This is a little taste of what to expect on my ENDANGERED Art Basel Opening Night at Treehouse Miami for this year's Art Basel Art Festivities in Miami Wednesday December 2nd. ENDANGERED is a Music & Art collaboration between me and Miami-based Art Performance crew Party Robot. A unique concept for underground house music lovers and live art enthusiast. 

I've always been inspired by art. When I saw myself with the opportunity to collaborate with my long time friend Lorenzo and his partner Lash on a project that would merge my art with theirs, I jumped right at it. I saw an opportunity to offer a unique experience to music lovers, a visual experience. To have them enter a world we created, a lost world where dark vibes, groove and mystical energy prevails. To me music is more than simple sounds and melodies. Music is about about a journey that connects body and mind. I am extremely proud that we are bringing this party to such a great and respected venue as Treehouse and to us is an honor to have you enter our twisted reality for a night that you'll never forget! 

Much love, 

Brian Cid  

FREE DOWNLOAD

BRIAN CID // Endangered Winter Mix Basel Edition [Miami Art Basel 2015]

HEZEN – The Girl You Want
EP - STIGMA
https://hezen.bandcamp.com/releases
Written by Sarah Hezen
Directed by Alice Seabright
Music & Lyrics by Sarah Hezen
Mixed & Mastered by Alex Evans

HEZEN -  The Girl You Want

Into The Light

For Lost Souls - Harnek Mudhar

LABS Drums Trailer Music — Oliver Patrice Weder

Theothersideofwho? - La Fin Sans Fin (Original Mix)
Gibbon Records GIBLP011
2018-07-16 
Beatport - https://www.beatport.com/release/arboreal-summer-vol-iv/2311944
Traxsource - http://www.traxsource.com/title/988230/arboreal-summer-vol-iv 

Arboreal Summer Vol.IV is a compilation combining established Artists alongside new and upcoming talent. The Unifying theme of the sound is one firmly rooted in summer as opposed to any style or genre.

19 Tracks, from Gibbon regulars, established artists, and new producers all together. Taking you from summery chilled roots through deep house, tech house and into dancefloor destroying techno with a hint of melodic wonder and more laced between, there's music that fits every moment of the sunny days of the mid-season of the year.
Tracks that leave you in a contemplative mood, others that leave you head down grooving and a few that bring those extra special goosebumps and lift the hair on your neck, this truly is a compilation of the celebration of sunshine and summer!

As an added extra, we're treated to a special and exclusive DJ mix curated by acclaimed label owner, DJ and producer, Paul Sawyer.
Like a director among the tree tops, Paul's DJ credentials that flow all the way through dance music history back to 90's Ibiza shine through, beckoning the various elements to create a beautiful summer trip from the compilations tracks that is a pure delight for any ear and soul to encounter and experience

[GIBLP011] Theothersideofwho? - La Fin Sans Fin (Original Mix)

Written, produced and mixed by HEZEN

I don’t fear silence
Nor all the noise within
Sometimes if I strain my ears I can hear
Someone somewhere calling
I am waiting
For my name 

I don’t fear storms
Passed the children’s bedtime
I don’t really sleep anymore
When thunder rumbles 
In the dead of the night
And the earth smells of things undone
I listen
Like a good friend 

Hold me close
Need to feel the warmth of someone else
Taint my holiness 
Whatever it takes
To make me
Whole

I don’t fear time for time has no time for the tree that falls in the forest
No interest for what remains unchanged
After the rain washed the dirt away
I am so clean 

Can’t bear the void
I’m scared of my boredom 
And I talk to myself a lot
I sink in the soil
And my tongue turns to stone
And the words in my mouth collide
Time’s running out
Like a mad dog
I feel so old

Hold me close
Need to feel the warmth of someone else
Taint my holiness 
Whatever it takes
To make me

I always thought
That it’d get easier with time
Is this me smiling on the picture
I don’t recognise
I don’t remember

Whole

Deep sonic textures from Agzilla on this one - another stellar offering from his eclectic debut album on Metalheadz. Get it here: https://metalheadz.lnk.to/CCHU

Agzilla:
Facebook → https://www.facebook.com/agzillaone/
SoundCloud → https://soundcloud.com/agzillaone

Metalheadz:
Facebook → https://www.facebook.com/metalheadz.music/
SoundCloud → https://soundcloud.com/metalheadz

Drum&BassArena:
Join the family → www.family.breakbeat.co.uk/
Spotify → www.open.spotify.com/user/officialdnba
YouTube → www.youtube.com/user/officialdnbtv
Mixcloud → www.mixcloud.com/drumandbassarena/
Facebook → www.facebook.com/officialdnba
Twitter → www.twitter.com/OfficialDnBA
Music news → www.breakbeat.co.uk/
Subscribe to our weekly newsletter → breakbeat.co.uk/#modal

Cats Can Hear Ultrasound LP

Agzilla - Tripping Over Laces

Bring Your Alibi

Soundtrack for the Karman line. A short directed by Oscar Sharp

'When a mother is hit by a rare condition that sees her lift off the ground at a slow but ever increasing rate, her husband and daughter are forced to come to terms with losing her.'

The Last Night

Þetta lag tileinka ég áhöfn sem og fjölskyldu áhafnar togarans Hallgríms sem fórst vestur af Noregi. Fjórir voru í áhöfn skipsins, þeir Gísli Garðarsson, Einar G. Gunnarsson, Magnús Þórarinn Daníelsson og Eiríkur Ingi Jóhannsson. Eiríkur Ingi Jóhannsson komst einn lífs af eftir ótrúleg átök við náttúruöflin. Hann kom fram í Kastljósi og deildi með þjóð sinni ógleymanlegri frásögn af þessari sorgarstund.

Texti: Böðvar Guðlaugsson


Skip mitt er á förum

Bjarni Biering is an Icelandic film composer and musician who creates aural soundscapes that illuminate the imperfectly extraordinary and unremarkably sublime terrain of the human experience.  His music tells human stories, where the only certainty is the ever-present, ever-constant passage of time, and our greatest hope (and deepest melancholy) is our connection to, and separation from, one another. 
Classically trained in traditional modes of score and technique, Bjarni disrupts the clean classicism of his sound with economically dispersed beats and delicately layered piano – the crescendo never quite arriving because real human stories don’t work like that – and his are very real and very human stories.

The Last Night

Bjarni Biering

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