Gregor Tresher kicks off 2015 looking to break new soil with his first ever full release for John Digweed's Bedrock Records.   

Last year was as hectic as ever for the Gregor and he came into it on high from the success of his artist album Nightcolours and having closed out 2013 by releasing an astonishing Laurent Garnier remix of the title track, on his own imprint.   Time to relax a little maybe? Not a chance. January saw the remixed version of the album hit the stores and this was backed within a few weeks by 'Taurus', Gregor's enticing collaboration with Petar Dundov. The summer saw him remix the Chymera classic 'Shadowdancer' and he closed 2014 with the superb 'Midas / Disturber' double-header.   

Somewhat of a musical chameleon, Tresher is as at home creating deeper shades of house for the likes of Moon Harbour and Ovum as he is techno rhythms for Music Man, Cocoon and Drumcode.   With label boss Digweed a huge fan, Bedrock is yet another perfect fit for the German and he opens his account with the mighty, melodic and Kraken'esque 'Goliath' and the razor-sharp lightning bolt that is 'Stormblade'.

Gregor Tresher - Goliath (Bedrock)

Feel it (Extended Version)

Storming his way back onto Drumcode Luigi Madonna closes off the Summer with a four track smasher that will see him welcome in Autumn with a bang. Each track contains the solid, raw drums that are the backbone to each track Luigi has conjured up. With a brooding undertone, the simplicity found in each track gives the lead lines and ideas more space to breath, which overall creates a unique and charismatic submission that can only be found from the Italian.

Luigi Madonna - Le Ly Land - Drumcode - DC146



Pan-Pot - The Other Remixes [SNDST015]

VINYL: bit.ly/1OehZwS
DIGITAL: btprt.dj/1Rk9Lp2

As the dust finally begins to settle after the release of Pan-Pot's massive album 'The Other', it's time to unleash a collection of heavy hitting reworks from the best and brightest stars of todays techno elite. Through careful consideration and an acute attention to detail, we couldn't be more elated to confirm ten artists we know and love to contribute their unique vision to Second State's first ever remix package.

Kicking things off with a heavily twisted alteration of 'Attention' is Nicole Moudaber and it's a tangled, dark trek through dense acoustic layers of audible madness. Next up is the Hamburg duo

Extrawelt with their twist on 'Optimistic Grey' and they deliver a beautiful blend of emotion and groove they are synonymous for.

Following suit is another passionately romantic number from man of the hour, Stephan Bodzin, and his take feels like floating through a sea of clouds, resulting in a timeless classic to be a focal point in any set for years to come.

Next in line is Ray Kajioka's take on '808 Nirvana' and it's a cosmic ride, ripe with swirling atmospherics laid over big churning drums and rolling cymbals.

Following up on the second 12“ of this LP is a man who needs no introduction: Carl Cox. And in true Coxy fashion he turns 'Riot' into just that: a big room, tension building monster!

Broken Engine' is the next track to get worked over and Wigbert delivers a stunning mix of shimmering tones and growling bass resulting in a lush venture through a cosmic backdrop of flickering stars in deep space.

Joseph Capriati ensues with his vision of 'Fugitives' and he brilliantly keeps the vibe of the original yet adds his trademark big room flair to take it to another level of driving euphoria.

Enlisting the talents of Alan Fitzpatrick to remix one of the slower listening tracks on the album turned out to be magic. With his signature percussion, Fitzpatrick takes the parts and creates a dive deep into sultry smooth waters of seduction.

The first of our last two remixes, which are digital exclusives, come from Paul Ritch and he delivers a grinding rendition of 'Riot', expertly crafted for the more euphoric peak time occasions.

Last and certainly not least is a man on the rise, Kevin Knapp with his twist on his own collaboration with Pan-Pot: 'Get In'. An expertly crafted tech house jam exploding with energy and attitude perfect for any moment, day or night, indoors or out.

No matter the time or place, there is something here for everyone and we are truly fulfilled and honored to present this package of cutting edge artists to celebrate this landmark moment. We know you will enjoy!

