A recording artist from Oregon.

Wild Fuss (2015) pairs electric guitar with lush synths, and balances lo-fi samples with clean modern instruments. Combined with quirky vocals, the mood is lively and exasperated. “Days to Come” is about how retail theft has become normal, even glorified. “In Cycle” is about the plight of bicyclers at the mercy of car-centrist culture.

Out Comes Unknown (2018) originated during a 3-month getaway in the Basque country. Beats and words came first. Bold electric bass often leads among weird, old school synths. Some lyrics are about reconciling one’s comfort zone, while others explore consumer culture.

I like to meow and sing and also arrange notes on music making machines, this for me is an expression with sound about how life can be so precious, some times when you find the right notes it is like being at one with the universe the resonance says it all surging through your being like celestial orgasm.


my composition is triggered with my non negotiable impulsion. I compose music for theatre work. music is formidably beautiful trouble of my life.

80's Alternative music fom the gloomy 90's

Studio recordings down below or in albums folder

random sound waves
Side project:
@selfdestructionjpn
@dissonant6mind
Beautiful.slaughter@yahoo.com

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