Bassist and composer Joseph Franklin returns to NM for a wildstyle heat exchange, actioned live in collaboration with synthesist, composer and improviser Ben Carey. Modestly, this one does what it says on the box, however ‘a thousand tiny mutinies live’ revises motifs and prompts from Franklin’s solo bass and extended technique LP for NM in 2024 with spectacular license, captured in stunning high resolution audio.

Surrounded by an encircling audience, Franklin’s fragmented acoustic cycles issued from an array of instruments and sources were splayed across 4 channels at Brunswick’s Quadraphonic Club via Carey’s impressively restrained synthesis, software interaction and live engineering, mixed down to stereo for this release. The duo’s staggering meshes lurch from blistering to elongated and back again, often as tactile as they are psychically liquefied, both performances rippling at each other’s wide-eyed interpolations.

Quantitively, mere sinews of the original work flit in and out of focus, yet these strands are most noticeable even to those with a cursory familiarity with ‘a thousand tiny mutinies’. Carey’s attention to detail and care in the mix actively places Franklin’s performance in sharpest focus, re-nesting these percussive, often inter-tonal molecules into a realm of digital faceting, dragging their shared rationale into the cosmological. 

Frightening in its unpredictable objectives, this rare capture of a duo in such gleaming, inspired symbiosis does not strike so often.

a thousand tiny mutinies live

buy/stream

Speak & Glitch rec one

The History of Glaucous

Go check out //LOOKMOMIMADEIT_250808. by //LCV. and Loog Taylor!! Stream, Like, and Save!

Tempest

Take That Lead

Ive Been Thinkin

This work is a 15-minute frequency compilation of randomized volume levels. Each of the 25 loudspeakers corresponds to a specific frequency traditionally used in meditation, creating a spatialized sound field that remains largely stable yet changes subtly and imperceptibly over time. Listeners are invited to close their eyes and immerse themselves in the slowly evolving sonic environment, experiencing a space for reflection and meditation.

This work was developed during my residency in KUG, Graz, Austria 22/09-06/10 2025.

Meditation, for fixed media with randomized 25-channel diffusion (stereo version) (2025)

Mad Screamer

🌀 Deeply textural and immersive — a living sculpture of sound between organic resonance and modular synthesis.
Perfect for museum installations, contemporary art films, and immersive audiovisual performances.
🎬 Demo Edit 0:45 — Fade-out version for showcase.

🎧 Explore more by Mood:
#ALEXAbstract #ALEXMinimal #ALEXAmbient #ALEXArt

🌍 Explore by Use:
#ALEXFilm #ALEXInstallation #ALEXMuseum #ALEXDance #ALEXPerformance

💿 Explore by Category:
#ALEXArtExperimental #ALEXFilmScore

🎶 All tracks by Alex TOLMER — Music without limits.

#Electroacoustic #ExperimentalSound #AmbientArt #SoundSculpture #InstallationMusic #ContemporaryArt #MuseumSound #CinematicAmbient #AlexTolmer

🌫️ 80) Electroacoustic_Sculpture — (Conceptual_Ambient_70BPM_ArtMuseumFilm) (🌫️ Art & Experimental)

Messenger

Ive Been Thinkin (Extended Cut)

here is a live take I made of my new track

a short glimpse


???

Dedans s’inscrivent des signalétiques universelles, des tournures administratives, des formules de politesse, des zeugmes alphanumériques, des anglicismes, des abréviations sous des gérondifs sous des acronymes

???

*

catalogue : muzakorderEP0011

recording(s) : fhauna

mastering : Nil Hartman


buy on bandcamp

wirdeerie

Made in UltraBox 2. It reminded me of squids.

Squidling

Meadow to Ourselves

Here's the final iteration of this track I have been working on.

Played at the RKC Listening Party, Soon to be available on all streaming platforms! 

https://open.spotify.com/album/3Fc6KRg4usZAntPBRdwg4a?si=0FdmJMU-Qb2FJN-qVQXu3Q

Inside The Mind (RKC Meet-up Listening Party Bristol 2025)

👻 "HAUNTED" (Official Audio) - Synthesis | Halloween Special 🎃

This is the Progressive House soundtrack for Halloween night we got.
With spooky vocals, it's a deep, mesmerizing track that is made STRAIGHT by using the dark music theory. 🎶🌑🌚
This isn't just melodic, it's genuinely eerie.

