Copenhagen based DJ and Producer.
Playing and producing pounding techno and acid.

Labelowner @RepetitiveUnderground releasing techno of his own creations.

Live techno performance - acid techno - old skool
Hardware synths, drum machines, fx-pedals, cables, mixers, noise, happy :D

Berlin based Music Producer & Mixing Engineer
▪️Founder of @elektrons_ofc
▪️Bedrock // Poker Flat // Balance
▪️www.hannesbieger.com
▪️ Booking live set: ian@analog-a.com

SALLI LUNN is a quartet from Copenhagen, Denmark. Three of the four members – Lasse Skjold Bertelsen (vocals and guitars), Line Grønbech (drums and percussion) and Christian Blæhr (guitars and keyboards) – have played as a band for nearly a decade, recently joined by Jan Nissen (bass) to create a line-up that is as musically adroit as it is dynamic and powerful. With members of the band playing in other acclaimed acts The Late Parade, Death By Kite, Amber and Keith Canisius, it is only in recent years that the music of SALLI LUNN has received the devotion it demands. 

SALLI LUNN released it's debut album 'Heresy and Rite' on Hidden Shoal Recordings (AU) and Duck on the Walk Records (DK) in 2010 and has received critical acclaim for it's ambitious approach to fuse math, noise and shoegaze with concise melodies and long song structures. This was followed up by the remixalbum A Frame of Reference in 2011, which featured remixes by Scott Solter (St. Vincent, Pattern is Movement, Mountain Goats), Jonas Munk, City of Satellites as well as previously unreleased recordings.

_________
	
PRESS QUOTES - 'A Frame of Reference':

"If you’ve yet to hear Salli Lunn, A Frame Of Reference provides an essential introduction to a band whose own sound already has many influences and elements at work within it, and is also an intriguing taster of their next full album."
[Delusions of Adequacy]

... "Many remix records come off like an unexpected, sometimes contrived reworking of the original material. As with every component that Salli Lunn employs, A Frame Of Reference sounds like a logical progression, expertly machined and falling perfectly into place."
[4ZZZ]

"This is another bold and inventive release from the band, well worth a visit for fans of the last LP and just as good a starting point for the uninitiated and curious."
[Rave Magazine]

"The Danish noise rockers show on "A Frame of Reference" the hidden depth of many of their prior songs, as well as willingness to re-envision them on the fly."
[Music Emissions]

PRESS QUOTES - 'Heresy and Rite':

"Salli Lunn have gone well out of their way to produce a record that has both the noticeable hallmarks of their influences and still manages to sound an entirely original work, and in this they've more than achieved their aim."
[Delusions of Adequacy]

"One of the best albums of the year 2010..."
[Schallgrenzen]

"This album is good news for danish noiserock..."
[Soundvenue]

"... A courageous breath of fresh air."
[Undertoner]

"Superior and thoughtful math rock from this Danish band. You might expect it to be thrilling and visceral (and it is) but it's the unexpected details that get me."
[Underground of Happiness]

"...Jonas Munk's beautiful, detailed production provides the perfect frame around the group's exciting dynamic."
[Geiger]

"What Salli Lunn attempt on this record, is to redefine the entire meaning of post-rock. Instead of a well-rehearsed, concise and cohesive, Salli Lunn persistently avoid any repetition or similar themes - and take every opportunity to push their music into new territories and expand on their own musicianship. This is a highly risky approach [...] but on Heresy and Rite, this act of innovation and unpredictability delivers with extreme accuracy."
[No Ripcord]

"Danish four piece Salli Lunn have a sound that is likely to divide both critical opinion and listeners generally. Heresy and Rite is imaginative and dare I say distinctive. There's a power and dynamism here that you don't find all that very often."
[[Sic] Magazine]

"...The complexity of Heresy and Rite challenges definition with tracks that are often built on a simple, yet compelling, platform upon which is added building blocks of texture and unexpected twists and turns to deliver a totally intriguing end result."
[Blogcritics]

"The songs are layered and have a complex structure, which does not prevent the single "Parachutes Forever" and the mutant funk riff built "Mirror Girl" to be accessible enough for the best radio programs."
[Goddeau

