Die gute alte Red Cat Lounge mit ihrer, über viele viele Jahre laufenden Tinnitus-Afterhour! Unser aller sonntägliches gemeinsames Wohnzimmer! 
Hier findet ihr einige meiner musikalischen Beiträge in einem Ordner zusammen
gefaßt... 
Inklusive  für Liebhaber:  eine komplette 10 stündige Tinnitus Afterhour aus dem Jahr 2013 mit Babi Toutountzidis und mir "all day long" ,aufgeteilt in 3 Teilen ! 
Viel Spaß damit oder auch nicht!  :)

Björn Nimmich - Tinnitus Afterhour @ Red Cat Lounge

MUTTERMILCH

Tinnitus-Afterhour @Red Cat Lounge

mai-6+-22

its new

Juni 2022

Das Leben ist fragil
Alles kommt und geht
So wie der Herzschlag
Und der Puls der Musik
Gleite auf dem silbernen Faden
er führt ins Licht
Der silberne Faden ist dein Leben
Licht ist gleich Gott, Erlösung & Friede

Written by @tiefe-wasser-berlin
Stream it here https://found.ee/tiefe-wasser-berlin-unsichtbar-amselcom
Join the @amselcom playlist at https://amselcom.de/spotify-love

Tiefe Wasser Berlin - Unsichtbar

steviwonder LIVE@Arlo´s Birthday

Masterring by SFRMaster
Wer mich unterstützen möchte, hier der Link zum Paypal Spendenkonto:
https://www.paypal.com/donate/?hosted_button_id=2R93PLCBGSE9L

www.facebook.com/contactoofficial

Tinnitus Afterhour 01-05-22 / Red Cat Lounge / Köln

Buy/stream: https://kompakt.fm/releases/jesus_was_an_alien_lp

The dance floor as devotional is a trope as old as the club itself. But, with her new album, Jesus Was An Alien, Perel subverts the stakes of our collective communion: Who are our arms raised to? Who are we seeking salvation from?

“Jesus Was An Alien is a discourse about whether Jesus was an actual alien,” she explains, “but also a social debate about what is and implies religion today.” She offers up her provocative second record – her first on Kompakt – as a soundtrack for the listener’s own journey through the intricacies and ironies of modern belief.

Picking up on the themes she brought to her debut, the 2018’s LP Hermetica on DFA, Perel has created ten tracks rich with spirit and allusion. Her influences are myriad, from the indie dance hitmakers of the early 2000s – Hot Chip, Simian Mobile Disco, Justice – to rave compilations that predate her ascent to the DJ booth, to more abstract inputs. Living with synesthesia, she says, “I feel emotions and colors piling up inside me, then there’s a triggering sound or event that opens a valve. My tracks are color streams that tell a story.”

Jesus Was An Alien is not just multicolored – it’s multi-lingual too, slipping in and out of tongues in a single track, sometimes dispensing with words altogether (the ecstatic breakdown of “The Principle of Vibration”). The album features Perel’s voice almost entirely but for her special collaboration with Canadian songwriter Marie Davidson on the title track.

“Jesus Was An Alien” stirs like a late-night revelation, a heady discovery awakened in the dark. Perel lays out a fiercely disciplined electro pulse, with Davidson’s proclamations growing more fervent over the song’s sensual stride. “I already said everything with my synthesizers and the melodies I created,” Perel explains of the collaboration, but “somehow she gave the song a voice I couldn’t.”

Perel drives further not only spiritually but sonically across the ten tracks, taking thrilling production risks: standouts include her breathy vocals atop a melodic piano strut on “Matrix;” the delirious blur of ghostly chimes and disembodied voices of “Religion;” and the retro radiance of “The Principle of Vibration,” in which Perel exhorts us to “come on and vibe” over an athletic riff and shuffling percussion.

“Kill The System,” meanwhile, hits the listener with tense acid pulses, building to only an imagined release and calls out the end of patriarchy. Album closer “Am Kanal” starts as a pensive cloud of a track, finally breaking into a rich textural rain of synths and stabs.

The variety throughout Jesus Was An Alien underlines Perel’s purpose in this latest project; she’s experimenting her way to answers – or maybe just more questions. After all, she says, “questions are the beginning of something new.”