🎶 Song: Haunted
🌏 Artist: Synthesis
🥁 Genre: Commercial House
🏷️ Labels: PolariS Sounds, Hydra Records (Collaboration)

PolariS Sounds: Music for any creators. And it's free + easy! 🔥
--------------------------------------------
We have an event running now! 🫨

Make sure to check our Discord Server's announcement channel for the current MEGA-COLLAB! Anyone can join and put their creativity in the megacollab' song, and the best thing is it will be released with all proper credits on PolariS! 👌👁️
--------------------------------------------
🎇SUPPORT US: 
https://discord.gg/aynpV78F
https://push.fm/fl/polarissoundslinks
👆
You'll be able to also check out Synthesis here by this link - amazing new artist on our label!
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💫STREAM THE SONG NOW:
https://open.spotify.com/album/1rSafCcMtmiMMqt9kZM2Rk?si=GodZ4Z1tSOGrbDOVc3qB9w
https://music.apple.com/au/album/haunted-single/1842937333
https://www.deezer.com/en/album/827284001
https://www.boomplay.com/songs/217790090

📸 Check it out on YouTube with a Video Visualizer!
https://youtu.be/RNZwxACoOvU

📻 CHECK IT OUT ON MIXCLOUD:
https://www.mixcloud.com/PolariSSounds/hatuned/

💎 Free Download: 
https://push.fm/cu/synthesishauntedfreedownload

📷 Original Video from Hydra Records: https://www.youtube.com/watch?v=p6UI87B4wTs

More streaming platforms with the song below! 🎏
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🎶 LYRICS:
Hush, my heart can take a whisper
Stop, I said goodbye to you.
Hush, I’m far away from fixing.
Stuck circling my head, oh my head 

[CHORUS]
Haunted, by you in my dreams 
You’ll never leave me ‘cause
Ghosts got nowhere else to be,
I can’t believe my luck
Right up, right up
Right up ‘till the end of times, haunted by you in my dreams you’ll never leave me (uh)
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🖼️ SUPPORT SYNTHESIS:
YouTube: https://www.youtube.com/channel/UCdo1QjypTREz9P-h2Qv3L6w
Discord Server: https://discord.gg/Suu2YHwPa
Spotify: https://open.spotify.com/artist/1oGVCw2VH1ff9zXXOfB1OO?si=MgOwC1r6T2ypzNy9CREi9Q&nd=1&dlsi=73ad705d79fb49f9
Apple Music: https://music.apple.com/us/artist/synthesis/1811129471
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🏷️ SUPPORT HYDRA RECORDS:
YouTube: https://www.youtube.com/@HydraRecordsOfficial
Discord Server: https://discord.gg/gCPtxcJUfc
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✅MUSIC RIGHTS:
All the songs marked as our releases are FREE and NO COPYRIGHT! Enjoy, you can use it anywhere and for any needs. The link for streaming is above. The only requirement is pasting that text in your description/title of your content when using it:
Music by Synthesis, provided by PolariS & Hydra. 🎃
Watch: https://youtu.be/RNZwxACoOvU
Stream: https://open.spotify.com/album/1rSafCcMtmiMMqt9kZM2Rk?si=GodZ4Z1tSOGrbDOVc3qB9w

PolariS Sounds and our team proudly support any music, sharing sounds that bring amazing vibes to listeners worldwide! 🎶 
We are a label supporting fresh EDM: from growly basses to modern pop sounds combined together! 🧨
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🎹 ARE YOU A MUSICIAN?
Submit your tracks to PolariS Sounds for label releases or promotion videos by emailing polarissubmissions5@gmail.com with your mp3, cover art (optional, we can make one for you!), and song details. Or do it in our discord in an easier way.
All EDM subgenres(only EDM) welcome! 😊

Cheers to all music lovers! 😛
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YT video made using AE, Filmora, Vizzy.

#halloween #edm #commercialhouse #housemusic #nocopyrightmusic #gamingmusic 

HAPPY HALLOWEEN EVERYONE!!! 🍬🍬👻👻

Haunted

Trust D - Continue Re Vibes

Echoing Synth Hall [251109]

Getting Used To The Off-Beats [251109]

Lincoln is an old-school raver at heart, with over twenty years of experience crafting unique live sets. Known for his ability to tailor performances to the vibe of any event, his  genres range from hard-edged Acid Techno to breakbeat Glitch, with countless sub-genres in between.

