Im just tryin to sleep

New & hot: Indie

Novo e irado: Indie

Summer

Indie

Young

ten flowers like depressive towers - колени

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Main Stream (demo)

Music & lyrics by the Arctic Monkeys.
Cover by Leonardo Ruiz (She's a Porno).-

For a Blade Runner noodles recipe idea: https://www.youtube.com/watch?v=eowZ6zt6LK8&list=RDMM&start_radio=1&ab_channel=She%27saPoet

Star Treatment

Star Treatment (Arctic Monkeys cover)

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Sidetrack II

sunk into the riddle

A tale of the garden and the mystical things you can find there

In The Garden

Our 36th vinyl postcard release. Grab a copy by joining our record club for just $2 using the code "PENPAL" at http://www.vinylpost.co

You'll get a new single in the mail every month curated by us at BIRP.fm! 💌📬🎶

Vinyl Post

Dreams We've Had - Aiyana (come down)

Released on Labrador the 5th of May, 2020. Third single from the upcoming album Songs For A Flying Man by Alexandre Saada.

Alexandre Saada - My Land Is Your Soul

the strokes i'll try anything once new abnormal version

Written by Marlon Chaplin and Ewan Kay
Produced by Ewan Kay

Recorded at Candle Recording (Toronto, ON)
Mixed and mastered by Ewan Kay

Personnel:
Marlon Chaplin - Vocals
Ewan Kay - Guitars, Bass, Synths
Spencer Cole - Drums

This Is How You Sleep
Lyrics by Marlon Chaplin

Wanted to never ever let you go,
But you know sometimes you just never know,
I know you just want to get back at me,
Pull the rug out from underneath my feet,

This place we live is suffocating me,
It’s hard to make out what’s reality,
How much power do you really need?
Is this the priceless end of ecstasy?

You and I conspire to make this vision ours,
A truth,
A lie,

I wanna let go,
Right from the get-go,
Let go your secrets,
This is how you sleep,

I wanna let go,
Right from the get-go,
This is my dream tape,
This is how you sleep,

I need to find some shade under a tree,
You see this sword it hangs like Damocles,
Feel you watching with every move I make,
Whatever’s mine is always yours to take,

I don’t expect to get away with this,
So go ahead and check me off your list,
I hear a ticking underneath the floor,
This tell-tale heart will beat on nevermore,

You and I conspire to make this vision ours,
A truth,
A lie,
You and I conspire to make this prison ours,
A truth,
A lie,

I wanna let go,
Right from the get-go,
Let go your secrets,
This is how you sleep,

I wanna let go,
Right from the get-go,
This is my dream tape,
This is how you sleep.

©℗ Marlon Chaplin 2020

This Is How You Sleep

Essas são algumas das minhas musicas... resolvi compartilhar as mesmas para guardar!

YESHUA

Ousado Amor

CONSTRUIR

In the late 90’s, east-side LA was in the throws of a post-indie explosion; a network of stoned bands ranging from neo-psychedelia to pseudo-country overran Spaceland (our generation’s Troubadour) and the local Silverlake Lounge. I was playing freakbeat records twice a week in dive bars, half of Spacemen 3 was crashing at my house (my drop-out roommate was Sonic Boom’s tour drummer) and it was during this blur that I met Raymond Richards, a clean-cut all-American pedal steel guitarist playing in Mojave 3 (the country-tinged 4AD side project of shoegaze royalty, Slowdive). I was instantly swept off my feet, head over heels in love with Raymond's weeping tone — the most chill-inducing, emotionally responsive dialog I’d had with music since discovering Satie as a child — it was then and it is now, truly haunting. After a year of personnel trials, my roommate and I stole Raymond for our own band, and not only did he smother our songs with his enchanting steel, he was virtuosic with a variety of atypical instruments such as baritone guitar and theremin, he utilized them all. The band was short-lived — I split to jam with Ariel Pink, Raymond fled to Portland, then me subsequently to New York City — but in founding the ESP Institute years later, there was always a recurring mental note; "we must make Raymond’s pedal steel album." I had managed to wrangle his blessed performance on a remix for Project Club’s 'El Mar Y La Luna', but it took almost a decade until I once again wore the producer hat and we began working on 'The Lost Art Of Wandering', a title borrowed from Sam Shepard’s 'Stories'. Spiritually candid, expansive yet enveloping, this is the strung-out, visceral country music that simply radiates from Raymond. Each song is his set of coordinates in a vast open terrain, holding a sentimental familiarity, a truthful longing for the simple comforts that diffuse life’s complications, a place to get lost. —Lovefingers

