May be best track I have heard today. Keep it up!

Cuzzy

Last Step

Listen to the album on Spotify: 
https://open.spotify.com/album/262awGbeIzVc3YnEzJJRoZ?si=Z4okA_oARGO-h8ur9KGaOA


Lucid Comet

#MGReboot #BassHouse 

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F*CK

Fan-based cover version only.
(I do not own the rights to this music and no original audio samples have been used).

Party in the Blitz (Superchumbo remix) - Pet Shop Boys COVER VERSION

RIOT073 - Beico & MT93 - Cosmic Person [Riot Recordings]

Free Your Mind - Frequenza
https://www.beatport.com/release/free-your-mind/2178030 
2018-01-22
FREQ1802

1. Rolando Hodar, Christian Schwarz - Free Your Mind (Original Mix)
2. Rolando Hodar, Christian Schwarz - Free Your Mind (Kostas Maskalides Remix)

 

Rolando Hodar, Christian Schwarz 
2018 Frequenza

Rolando Hodar, Christian Schwarz - Free Your Mind (Kostas Maskalides Remix)

Pre-order: https://www.beatport.com/release/vortex/2352217
⠀
Recent addition to Alan Fitzpatrick's WATB roster, Southhampton born A.S.H makes his debut on the label with two peak time techno tracks. ‘Stranger Things’ takes a tighter and crispier percussive road compared to the first track of the EP ‘Vortex’. Its synth lines are melodic in their approach, with a moody synthetic palette of stabs and riffs. We hope you enjoy our premiere of A.S.H’s ‘Stranger Things’, exclusively on Techno Cave.

Label: We Are The Brave 
Release Date: 03.08.18

Premiere: A.S.H - Stranger Things

Timmo returns to Terminal M to release his highly anticipated debut album ‘Starlight’ this September. 
 
Since making his debut in 2008, Bulgarian talent Valeri Ivanov, aka Timmo, has swiftly become a name of note within the current techno landscape following with a string of releases via some of the biggest labels in the scene, from Adam Beyer’s Drumcode and of course Monika Kruse’s Terminal M imprint. Having emerged as a core figure for the label following his collaboration ‘Violet’ with Kruse back in May, and leading straight on from his ‘Starlight’ EP which featured three tracks from the extensive body of work in early June, the imprint will now welcome the arrival of his eleven-track LP ‘Starlight’, featuring a combination of club-focused tracks alongside more emotive soundscapes. 
 
“’Starlight’ is my debut album, and I’m very happy it’s going to be out on Monika Kruse’s Terminal M. It took me more than a year to finish and create it as an experience, the way I felt it should be. Starting with more melodic tracks, going through more energetic and electric ones and finishing off with some acid. 
 
All 11 songs have been recorded in my home studio in Sofia, using a variety of synths and modules, some dating back to the early 80s like the Roland Juno 60, and some being brand new or improved versions of classic synthesizers such as the Sequential Prophet 6.” - Timmo 
 
Opening via the ominous ‘Leaving Earth’ and flowing straight into the action via the acid laced ‘New Beginning’, the eleven-track project swiftly takes its form as a balance of driving, uncompromising productions accented by subtle interludes and moments  of  space.  Take  for  example  the  bubbling  ‘Solar’  and  the  warping  ‘Belle  Epoque’,  which  keep  the  focus  on oscillating synths and regimented percussion, whilst title cut ‘Starlight’ takes control and ups the energy via soaring lead synths and frenzied electrics. 
 
Next up, ‘Sonic Voyage’ reveals yet another twisting journey as Timmo merges ever-evolving leads with restrained vocal snippets, whilst ‘Vortex’ and ‘Spacefreaks’ add further energy via a medley of hefty kicks and menacing bass patterns throughout. Entering into the final three cuts, ‘Rhythm X’ brings forth further infectious 303-lines, tripped out vocal hooks and slick hats to head further into the peak time, whilst the darker ‘Connect’ throws its hat into the mix via a combination of commanding female vocals and choppy bass licks, before arriving at closing track ‘Interspace’ which lowers the tempo and switches the emphasis towards bright synth melodies and calming breaks featuring rich soundscapes to punctuate the project in emphatic fashion. 
 
