drum-machine strikes, the artist’s ear for acoustic harmony is perhaps the pervading theme across the six tracks that make up the aecoba EP, marking it out as an excellent addition to the FILM label’s growing catalogue. OUT today ! Cop it here : https://clone.nl/item45727.html or there : https://bleep.com/release/83711-brainwaltzera-aescoba-ep

Aescoba EP

LISTEN ON YOUTUBE

PREMIERE : Brainwaltzera - 17 Acetonia [Au Pied de Cochon Aescoba]

Ursula Bogner: Winkel Pong
Format: 7” Vinyl/DL
Label#: faitiche15
Release date: Sept 8th 2017
 
Faitiche is delighted to announce the release of a new Ursula Bogner record (faitiche15). Winkel Pong contains three previously unreleased pieces from the archive of the sound researcher who died in 1994. In 2008, Jan Jelinek put together a first album from Bogner’s tape archive (CD/LP Recordings 1969-1988, faitiche01). A second followed in 2011, compiled this time by Andrew Pekler (CD/LP Sonne = Blackbox, accompanying the book of the same name with texts, photographs and Bogner’s graphic oeuvre). For Winkel Pong the tape archive was passed on to Lucrecia Dalt. The Berlin-based Colombian sound artist and musician chose three tracks from the 1980s (exact dates unknown), editing the tape recordings for their release on Winkel Pong.
 
Gundrun Gut (Malaria!, Einstürzende Neubauten), an activist and reluctant chronicler of Berlin’s underground scene since the 1980s, has worked with Lucrecia Dalt. She is also familiar with Ursula Bogner’s work. Reason enough to ask her for an interview:
 
Jan Jelinek: Gudrun, how does it feel to be constantly obliged to talk about the 1980s Berlin underground as someone who was there at the time?
 
Gudrun Gut: I’ve learned to live with it as there are clearly too few people who witnessed it first-hand. Maybe it’s even important to do these interviews as a woman – so that someone actually says that women, too, have written music history. Men tend not to mention this. But it’s true, people do always ask the same questions.
 
JJ: Did you know about Ursula Bogner in the 1980s? Did you ever meet her?
 
GG: No, I never met Ursula Bogner in person and I only discovered her in 2008 thanks to Faitiche. But that’s no surprise: firstly, I don’t know every single woman artist, and secondly, far too many women artists never see the light of day. In the male-dominated art and music market, women are not considered important – or worse still, they are not understood. Look at artists like Sonia Delaunay, Eva Hesse, Bebe Baron, Delia Derbyshire and Daphne Oram. Some of them have now been discovered – but only recently. A lot has changed in the last few years: there is a growing awareness of art and music made by women.
 
JJ: But isn’t it annoying that the conventional distribution of roles still applies? One example: in many articles, Ursula Bogner has been presented as an “electronic housewife”.
 
GG: When Ursula Bogner is referred to as an electronic housewife, then sadly that reflects the situation of many women artists at the time. Women could only pursue artistic activities in private – transcendence was reserved for men. This has still not been overcome. But today, the home has become a site of professional production for all. I’m talking about bedroom producers: it is totally normal to make art and music at home. And that makes things interesting, because “working at home” is no longer associated solely with women.
 
JJ: For Winkel Pong, Lucrecia Dalt compiled and remixed three pieces from the Bogner archive. You know Lucrecia and you’ve already worked with her. How did you meet?
 
GG: I met Lucrecia through MySpace – I think it was 2007. Back then she was still living in Medellin, Colombia. Lucrecia’s father made loop machines for her that she still uses. The Sound of Lucrecia was part of my 4 Women no Cry compilation series on Monika Enterprise, each with four producers from different countries. She’s great fun to watch as a performer because she has a unique sense of rhythm and feel for music. Above all I’m impressed by her sustained approach as an artist, someone who can and does think around corners. I’m thinking specifically of her album Ou, for which she ploughed her way through post-war German cinema, using it as a source of inspiration for a soundtrack. This is proof that she thinks like an engineer – so it makes perfect sense that she would want to explore the work of Ursula Bogner.
 
Berlin, 2017

Ursula Bogner: Atmosphärische Energie (edited by Lucrecia Dalt)

From the new 12inch with remixes from Biosphere and Klara Lewis. Out now on Smalltown Supersound. 

Purchase the release here: smarturl.it/sts32512

Carmen Villain - Borders (Klara Lewis Remix)

CHAM-PANG
Tant pis 81-82

www.tnzr.org/tnzr055

A1. Bella V
A2. Oriental intrigue
A3. Ziggurat
A4. It may be acid rain, my love
B1. Tant pis pour les heures de sommeil
B2. Presqu'heureuse
B3. Come se dice

————————————————————

Best known as an electronic duo, Cham-pang became a fixture of the Montreal new wave scene in 1981 with the release of a two-song EP on YUL Records (“Tantum Ergo” b/w “Ne mourrez pas”). The session featured Men without Hats’ Allan McCarthy on electronics and Yvel Champagne on vocals, although the group also depended on contributions from Mario Spezza of Rational Youth and Pyer Desrochers. A multidisciplinary artist with a singular voice and an arresting presence, Champagne then joined force with experimentalist Bernard Gagnon whose works at the time ranged from free improvisation to electroacoustic music. He recruited former bandmate Angel Calvo, of new wave outfits Vex and Rational Youth, as well as Robert M. Lepage, whom he knew from his early years with the Experimental Music Workshop. Long-time Cham-pang collaborator Pierre-Laurier Lamarche and Daniel Lajoie completed the group, helping give it a new direction both sonically and performance-wise.

This LP contains material composed ahead of a defining concert at the Cégep du Vieux-Montréal’s Tritorium in April of 1982.

Chroniques (Reviews)

** Sortie officielle (official release date) 25-10-17 **

"Bella V" (Cham-pang : Tant Pis 81-82)

Another Story

NADINE BYRNE
"DREAMING REMEMBERING" 
iDEAL171 LP
Available on June 1st 2018 from www.boomkat.com

NADINE BYRNE - TIME IS PRESENT, VAGUE AND FORMLESS (from "DREAMING REMEMBERING" iDEAL171 LP)

David Lynch-The Big Dream (Vinyl)

Side A

1.The Big Dream
2.Star Dream girl
3.Last Call

Side B

1.Cold Wind Blowin'
2.The Ballad oF Hollis Brown
3.Wishin' Well

Side C

1.Say It
2.We Rolled Together
3.Sun Can't Be Seen No More

Side D

1. I Want You
2.The Line It Curves
3.Are You Sure

David Lynch - The Big Dream Side A

Black Sabbath - Planet Caravan 
Wilhelm - Mercurial 
Kevin Carey - Try_Again
Randomer - Percussion Workout 2 
Da Poet - Fly Over Palestine
EPROM - Samurai

MERCURIAL

From I Feel Nothing EP > Sleeperhold Publications and Dream Recordings > Vinyl out now > Digitals and cassette 12.21.12

Children Of A Lesser God

Written, recorded and produced in 2016 with Jemma, Joel, Laurie and Ruth at Green Door Studios, Glasgow

Engineered by Emily

David Lynch - The Big Dream Side A

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