@pan-pot
@secondstateaudio
@joseph-capriati


Vinyl

Pan-Pot - Fugitives (Joseph Capriati Remix)

<p>It&#8217;s time for Sasha Carassi&#8217;s &#8220;Echoes&#8221; from a few months ago to receive remix treatment, and Skober&#8217;s interpretation is up first and focuses on the melodic elements of the Original but cleverly adds moody synths which add to the overall epicness of the affair, especially in the grandiose breakdown. Layton Giordani is up next with his trademarked shadowy sound and impeccable arrangement, offering yet another angle of attack. Last but not least are Loco &amp; Jam dubbing things out with bursts of references to the original in key moments, while maintaining a rocksteady vibe sprinkled with discordant stabs.</p>

Sasha Carassi - Echoes (Layton Giordani Remix)

BITT097 - Mr. Bizz - Lost Signal

After the release of their collaborative ‘BREED’ EP at the end of last summer, Nicole Moudaber and Skin have unveiled the highly anticipated remix package featuring a long list of respected producers. Carl Craig, Fur Coat, Jamie Jones, Jerome Sydenham, Paco Osuna, Pan-Pot and Scuba are just some of the names which have turned their hand to the project. Originally born out of Nicole and Skin ofSkunk Anansie’s desire to fuse their rock and techno backgrounds, this is a true for a collaboration project with a difference.





Breed the RMXS

These Walls are Made of Water

Beatport

Nicole Moudaber & Skin - These Walls are Made of Water (Pan-Pot Remix)

After appearing on A-Sides Volume 4 at the start of 2016, Ilario Alicante now makes his full debut on the label. He has quickly established himself as a key player amongst a new crop of techno artists and truly is one of the brightest stars in the game. His skills behind the decks have seen him tour the globe with Cocoon, as well as appear at the likes of elrow, Lovefest and We Are FSTVL.

Opening with ‘Times’, the EP gets off to a flying start as the track rages straight into top gear, rolling through 6 minutes of pure power. This is a peak time tool that is set to be heard across dance floors worldwide this year. ‘Awakened’ you may have heard from Adam Beyer’s sets of late, a firm favourite which gets his much sought after seal of approval. Rampant syths and mesmerizing vocal hooks all make it one hell of a journey. ‘Sense’ is a more industrial affair, chunky basslines take your hand through the track as it charges on. It’s that classic deep Ilario Alicante sound we all know and love. The EP finishes off on ‘Apogeo’, with its hypnotic siren tones and acute percussion. One thing is for sure, Ilario Alicante is in a league of his own.

Ilario Alicante - Awakened - Drumcode - DC169

A work 12 months in the making, Adam Beyer continues his exciting series of collaborative EPs, teaming up with heavy-hitters Pig&Dan for an multi-faceted four-tracker.

Chances are up if you spied Adam Beyer in an airport departure lounge over the past 12 months, he’d have his head buried in his laptop, immersed in creating sound sketches. A long-time fan of collaborations, the Drumcode chief has been on an inspiring streak of form lately, teaming up with the likes of Mark Reeve, Dense & Pika and now Pig&Dan. The results have been compelling, to say the least. 

In trademark perfectionist Beyer style, the title track ‘Capsule’ – a shimmering slice of techno - involved “around 15 different versions” the track rigorously road tested by the Swede and featured in episodes of Drumcode Radio to test dancefloor reactions, before finally getting the sign off.  ‘In Love’ is a big room techno groover, driven by crisp drums and the kind of evocative vocal effect that’ll have hairs standing on ends. ‘Atmosfear’ is true to its name, centered on a menacing synth line and gritty percussion, its deep kicks and subterranean bass combining superbly to create a heady dancefloor brew. ‘We Are E’ is propelled by a catchy synth hook and a classic call-to-arms vocal, which tips its cap to the artists’ shared love of classic UK rave.

Adam Beyer Vs Pig&Dan - In Love - Drumcode - DC171

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Rob Hes - Modern Times (Reinier Zonneveld Remix)

Out now on Beatport

https://www.beatport.com/release/percussionix/2280205

Carl Cox is an industry figurehead whos legacy in music includes his iconic label Intec, which he runs with friend and business partner Jon Rundell.

Intec's new release is from UMEK who is a Slovenian artist accredited with kick-starting the techno scene in his home country, before earning critical acclaim on a global scale when he first started his career in the 90s.

Having released on labels ranging from CLR and Novamute right through to Toolroom, in recent years UMEK's own imprint "1605" has also become a main outlet for his music.

People with a good knowledge of technos history will be more than aware of the impact of UMEKs classics tracks, such as his anthemic Gatex that came out only a few years before his first Intec release in 2005.

Having also collaborated with many influential figures such as Chris Liebing and Joey Beltram, this new solo EP is UMEKs third release on Intec.

Titled Percussionix the EP opens with (Mix 1) which centres around a thick set bassline cut with filter sweeps and full of menacing intent. Leading the track is a combination of tribal percussion loops, which provide the track's main driving force.

Track two is UMEKs alternative mix of Percussionix which titled (Mix 2) has a more refined sound with the raw edges of the percussion being rounded off to smooth the sound, and its bassline is left unfiltered so it becomes more of a gradual sweep that grows with building tension.

BITT097 - Mr. Bizz - Lost Signal

bittenrecords