Tom Wax has always been a leading figure of the electronic music scene in Germany since 1988 and inspired a lot of DJs and producers around the globe with his unique sound between House & Techno. Even after more than 30 years behind the DJ booth he is still on a mission and prooves this in impressive manner on such labels like Toolroom, Filth On Acid, CR2, Gain Records, FeChrome, Bush Records, Dolma Records, Suara, Great Stuff, Technoclub Records, Stereo 3000, Armada Deep, Deeperfect, WePlay, Kontor, Plastic City or his own Phuture Wax imprint.
In the early 90ies Tom Wax created electronic-music history with his projects Arpeggiators,Microbots or DJ Tom & Norman and the today classic tunes „Cosmic Evolution“, „Freedom Of Expression“ or „Tales Of Mystery“ on such labels like R&S Records, Harthouse Frankfurt or Overdrive Records. With his project AWeX together with Thorsten Adler and the Über-track „It ́s Our Future“ on the legendary Plastic City imprint he had his international breakthrough in 1995 and since 2000 he concentrates on his Tom Wax artist project.
Cooperations with CJ Bolland, Marshall Jefferson, Mike Dearborn,Michael Wells (GTO),Terry Lee Brown Jr.,The Timewriter, AKA AKA,Kai Tracid, ASYS, Mijk van Dijk, Dr. Motte, Marusha, Talla 2XLC,Roy Stroebel (Strobe), Gotlucky, Boris Alexander,Ian Oliver, Dan Hillson, Simon Fava, JamX & DeLeon, Alex Stadler or Franksen as well as remixes for artists like Yello,Erasure,Jam & Spoon, Hardfloor, Sparks,Cosmic Baby,Mesh or John Starlight fill his multi page discography with over 500 releases and remixes.
Next to his DJ gigs around the globe Tom hosted his own radio-show since 2004. First on German radio station YOU FM, where he is one oft he resident DJ oft he legendary Cubnight show as well,from 2010 to 2012 he presented his show Phuture Sounds on the online radio Big City Beats FM.
Other important stations over 32 years of his musical career were the Music Discovery Project in 2007 alongside famous conductor Parvo Järvi and his Symphonic Orchestra, his 8 year DJ residency at the legedary Frankfurt based club Dorian Gray and his A&R work for the labels Harthouse/Eye Q and Music Research.

**STEVE MILLS**
(Braingravy Records/Stay Up Forever/Project 303/WahWah/Scythe Squadron/CDJ303/Extreme Forces/Flatlife/Avinit/Interstate One)

Steve started DJ’ing back in 1996 and was soon banging out tunes on infamous, though sadly now defunct, UK pirate radio station Force FM. After being spotted playing by a local sound system, Steve then became part of the crew R.P.M, and after many years on the squat party scene, earning his stripes, he became a resident for the HUB Sound System. Steve still rocks it for HUB whenever possible.
Steve Mills was the only DJ to play Acid Techno on the FM dial for over a decade, and has been lucky enough to represent Stay Up Forever Records on air (Stay Up Forever Broadcast Party) as well as in the clubs. He has played alongside Chris Aaron, and Julian Liberator, D.A.V.E The Drummer, Sterling Moss, Ant, Geezer, D.D.R, Rackitt, K.N, amongst many other well respected DJs. Recently, Steve has had great success with his own productions and record labels, working with London legends D.A.V.E The Drummer, Chris Liberator, Sterling Moss, Geezer & Darc Marc as well as his many solo releases which appear on Labels like Wah Wah, Scythe Squadron, Extreme Forces, Soitiz, Flatlife Records, Stay Up Forever Projects, Stay Up Forever, Braingravy Records, Project 303 & Interstate One. Steve Mills is also part of the Monster trio “303 Pirates” with partners Chris Liberator & D.A.V.E The Drummer He has had Great international success in countries like Brazil ,Poland Germany, Netherlands, Ireland & Prague playing at events like Acid Techno Pioneers, Hardrace Underground 5 & the Amazing SoundFeer music Festival in Czech, plus more to come in the UK & Abroad.




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