Hear previews from the new additions to the Bitwig Drum Machines sound package. Bitwig Drum Machines is a vital toolkit for making the most of our drum device library, and it's been refreshed with presets and clips for the drum families introduced in Bitwig Studio 5.3. 

It contains presets for individual stock drum instruments, note clips with pre-programmed beats, and full kits featuring Bitwig's stock electronic drums from the v0, v1, v8, and v9 families, as well as processed and layered samples. You can use those Drum Machine presets as-is, or as starting points for shaping your own custom kits that are just right for your projects.

Dub Techno - Bitwig Drum Machines Demo

Topaz Reverberation

TidaWhisper

Avalon Emerson at The Loop - Dekmantel Festival 2025

Whorls of echos — @garcon and @agonis-amenthia folding space into minimal pulse.


SpeLL:  GARÇON & AGONIS

During Pe:rsona Festival 2025’s boiling Friday night, between 8 and 10pm encircling sunset, we delivered our most juicy dubsteps tunes, sweaty subs into torrid stepper, sexy grime, creamy tech house and other syrupy succulent pulpy treasures <3 deploying cunt energy to open the night, we hope we made you come back from the depth and that you now feel shiny light & safe

" [..] Let's duB" <3


-+- TRACKLIST -+-

SUGABABES - OVERLOAD (INIT COVER) (SELF-RELEASE, 2024)
RSD - ROLL OFF (TECTONIC, 2025)
YOOFEE - WINGS (WHITE PEACH, 2021)
MR. LAGER - 4 LEAF CLOVER (VON D REMIX) (SUB FREQ, 2011)
SEDAN - HS (DUB)
AAEUOA - KOBRA (ORIGINAL MIX) 
HAMDI - ABOMINATION (SELF-RELEASE, 2025)
SEDAN - BOZZAS (DUB)
CASEY CLUB - PATNA PALACE (SOUTHPOINT, 2025)
COKI - RED EYE (BIG APPLE, 2007)
CESSMAN - GURKHA (VIP) (SELF-RELEASE, 2025)
CESCO, HAMDI - SWING KING (ORIGINAL MIX) (FABRIC RECORS, 2023)	
PHARMA - PATIENCE (DUB)
BEATRICE M. - DRESSCODE (TEMPA, 2025) 
SAULE - KALAKUTA (GOURMET, 2016)
QUEST - ARAWAK (DUBSTEP ALL STARS, 2009)
TRUTH - GAZA (VON D REMIX) (DEFY RECORDINGS, 2012)
COKI - RUFF LOVIN’ (WHITE LABEL, 2011)
QUEST & VON D - SNOWED IN (DUBSTEP ALL STARS, 2009)
JFO - WOB RIDDIM (SOUTHPOINT, 2016)
CASEY CLUB - RUN (SOUTHPOINT, 2025)
WINTOUR - TEK9 (DUB)
SOA420 & STACKTRACE - BASEMENT 31 (BAIT, 2025)
MSFT - BREAK IT (SELF-RELEASE, 2023)
ITAL FOUNSATION SOUND - CABLES AND WIRES (CIRCLE VISION, 2025)
TROIS-QUARTS TAXI SYSTEM - SONAR (PINCH REMIX) (BAIT, 2025)
DUBKASM - HAIL JAH (JAKES REMIX) (SUFFERAH’S CHOICE, 2010)
ITAL FOUNDATION SOUND - F.A.A.F.O. (CIRCLE VISION, 2025)
TENSHU - AERIALS (DUB)
SILKIE - STARDUST REGGAE (ANTISOCIAL, 2021)
CESSMAN - HAVANA (SELF-RELEASE, 2022)
NAZAMBA & O.B.F. - COOL & REMIX
BEATRICE M. - POISON (TECTONIC, 2025)
TREMBLE - CHASE (TRUSIK, 2016)
FETUS - STROLLER (VOMITSPIT, 2022)
HEDO HYDR8 - SOMETIMES IT’S HARD (ANBA, 2022)
WZ - STROKE IT (PONDLIFE, 2025)
NU BRAND FLEXXX- GASH BY DA HOUR (AVALANCHE MUSIC, 2008)
DOGPATROL - OFFENBACH HBF RIDDIM (SNEAKERS SOCIAL CLUB, 2025)
DJ MONDIE - PULL UP DAT '15 (JD. REID EDIT) (SELF-RELEASE, 2016)
DOGPATROL - BABYFLAME (SNEAKERS SOCIAL CLUB, 2025)
LALA &CE - BIAGA (EPIC, 2025)
CONSULATE - IN THE THRONE ROOM (ART-E-FAX, 2020)
PIERNIKOWSKI - DAMNED CITY (PIERNIKOWSKI, 2024)
DARCEY ELECTRONICS - AUTO ZAP (PLEASANT LIFE, 2020)
PEARSON SOUND - SLINGSHOT (HESSLE AUDIO, 2024)
INESSE - TOWARDS LANGUAGE (LFL’S TOOL DUB) (TACTUAL, 2025)
ABILITY II - PRESSURE (LUCA LOZANO REMIX) (MAJOR PROBLEMS, 2017)
DJ QU - GET SUM (STRENGHT, 2011)
DR. KUCHO! - NEXUS (DANNY FREAKAZOID REMIX) (HAITI GROOVE, 2009)
MALIN GENIE & FRITS WENTINK - AMBROSIA (DRIFT DEEPER, 2025)
KIM ENGLISH - LEARN 2 LOVE (FRANCOIS K’S ATMOSPHERIC MOOD) (PEARSON SOUND REMIX) (NERVOUS, 2017)
DAFT PUNK - REVOLUTION 909 (DAFT LIFE, 1997)
BOB MARLEY VS. FUNKSTAR DE LUXE - SUN IS SHINING (CLUB TOOLS, 1999)
MYLO - DROP THE PRESSURE (BREASTFED, 2004)
STONES TAROT - TO RAVE ( SCUFFED RECORDINGS, 2020)
113 - JACKPOTES 2000 (SMALL, 1999)
TLC - NO SCRUBS (LAFACE, 1999)