Perel - Real

Perel - The Tragedy Of CG

STEFAN BRUNNER PLAYS @ TEKKNO#5
Recording: 07/08.05.2022
SUBKODEX PRES. TEKKNO#5
----------------------------------------------
Mix by: STEFAN BRUNNER
with: Various Artists

https://soundcloud.com/stefan_brunner
https://facebook.com/stef.an
https://instagram.com/stefan.brunner.84

https://subkodex.com
facebook.com/subkodex
instagram.com/subkodex

STEFAN BRUNNER @ TEKKNO#5

Mein erster und mehr als heiß ersehnter Gig in der verrückten Katze after Corona! Ohne Worte! :D

Red Cat 

Tinnitus-Afterhour @Red Cat Lounge 2022-05-08

Das Set von meinem 1. Live-Auftritt im Dezember 2018, was bisher auf dem TekkFreakz Kanal Online war.

Viel Spaß beim nachhören.

Ericson @ 14Y TSBiN - Strasse E,12/2018 REUPLOAD

MORGEN)(HEUTE ( steviwonder edit )

Why Not Events

Ochs & Klick @ Nachtsalon Marburg

Live Mitschnitt der Tinnitus Afterhour in der Red Cat Lounge in Köln. Sonnag 11.9.22 Playtime 14-18 Uhr. Viel Spaß damit!

Cosima @ Red Cat Lounge Tinnitus Afterhour // 11.9.22

Cosima @ Red Cat Tinnitus Afterhour // 11.9.22

Tinnitus Afterhour @Red Cat Lounge Cologne 2022-08-14

Buntes knackiges Afterhour-munter-macher-Set! Schön wars! :)

Nimmich back to cat! Neujahrsafterhour @Red Cat Lounge 2016-01-01

Mixens 26 - November in Asia

Pappenheimer b2b Kerstin Eden - DJ Set @ Pappenheimer BDay (Posthalle Würzburg)

Pappenheimer b2b Kerstin Eden @ Posthalle Würzburg

Beinhärter (230+bpm edit)

NATURE ONE, Ragnarøk Bunker Opening 04/08/2018

TEZZ MUKKE @ REDCAT LOUNGE 03 - 03 - 2019

Tinnitus-Afterhour @Red Cat Lounge 06.10.2019

Hüttenrave #1 // 27.10.19

When I was born, television was not as much of a big deal as it is nowadays (back then, there were only three programs). Thus, the TV was not switched on until evening hours, when I was already in bed. My mom, who was quite young, listened to music non-stop. I noticed that this situation has not failed to leave a mark on me. When I was twelve years old, my mom had another baby boy, which entailed that I never got to enjoy my own room. It was not easy for me, especially being a teen-ager. Music helped me to cope with that situation! My stereo and my great head-set helped me create my own room in my imagination. Usually, when kids want to be left alone, they go to their room and lock the door! I used to put my headset on, turned on the music and I drifted into my dream world and did not care about the rest of the world. The longer the speech, the less thought: Since always, music has played a major role in my life!
I was introduced to electronic music in the early 1990’. Shortly after getting to know Culture Beat, 2Unlimited, Marusha, U96 and Scooter (Hyper Hyper), I started getting into Techno and House!
In 1995, when I was just 16 years old, I discovered a night-club where I used to sneak in. I was still minor of age. It was the so-called TOR 3 in Düsseldorf!! Wow, what an amazing club!!! People who remember this place know what I am talking about…this was it! I was in love!!! My life consisted of nothing else but school and TOR 3. I went there every weekend for 6 month! After that, it was shut down and was only opened for special events, for instance, UNION RAVE or ACID WARS! I was terribly sad!
Although dj’s were like gods to me, I didn’t think of becoming a dj back then. In the beginning, it was just about the party for me. It was until that day when my best friend met her new boy-friend back then in 2004. He is the first dj whom I got to know in person. I regularly watched him play music. That’s how I got more interested in becoming a dj. I was amazed and thought I will be able to do the same. By the end of 2005, I had saved up enough money to buy myself my own equipment (2MK2 + DENON soundmixer) at the music store!
After having understood the basics of playing music, I gained experience with live dj’s at friends’ houses until the year of 2009! And then finally in 2009, I was the opening dj at a public party at KOLBHALLE !!! It is hard to imagine, how nervous I was!!! Luckily, the club was filled from the very beginning, since it was somebody’s birthday at that party. After having played the first three disks without having made a mistake, I went from a feeling of being nervous to a feeling of pure adrenaline and I rocked the house! After that I played at BUTAN CLUB Wuppertal,RHEINGOLD Düsseldorf,FEIER RHEIN OPEN AIR, BLUMENGOLD, KUNSTPARK,AXA-Hochhaus, PFORT XI, NEU SCHWANSTEIN AND MANY MORE....