an unedited extract of a durational recording of vibrations within soil horizons - east yorkshire 


ink botanic is an on-going series of installations and multi-channel sound works...research into transpiration, root systems, cavitation, vibrations in soil horizons and situated connections between species

recorded with JrF c-series contact microphones, d-series hydrophones and adapted geophones


https://jezrileyfrench.co.uk/ink-botanic.php

ink botanic - soil horizons (unedited extract)

Combined DIY hydrophone recordings from the workshop sessions "Something to Say" organised by Lakeland Arts at Windermere Jetty Museum, August 2022. Many thanks to Amy, Ian and the team!

Something To Hear Underwater

belief perseverance

14 October 2022
Image - Object from Hans-Jörg Georgi

MOTIONLESS FLIGHT

Création sonore réalisée pour l'installation "Galb’Achalay" d'Abdessamad El Montassir en collaboration avec Matthieu Guillin, compositeur.
Composée originellement sur un système 5.1.
Compositeur: Matthieu Guillin
Poésies/poetry : Badi Wel M'hamed Salem
Voix/voice : Wel Sidi


Galb’Achalay puise dans les formes architecturales du Sahara et ses ruines afin de retracer et raviver ses micro-histoires. Composée à partir de poésies du Sahara, Galb’Achalay emprunte aux chants et récits méconnus de ce territoire pour ouvrir un interstice inédit qui laisse émerger et se déployer une histoire dominée. Galb’Achalay est réalisée en étroite complicité par Abdessamad El Montassir et Matthieu Guillin. 

Visuel – légendes et crédit © Abdessamad El Montassir - ADAGP
Dans le cadre du  "Dispositif de compositeur et compositrice associé(e) dans les scènes pluridisciplinaires" DRAC
Coproduction Maison Salvan, La Biennale – Festival international des arts vivants Toulouse Occitanie 
Résidence de création au studio eOle
Un immense merci à Paul de Sorbier, Wel Sidi et Franck Loiret.

Galb'achalay (5.1 to binaural, only for headphone)

Costest

Funeral

Cosmic Behavior.
070423 studio jam and video animation.
2m30s extract.
watch the video here: https://www.youtube.com/watch?v=yrdY-9kbMj8

Cosmic_B (extract)

"Cat's Flux" from ROKURE007 - Collective Calls (Urban) (Two Microphones)

Live Coding [excerpt], performed at Music, Humans and Machines (ODC 2019), Orpheus Institute, 22.05.2019

'Translation, traces and intervention'

Technical autonomy usually depends on abstraction or attempts to generalize behavior. Generalizing often involves a translation, a mapping between different modes of representations in order to simplify or combine. However, processes of abstraction can distantiate agency from its origin, sometimes introducing a by-product “a remainder, a set of discarded information—the différance, or the crucial distinction and deferral of meaning that goes on between the map and the territory. In ‘Translation, traces and intervention’ the idea is to explore the boundary of software abstractions and direct access to computer sound synthesis.

Live @ Music, Humans and Machines (ODC 2019)

Snow melting in a pine forest by the Dore river, Auvergne.

Snow Melting

Icelandic Composer / Sound artist. Released numerous LP´s, EP´s, compilation tracks and reworks on labels like Vertical Form, Thule, Uni:form, Spezial Material, Trachanik, LMALC, Shipwrec, 3LEAVES and Granny records.

Perfomed his music in concerts and festivals in Belgium, Canada, Croatia, Denmark, England, France, Germany, Greece, Holland, Switzerland, Italy, Ireland and Iceland. Collections of his solo works can be found on the CDs “Safn 2006-2009” (2010), "Processes & Potentials" (2013), "Paths" (2016) and "Lueur" (2018).

Concerned with process-based ideas. Sounds focusing on internal activity and motion. Compositions that put into foreground behaviors, actions, fluid sound structures, fuzzy materials or forms.

Interested in exploring the contact between composed computer sound structures and space. Has presented/worked in various spatial configurations such as at the WFS system in Leiden (192 speakers), the WFS system in Berlin (832 speakers), the BEAST system in Birmingham (up to 100 speakers), GRM Paris as well as recent 8 and 4 channel formations.

Faculty member at the Institute of Sonology, Royal Conservatory in The Hague and currently teacher of algorithmic composition and computer music. Studied composition with Gerard Pape, Trevor Wishart, Agostino Di Scipio and Curtis Roads at the CCMIX music center in Paris. Holds a masters degree from Sonology completed with Paul Berg, Kees Tazelaar and Richard Barrett.

Currently working with algorithmic composition, generative environments, compositions and live electronics. Also working on new material with his long-lasting electronic music duo Einóma, and for MGBG, a duo of voice and electronics with Marie Guilleray.

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Live @ Music, Humans and Machines (ODC 2019)

Bjarni Gunnarsson

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