From Forever Holiday, released May 21, 2021

Written by Nathan Hawes and Flore Benguigui
Produced by Nathan Hawes
Mixed by Tobias Priddle
Mastered by Pieter De Wagter

Keyboards, Guitars, Bass and Synthesizers by Nathan Hawes
Vocals by Flore Benguigui
Drums by Tobias Priddle

Johatsu (Feat. Flore Benguigui)

Mocky - Birds Of A Feather (from "Saskamodie")

Shook

Written by Eden Leshem
Recorded & Produced by Aviv Meshulam & Joseph Madar
Mixed by Aviv Meshulam
Mastered by Aran Lavi

Vocals & Guitar by Eden Leshem
Guitar, Synth & Percussion by Aviv Meshulam
Bass by Dekel Adin
Drums by Guy Fleisher 
Congas by Guy Gefen
Saxophone by Dolev Nahoom Sanbira

Follow Hush Moss on Facebook:
https://www.facebook.com/hushmoss

Video: https://www.youtube.com/watch?v=7GdINtWI4P8

It Takes A Lot

Off the debut album, The Visitor, out October 21st on Fat Possum Records / Fresh Selects

Pre-order here: http://smarturl.it/KadhjaBonet

The Visitor Tracklisting:
1. Intro – Earth Birth
2. Honeycomb
3. Fairweather Friend
4. The Visitor
5. Gramma Honey
6. Portrait of Tracy
7. Nobody Other
8. Francisco

Kadhja Bonet Tour Dates:
8/21 – Los Angeles, CA at Saint Heron
8/28 – Pula, Croatia at Dimensions Festival
9/17 – San Francisco, CA at The Independent

Kadhja Bonet - Honeycomb

Cop 12" / Digi: https://deadhorsebeats.bandcamp.com/album/bad-hopes-ep

Patrick Wade, better known as Dead Horse Beats is a producer, singer
and multi-instrumentalist living in Montreal, Canada. Since the
release of his first album in 2011, Wade has garnered attention for
his unique brand of hazy, rhythmic, soul-styled creations, and
energetic live spectacles featuring a slough of live instrumentation,
electronics and guest performers.

After the release 2015's acclaimed Single People LP and a brief stint
with London's Black Butter Records, DHB partnered with Brooklyn based Bastard Jazz Recordings for his premiere vinyl pressing - the Fall 2016 release of Bad Hopes EP.

Bad Hopes is the culmination of a new, fully realized sonic direction
for Dead Horse Beats, inspired by the sounds of the Montreal scene in
which DHB is embedded; equal parts glittering R&B, and undeniable deep house inspired soundscapes, fusing fully on Bad Hopes,

Alongside friends and collaborators Frase (vocals on She Said) and
Jason Simpkin (additional production and instrumentation throughout)DHB blends his voice and lyrics with bassy grooves, lush synths and sharp, angular percussion into a cohesive, rolling soundscape.

Bad Hopes EP

Dead Horse Beats - Young Ruins

In between producing Feist’s groundbreaking album Pleasure, co-writing songs for Kelela’s upcoming debut album and working on his sixth full-length album, due out next year, Mocky is set to release the fourth installation of his “Moxtape” series. An unfiltered peek into his unreleased studio experiments and collaborations, “How to Hit What and How Hard" is a collection of handcrafted “off the grid bangers and some songs”, the multi-instrumentalist producer says. 
At the start of 2017, Mocky built a studio at his secretive Los Angeles headquarters. As he put up the studio walls, he began doing test recordings and switching between hammer and nails and drumsticks and drums. The first six test recordings became the basis of “How to Hit What and How Hard’. They range from 1970s Sesame Street funk to Steve Reich-style arrangements with a backbeat to songs like “Problematic” (which casts Mocky's crooning in a glitched-out new light). Though the music covers a lot of ground in his search for goosebumps per minute (GPM), it’s held together by Mocky’s unmistakable percussive touch. 
The L.A.-by-way-of-Berlin transplant plays almost everything on H2HWHH (drums, bass, piano, Rhodes, nylon string guitar, flute), with a few notable exceptions: Gonzales and Miguel Atwood-Ferguson guest on the exquisite “Desiree”, Nia Andrews lends some honey-dripped vocals to “Stop Time”, and Pegasus Warning, Joey Dosik and Aponte Poro round out this family affair on a variety of instruments. 
On  “You Can’t Rush the Funk”, Mocky’s iPhone-recorded voice is as laid back as anything because, as he puts it: “Nothing began with the computer or a click track. Everything began with me hitting something, and during the process, I realized that in the modern musical environment, “how”, “what” and “how hard” you hit something make all the difference." And for those who wonder about the method to his madness, for the first time Mocky is opening the hood on this “how-to kit" of a record: He’s releasing all of the isolated, separated instruments as samples in an “Unpacked Edition”, allowing others to make their own works recreated from Mocky’s handmade blueprint.

How To Hit What And How Hard (The Moxtape Vol. IV)

Mocky: Put It In A Song

Disco

Track 1 of our latest compilation record, Vinyl Post: Volume Five

Grab a copy over at http://www.vinylpost.co

T.hanks - All The Boys I Know

The True Story of Bananagun is out 26/06 - pre-order here: https://smarturl.it/thetruestory

T.hanks - All The Boys I Know

BIRP.FM