Since 2013, Lincoln has been delivering live electronic sets at renowned Melbourne venues such as My Aeon, Loop Bar, Rubix Warehouse, Howler Bar, Motley Bauhaus, Workshop Bar, Renaissance Festival, and live streaming on Kiss FM . His musical productions and remixes, under the alias Machinist, have been featured on labels like Acidworx, New York Haunted, and Slice Records.

Driven by a personal need for sonic therapy, Lincoln’s performances are entirely hardware-based, allowing for real-time experimentation and improvisation. His sound is a dynamic exploration of texture and shades, blurring the lines between sonic extremes and creating a deeply immersive experience for the audience.

musique pour (sur)vivre

DL on : https://fhauna.bandcamp.com/




Words to : gwenole.fhauna@gmail.com

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https://upload.wikimedia.org/wikipedia/commons/thumb/7/7e/Abraxas_gem_scan.svg/800px-Abraxas_gem_scan.svg.png

weird sisters : https://www.youtube.com/@muzak_order

BIMM University student studying towards a BA in Electronic Music Production. Passionate producer looking to further skills by working with other artists and producers as a Co-Production artist. Also play instruments to a fairly alright level. 

Listen to the work and keep updated to new additions.

My side project account for other works are under Misty Folf

http://soundcloud.com/micheal-evett

Check it out!

Welcome to PolariS! 🌟 Your music and emotions record label. We release all types of EDM and promote underrated artists.

Why PolariS? 
🎇 Your Music, Our Platform: We release and promote artists globally.
🎨 All EDM Subgenres Welcome: No matter the style, we appreciate it. 
🏉 Releases: Distribution and music services. 
✨ Free Promotion: Get featured in a "Favourites" video. 
🎤 Founded by Boijy and Polaris, submissions reviewed daily.

What are "Favourites"? ❓
"Favourites" are exclusive promotion videos for music. If we love your track, you'll get this spotlight for free! We also promote songs in our playlists and on our socials.

How to Submit Your Music: 

⚡ Unreleased Tracks:
Email: polarissubmissions5@gmail.com
Provide: 320kbps MP3, Cover art (if available), Artist name(s), Song title. 

💫 Released Tracks:
Email: polarissubmissions5@gmail.com
Provide: Social links and the link to your song on any streaming/social media platform.

✅ Join our Discord for even easier promotions and releases!

Hi, I make music. I'm doing my best to improve!

Composer & producer across multi-genres — from cinematic scoring to club reworks.
Specialized in sync, licensing & creative collaborations.
🎧 Explore demo library: categorized by Mood, Use, and Style.
📩 Contact: alex.tolmer.music@gmail.com

I make House & Techno Music. I first started the 'Trust D' project in 2021 though i had been making music under that moniker for longer. I first started making music, and djing in 2008 where i first started using 'Reason 4' music production daw suite. I still to this day use Reason, now version 11 with vst instruments, and a midi keyboard. 
My influences are from artists such as 'MAW', 'Kerri Chandler', 'Jovonn', 'Roger Sanchez', 'DJ Deep', 'Harley & Muscle', 'Bassmental', 'Grampa', 'Jerzzey Boy', 'Ed The Red', 'Laurent Garnier', 'Carl Cox', 'David Morales', 'Satoshi Tomiie', 'Frankie Knuckles', 'Glenn Underground', 'Mr.Fingers', 'Floorplan', 'Mad Mike Banks', 'Underground Resistance', 'Galaxy 2 Galaxy', 'The Aztec Mystic', 'Jeff Mills', 'Luke Slater', 'inner City', 'Juan Atkins', 'Kevin Saunderson', 'Carl Craig', and many more.
I go under the different aliases: Electroids, Trust D,  Loqi, Kingston Groove, Kid_Legit, DJC, Cherish D, and Sonic D.
I have released On 'Mojoheadz Records' (USA), 'La Fruta Records'(USA), and 'LW Recordings'(UK). I also have music forthcoming on Body N'Deep Records(USA).

Contact: beatthecuff@gmail.com

nicemusiclabel.com Naarm/Melbourne, Australia.