Beatrice M. b2b Jan Loup @ pe:rsona 2025

f073 - Alien D

Operating on a global frequency with a knack for genre-blurred grooviness, Berlin-based Zeynep delivers a transportive blend of rolling rhythms and cross-pollinated mind-lockers that hit all the right spots. For those that like their grooves deep, percussive, techy and mysterious you've come to the right place.

@zeynep

Q. What sounds or feelings did you draw upon when gathering inspiration for this mix, and what listening environments could you imagine it being best enjoyed in?

A. First off, I want to thank you for letting me be part of this incredible mix series :‘) what an honor! As a big fan of MDC I wanted to tap into a deeper, more mysterious side of myself while still holding onto the sound that feels like “me”. I tried to let the mix slowly build into that, so you can hear different influences coming through before it settles where it needs to be.

As for the ideal listening environment... I like thinking about how it can live in different contexts. That’s why I love when people surprise me with where they play my mixes. Someone once told me they put one on at an orgy which might be the highest compliment I’ve ever received. So yeah, whatever place you’re in (physical or emotional) if it fits, it fits.

Q. Are there any records in the mix that you were especially excited to share, and what is it about these songs that resonate with you so much?

A. The opening track export city by project runaway from 2020 really captures the kind of rhythm I’m into right now. It’s built around infectious percussion and a sleek, pulsing groove. It kinda mirrors internal restlessness and the desire to move which is what draws me in I guess. 

The closing track No Reason by Vertical Blank from 1993 has these darkwave vocals that feel sad and euphoric at the same time. It’s got this “the end is near but you’re not sure if that’s good or bad“ energy which sounds strange but that ambiguity is exactly why it resonates with me.. if that makes sense? 

Q. I know you’re a big advocate of community focussed DIY parties, what are some events you’ve played over the last year that you’ve felt best embody community spirit, and what do you feel are some of the most important elements required to achieve it?

A. Two of my favorite gigs this year were Earth Dog in NYC and noclubs in Amsterdam. Both were proper DIY raves in secret locations, built entirely from scratch with great sound and music by great people who genuinely care. What made each of them so special was how much they embodied real community spirit: everyone contributing, looking out for each other and creating a space that truly feels owned by the people in it. 

You feel it in how accessible and transparent everything is, in the shared ownership and in the effort to keep things affordable while inviting diverse voices into both the lineup and the organization. Being part of experiences like these makes people feel safe and part of something they get to shape, rather than just attend. And I think that’s a key element. Big up to both crews and anyone out there for keeping that culture alive and staying real and true to themselves!

MDC.317 Zeynep

For her debut on Ostgut Ton, Isabel Soto presents Morphosis, an EP defined by an elegant, hypnotic sound that has guided her vision from the very beginning.

Morphosis represents an ongoing evolution, a transformative journey in both sound and feeling.

As her first Berlin-produced EP, Morphosis draws inspiration from the new experiences that have shaped the artist both personally and creatively since her move to the city.

The EP explores inner landscapes of emotion, memory, introspection and perception. Across six tracks, including a digital bonus, individual stories unfold and merge into a dreamy narrative.

Minimalist in design, yet cohesive in every detail. Morphosis spans a wide spectrum of soundscapes — rich with abstract textures, deep rhythms, and trippy elements. It moves from dance-floor energy to ambient and downtempo spaces, creating a transportive atmosphere; hints of nature and the cosmos are ever-present. Awakening the senses to a new realm: the body unwinds, the mind opens, and the spirit shifts.

A sophisticated release, storytelling on its own and emotionally crafted, Morphosis lets magic flow through, leaving a profound effect long after the music fades.

The album cover, also created by Isabel Soto, features two flower photographs she took in Amsterdam (2018) and Berlin (2025), capturing the duality of past and present as they morph together — a visual reflection of the EP’s transformative journey and the connection between her music and visual art.

Morphosis rises as a rebirth, fully embodying Isabel Soto’s creative essence and marking her most significant work to date. 

Isabel Soto | Morphosis

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