Channeling main room sonics whilst intertwining rich melodies and softer tones throughout, ‘Starlight’ sees the unveiling of Timmo’s most complete body of work as he continues his ascent as one of his genres leading talents via the ever-impressing Terminal M.

beatport/spotify/vinyl

Timmo - Solar

A testament to the growth of Adam Beyer’s scene-leading label, Drumcode annual A-Sides Vol.8 is the brand’s biggest yet.

The 25-track strong compilation features standout cuts Beyer has received over the last 12 months, but been unable to find room for in Drumcode’s regular release schedule, such is the volume and high standard of music that’s submitted.

The highlight-rich compilation includes Jamie Jones & Darius Syrossian’s buzzy Drumcode debut ‘Eyes of the Night’, Nicole Moudaber’s first DC release in 5 years with the mesmerizing ‘This Is Us’, Will Clarke’s bass-drenched re-work of Adam Beyer & Bart Skils ‘Your Mind’ and Joey Beltram’s first Drumcode release in 11 years with the retro-tinged ‘Can You Feel It’. 

The beloved Alan Fitzpatrick returns to the fold with the searing ‘Heiße Rakete’, alongside label mainstays Layton Giordani, who drops the stirring chord-driven ‘Chrome’ and Wehbba with ‘Mantra’, combining techno classicism with future-focused groove.

There’s a troupe of debutants donning the Drumcode jersey for the first time, including BEC, Shelley Johannson, Anthony Castaldo, Avision, Zimmz, Woo York, SAMA (in a terrific collaboration with Secret Cinema) and Ilija Djokovic, who delivers a shimmering highlight with ‘Aura’, a particular favourite of Beyer’s over the last year. Raxon also debuts on the label after a couple of quality additions to the Truesoul back catalogue.

Exciting young guns Weska and Juliet Fox bring heat to the compilation, while Veerus and Timmo follow up strong DC releases with a repeat dose. Elsewhere faithful contributors Ramon Tapia, Jay Lumen, Luca Agnelli, Marco Bailey and Mark Reeve craft powerful dancefloor weapons.

Buy all

Zimmz — Console — A-Sides Vol. 8 — Drumcode — DC211

Lavaredo

BITT158 - Tom - Hutt - Exodia

Twelve months on from his outstanding debut album on Drumcode ‘Transmission’, Julian Jeweil returns with a stellar five-track EP.

Since his label debut in 2017 with EPs ‘Rolling’ and ‘Space’, Julian Jeweil has confirmed his place as one of Drumcode’s most vital artists. He’s been a mainstay of label events, playing the main stage of Drumcode Festival in both 2018 and 2019, Drumcode Halloween in ‘19 and multiple showcases at Watergate in Berlin. ‘Transmission’, his maiden LP, dropped in January 2019 and was an early year highlight, reinforcing his production nous.

Inspired by his experiences touring off the back of the album, ‘Schema’ EP offers up a quintuplet of cuts showcasing the rawer and ravier side of the Frenchman’s sound. The title track is an immersive roller, primed for a Sunday session at Berghain. ‘Outline’ ups the intensity with cascading synth effects and galloping beats. ‘Music’ is the delicious brain-scrambler thanks to its intoxicating brew of shuffling beats, vox and swirling acid. ‘Axis’ is a slam dunk of industrial bass and 303s that builds to a grin-inducing climax. ‘Landscape’ plunges the atmosphere into deeper territory, still propelled by a pummeling bass and acidic inflections.

Schema

Julian Jeweil — Outline — Drumcode — DC218

Dok & Martin are back on AnalyticTrail with their first solo EP for the imprint having previously contributed asolo track to one of the labels compilations.

In addition to AnalyticTrail, the guys have also featured tracks and remixes on labels such as Set About,Orange Recordings, Codex, Form and the fresh new label Autektone.

Playing gigs across Europe and other parts of the world, their tracks travel even further, often picking up bigname support from people like Joseph Capriati, Alan Fitzpatrick, Eats Everything, and Richie Hawtin hasbeen one of the main supported of their tracks.

Track one Destroyer opens the release with an old-school flare that tips its hat to the classic rave sound.Next up is The Sacred which keeps the same aggressive energy as its predecessor with a stompingbassline and slamming groove. Android closes off the EP with rumbling sub bass and a stripped backatmosphere filled with ominous tension.

BITT158 - Tom - Hutt - Exodia

bittenrecords

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