How can form  evolve under a nowadays psychological framework? Is it more difficult to compose long or short pieces and is there any morality in it that serves as a proof of the composer’s skills? My musical interests are focused on a personal composition method that started from my late integrated masters years in Thessaloniki and which eventually was the subject of my PhD research in York. It used to serve as a preliminary stage for an instrumental composition; however, since 2017 the “Selective Subtraction of tone and rhythmic material” composition technique serves as a tool to create but mostly to sculpt the tone and rhythmic material of the instruments that will interweave with the electronics. As its name signifies it is based on a subtractionprocess that gives a certain amount of material. This material forms the basis for an evolutionary process where finally, all these elements are combined in order to give the final piece. Under the scope of electronics it incorporates computational methods like Csound software, Ableton Live and MaxMasp (Sound Synthesis private patch library) in the direction of finding new ways of pattern development and thus evolution of the form.

For examples of the Selective Subtraction of tone and rhythmic material” composition technique enter here: https://www.dropbox.com/sh/alutmo3h0ue30ec/AAC-LmZExoUMBr6lVgabz1YOa?dl=0

Sound Synthesis private maxmsp library: https://1drv.ms/u/s!AvxYMmv9_S-sgfRtKB-Vq4t2l1PE_g?e=o8BN6A 

PhD thesis: http://etheses.whiterose.ac.uk/20111/
Website: https://manolisekmektsoglousite.wordpress.com/
email: ekmektsoglou8@gmail.com 

BIOGRAPHICAL SKETCH

Manolis Ekmektsoglou was born in Thessaloniki, Greece. He studied composition at the Aristotle University of Thessaloniki, Greece, with Dimitri Papageorgiou and in the University of York, UK (PhD) with Thomas Simaku. He also spent a year at Hannover Musikhochschule studying acoustic and electronic music with Joachim Heintz, Gordon Williamson and Ming Tsao. He is an Assistant Professor of Instrumental and Electronic/Computer music Composition at İTÜ, Center for Advanced Study in Music (M.I.A.M.).

Manolis participated in the “Labor Beethoven 2017-2020” project, funded and organized by the Berlin Academy of the Arts. He received the third prize in the Karol Szymanowski composition competition 2023 with the work Motion, in Two, for solo violin.

His pieces have been performed by many ensembles in several festivals in many countries such as Greece (OutHear Week, DissonArt ensemble, Off Borders Festival), Germany (Neues Vocalsolisten Stuttgart, Earth, Sky, Space festival, Hitzacker 2018), Italy (Soundiff project), Turkey (MIAM 20 year-Gala), Iran (Reza Korourian Awards electroacoustic music festival 2017), Hong Kong (AMGA ensemble) Spain (Mixtur festival 2016), Austria (NAMES ensemble, Synaesthesis ensemble, Crossroads festival, KUG), the UK (Resonance FM 104.4, Kinetic nights festival, Manchester, Gallois trio, Diotima Quartet, Psappha ensemble, Resonance FM, RNM Call 2022), France (Viberation#2, Réseau inDREAM Network), the USA (MISE-EN festival, NYCEMF, Impulse festival 2024), Argentina (Atemporánea festival 2022), Romania (EELISA 1st conference, 2023) and Switzerland (UMS n’ JIP).

An upcoming publication by Manolis in the MIT Computer Music Journal (Volume 48, Issue 4) explores the impact of emerging AI technologies on music composition and performance. It also proposes an alternative approach to generating textural and timbral transformations in mixed-media composition through the use of a dynamically trained neuron.

Musical Practices in the Contemporary World is his first book, where he tries to sum up what has happened in New Music after the 70s, making meaningful connections with the past and providing suggestions from contemporary repertoire. 


For a detailed CV follow this link: https://1drv.ms/w/c/ac2ffdfd6b3258fc/EeaNM87Bv1tJn0dIh8LCzKwBVayUg5HVSY_ZLcaPLOqYEQ?e=IciA10

Making synthesis!

New Album 💿 Loog Taylor x //LCV.
//LOOKMOMIMADEIT_250808.

Native Creative from the Poetic Ocean.
You can do what I can, but don't.

Setup:
PO-33 - SP404 - Arturia Microfreak

New tracks tagged #Synthesis