I really admire the direction that @encym took the @noodletwister and @sinnysounds collaboration. I took the three iterations and panned them on Audacity, then used effects and fade. Here's what transpired.

More on this 594th weekly Disquiet Junto project, Threemix (The Assignment: Remix an asynchronously produced trio), at: https://disquiet.com/0594/

About the Disquiet Junto: https://disquiet.com/junto/

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Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0594-threemix/

Coming Home (Disquiet0594)

With limited time, I almost didn't participate in the remix project this week, but decided to share what I came up with. I think that most of the time it's better to share what's made than to let it stay hidden. Made a quick decision to play with the lovely track "Merle Bardenoir, Sonic Search & Forelight - Unknown Eden [disquiet0593]" https://soundcloud.com/merlebardenoir/merle-bardenoir-sonic-search-forelight-unknown-eden-disquiet0594?si=6da2d114fd5c4d2ba392dca4c39f7c61&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing.
Ended up focussing mostly on a flute theme that I liked, and building something around that. Lovely collaboration from the three creators of that original. 

More on this 594th weekly Disquiet Junto project, Threemix (The Assignment: Remix an asynchronously produced trio), at: https://disquiet.com/0594/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0594-threemix/

Unknown Eden - Threemix - [disquiet0594]

Disquiet Junto Project 0595: Filter Progression
The Assignment: Make music by processing a static sound.
More info on Disquiet Junto: disquiet.com/0595

[…] The numbers that form the first harmonics conform to the universe as our senses can perceive it. They form the legitimate human field in the magic world of sounds - the field that is open to us through the physical laws we depend on and the organs we posses, which are themselves in conformity with these laws. - A. Daniélou (Music and the Power of Sound p.26)

Harmonics are at the root of sounds as we perceive them. Their series and the possibilities given from the interaction with a filter inspired me to work with the first eleven harmonics of the series starting from the note A3 (A, A, E, A, C#, E, G, A, B, C, D#) I gradually added notes, raised filter cutoff, resonance and the volume of one of the two filters I used to get crescendo .
Today, 27th May is also Drone Day. Happy droning y'all!

I started off recording the series with 0-coast into Morphagene as a series of splices; due to the limits of range of 0-coast’s oscillator I transposed the last 3 notes of the series down one octave. Morphagene output went into QPAS’ low pass and smile pass outputs. Low pass output goes to right channel of XOH. Smile output goes into Mimeophon in green zone, then XOH’s left channel. 
As for modulation there are 3 sources: one sine LFO coming from Blue Marvin osc 2 set to minimum value, then into a mult that goes to QPAS Radiate left in and to Mimeophon Rate in and µ in. Wogglebug sends Smooth to a mult to go to Qpas Q, !¡!¡ and Radiate right inputs. QPAS freq 1 input is modulated by 0-coast slope circuit passed in its Voltage Math section and triggered by Wogglebug’s Int Clock out.
In Ableton I just added a bit of Shimmer to give some sparks.

Harmonics study(disquiet0595)

More on this 595th weekly Disquiet Junto project, Filter Progression (The Assignment: Make music by processing a static sound), at: https://disquiet.com/0595/

About the Disquiet Junto: https://disquiet.com/junto/ 1

Subscribe to project announcements: Disquiet Junto by Marc Weidenbaum (Disquiet.com)

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0595-filter-progression/

[disquiet0595] Filter Progression

phylogeny   (0596disquiet)

I recorded the ambience in my office/home studio with seven different microphones. During some of the recordings there was reasonably heavy rain outside. I then loaded the recordings into HY-Plugins' HY-Slicer 2 and recorded a several tracks amounting to the noise of the room. I increased the gain slightly on these and then recorded some passages. These were then sent to my modular where they were passed through a home-made vactrol and a vactrol-based low pass gate. The vactrol was opened by an envelope generator in the modular, controlled by CV sent from an envelope follower on one of the tracks. The signals were then mixed into the originals.

The vactrols constituted light processing 😀.
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More on this 598th weekly Disquiet Junto project, Mixmaster Mic (The Assignment: Record the same sound with multiple mics; mix the results), at: https://disquiet.com/0598/

The image to the “cover” of this project is from an 1880 U.S. patent.

About the Disquiet Junto: https://disquiet.com/junto/

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Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0598-mixmaster-mic/

room (disquiet0598)

This track was inspired by the Disquiet Junto Project 0604 (details see below): 
My track https://soundcloud.com/rabmusiclab/parsimony was remixed by implementing gates on the different instruments. For each instrument a line was drawn on the cover-photo, and the opening and closing of the gates was determined by the colours of the clouds along the line. 

Since the original track was called parsimony (as a result of Ockham's razor), the title of this track was quickly determined.

More on this 604th weekly Disquiet Junto project, Heaven’s Gate (The Assignment: Use a picture of the clouds as a plan for adjusting your sound), at: https://disquiet.com/0604/

About the Disquiet Junto: Disquiet Junto F.A.Q. – Disquiet

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Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0604-heavens-gate/

Ockham's Cloud Gates (Disquiet0604)

Dark ambient soundscapes for your pleasure

DARK AMBIENT - A HIGHER POWER

They hid Redwake Station so deep in the mountains that even the mapmakers conveniently forgot it. Snow muffles everything around it, but the structure hums faintly beneath the frost, as if it never learned how to sleep. The upper tower leans like it’s listening for something in the treeline, while the house below sags under the weight of too many winters and too many secrets.

Red lanterns still burn along the walkway, a holdover from the early containment protocols. Their glow isn’t meant to guide visitors. It’s meant to warn whatever lies inside not to wander too far.

The researchers who once lived here were convinced they’d isolated a frequency older than human breath, a vibration hidden in the bedrock of the world. They called it the Deep Pulse. When played aloud, it rearranged thoughts, then memories, then will.

Redwake was built to study the phenomenon. Or maybe to quarantine it. The documents never agree.

What’s certain is this: one night the station sent a final transmission, a distorted tone that rattled across nearby settlements, followed by a single word rendered untranslatable by every modern system. After that, silence.

Now the lights glow again. The snow around the stilts is disturbed.

The Void Remembers. 

All content is original. Thanks for your support.

[disquiet0595] Filter Progression

blaaroed