Produced by Lovefingers
Cover image - Barbara and Michael Leisgen, Eintauchen [detail], 1972

[ESP070] The Lost Art Of Wandering

Buy from ESP

[ESP070] RAYMOND RICHARDS - A4 - Livermore, California - SNIPPET

[ESP070] RAYMOND RICHARDS - A3 - Tucson, Arizona - SNIPPET

[ESP070] RAYMOND RICHARDS - A2 - Fossil, Oregon - SNIPPET

[ESP070] RAYMOND RICHARDS - A1 - Denton, Texas - SNIPPET

Week six of quarantine and now we're dreaming about long nights driving aimlessly around Los Angeles with our friends, pinballing from place to place and feeling the sense of aliveness you get just from being in cars, showing up to parties, leaving, heading somewhere else, to the club, always moving & never going anywhere, detached from time until the night turns to morning. "Popularity" is our favorite song from our favorite Sparks album (1983's "In Outer Space")—a perfect ode to being a vapid LA person going everywhere at once, and to the simple satisfaction of being around other people and feeling popular. By the time we get back out into the world we'll have forgotten what our favorite places are called too. This whole album is perfect and nails a balance of reckless energy and deep loneliness that feels very appropriate to our moment.

Lyrics

I like you and you like me a lot 
And we do those things that can make us feel hot 
Then we join some friends, all of them are all right 
And we talk a while, then we climb in our cars 

What a night, we all drive into town 
Where we'll park our cars, and meet the rest of our friends 
At a place that's called, I forget what it's called 
But it's really great, and all our friends will be there 

Popularity 

I like you and you like me a lot 
And it's nice to be all alone with you too 
But it's also nice being out with our friends 
Cause they're all all right, maybe that's why we're friends 

Popularity 

I feel great, but it's getting real late 
So I'll drive you home and you'll slide up real close 
I'm so glad we met, and I like you so much 
And I'm also glad that I got all those friends 

Popularity

Credits

Released April 23, 2020 
Recorded, performed, produced, and mixed by YACHT 
Mastered by Timothy Stollenwerk

YACHT - Popularity

This is a cover of the 2004 song "You Fuck Me Up," by Dub Narcotic Sound System, a lo-fi funk band named after the recording studio in Olympia, Washington, where many of our friends and extended Pacific Northwest community have recorded albums over the decades for K Records and various other satellite labels. 

The original vocal on this song is performed by the Olympia underground art-ward multi-instrumentalist staple Heather Dunn (Tiger Trap, Liarbird, Lois, Raincoats, The No-No's, Halo Benders, Dennis Driscoll) whose fantastic and loose performance taps into an undeniable, elemental horniness. It's very alive. 

This music, and the larger constellation of music that constitutes its scene, has always represented, to us, the very fundamentals of punk. 

In its infinite capacity to miss the point, Pitchfork called this song "horrifically off-key" and "endlessly bad" back in the day.

Lyrics

Touch my nose and undress my belt 
It just the way that we used to felt 
It fucks me up night til noon 
When will you come again it’s never too soon 

You fuck me up, baby 
Up down and sideways and back again 
You fuck me up, baby 
Your shits so good yeah I wish you would 

Look through the soles of my shoes for clues 
It’s been hot so I ask just what to do 
You fuck up from night til to noon 
But when you’re gone come back ‘cuz it’s too soon 

You fuck me up 
Your hair fucks me up 

That’s why I creep 
That’s why I weep 

You fuck me up 

South states goes round and round 
Old records go round and round 
This town goes round and round 
Big wheel go rou nd and round 

Come take my heart and send it to me 
Come here now and you will see 
A rabid power my love can be 
A rabid power that’s a reason to dance with me 

You fuck me up 
I can’t get up 
I can’t stand up, baby 
Round and round￼ I ain’t stop and 
You fuck me up 
I can’t stand up for the love ‘cuz you got me strung out 
I am the one that you want without a doubt 
Come on and scrape come on and scream a little more 
You fuck me up baby watch me and I head for the door 

You fuck me up 
I like the way you fuck me up 
You fuck me up 

Steamy windows 
Condensation 
Evaporation 
Elation 

Steamy windows 

You fuck me up, baby

Credits

Released May 1, 2020 
Recorded, performed, produced, and mixed by YACHT 
Mastered by Timothy Stollenwerk

Dreams We've Had - Aiyana (come down)

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