The official Soundcloud account of Nate Ruess, singer of FUN. and The Format. Debut solo album Grand Romantic out June 16, 2015 on Fueled By Ramen.

I just want to feel something.

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Since first breaking onto the alt-pop scene in 2007, Owl City has built a global following on the strength of his heart-on-sleeve songwriting and endlessly inventive sound. Along with earning a monumental hit with the diamond-certified “Fireflies”—a 2009 release that reached No. 1 in 26 countries—the Minnesota-bred artist otherwise known as Adam Young has made waves with smash singles like the double-platinum “Good Time” feat. Carly Rae Jepsen and brought his exuberant live set to sold-out shows around the world. With total album sales of over three million and single sales surpassing 20 million globally, Owl City has now delivered the highly anticipated new album Coco Moon: a wildly imaginative body of work revealing his deepened devotion to the strange magic of creativity.

In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

Professor of Psychology at UofT, Lecturer, YouTube Personality, Author of Maps of Meaning & 12 Rules for Life: An Antidote to Chaos

The mission of Lamplighter Ministries is “to make ready a people prepared for the Lord, by building Christ-like character one story at a time.” The mission of this ministry is deeply rooted in the truths found in Malachi 4:6 and Luke 1:17. The gospel writer Luke quotes from Malachi 4:6 in his first chapter. His handling of the text is peculiar because he leaves out part of the quote and adds a sentence that changes the entire meaning of Malachi’s text. In Malachi we read: “To turn the hearts of the fathers to their children and the hearts of the children to their fathers, lest I come and smite the earth with a curse.” In Luke we read: “To turn the hearts of the fathers to their children and the disobedient to the wisdom of the just, to make ready a people prepared for the Lord.” The first part of this verse is identical in both passages. The second part, “turning the hearts of the children to their fathers” is similar to “turning the disobedient to the wisdom of the just.” It appears that Luke is emphasizing that children’s hearts (the disobedient) will turn to their fathers, if their fathers’ hearts become righteous and worthy. The last part of the verse in Malachi, “lest I come and smite the earth with a curse,” has been deleted and new text has been added, thus changing the meaning. Generally, the New Testament writers will change an Old Testament text to help clarify the intended meaning, but here Luke changes the meaning of the text entirely. Whereas the Old Testament closes out with the word “curse” and a strict warning, the New Testament closes out with hope and an emphasis on grace—“the grace of our Lord Jesus Christ be with you all, Amen.” By Divine design the Old Testament closes in “curse” and the New Testament closes with “grace.” When Luke the physician quotes Malachi 4:6 and removes the curse, I believe he was adding that which is at the heart of Christian discipleship—“making ready a people prepared for the Lord.”

As I studied Luke’s addition, I realized that the words “make ready” and “prepared” are the very essence of our mission. The word “ready,” in Greek, hetoimaz het-oy-mad’-zo, means to prepare, provide, construct, create, or make ready through internal fitness. The word “prepared,” in Greek, kataskeuaz, kat-ask-yoo-ad’-zo, means to build, make, ordain, or prepare thoroughly and properly by external equipment. Lamplighter Ministries has a two-fold focus: preparing people to serve the Lord through internal character development and external career preparation. The words “ready” and “prepared” form the foundation for our mission at Lamplighter. We are building Christ-like character internally through inspiring and godly role models, and motivating individuals to live a life of excellence through external opportunities that cultivate their God-given abilities into the highest level of skill and excellence.

PRODUCER/DJs JONATHAN AND DAN.
DANCE MUSIC WITH NO LIMITS.
ROCHESTER NY


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