BUY VINYL:  http://www.darkentriesrecords.com/store/dark-entries/big-ben-tribe-tarzan-loves-the-summer-nights-12/

The next 12" in Dark Entries Editions is a hard to find Italo Disco club hit. Big Ben Tribe are a trio formed in Trieste, Italy in 1983. The line-up is: Ricky Persi (bass), Stefano Previsti (computers and drum machine), Renato Posani (guitar & D.J).Their name is taken from the Disco Club 'Big Ben' in Trieste, the place where Renato Posani worked every night.
"Tarzan Loves The Summer Nights" was recorded in Milan in the Spring of 1983 and released on Gong Records in 1984. The band created their signature sound using a Mini Moog, Prophet 5, Korg Synthesizer, LinnDrum, Alembic Bass and Fender Stratocaster. Guest vocalist Clara Moroni softly sings about a romantic jungle dream adventure where she is living with the handsome and brave Tarzan. Strong LinnDrum percussion serves as a counterpoint to the infectious vocal melody and catchy synth hooks. The B-side features an instrumental version with extended breaks and dubbed out bass lines. 
Both songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a glossy jacket with original artwork of a female model lying on the floor grabbing the leg of a mannequin. Each copy includes an insert with lyrics, photos and liner notes by Ricky Persi. "Tarzan Loves The Summer Nights" will transport you to a fantasy world full where you can find your own muscle man to love.

Big Ben Tribe - Tarzan Loves The Summer Nights

Charlie - Spacer Woman (Original Mix)

Severed Heads are one of the longest standing bands to have emerged from the Australian post-punk and experimental scene. They began in Sydney in 1979, and were an early outfit to incorporate elements of 'industrial' noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed, song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. After many line-up changes featuring Gary Bradbury and psychedelic guitarist Simon Knuckey, Severed Heads became the solo vehicle for composer Tom Ellard. 
In 1983 they released a C-60 cassette called “Since The Accident” that grabbed the attention of Ink Records, a subsidiary of Virgin in the UK.  Ellard added a throwaway track at the last minute to fill out the cassette, not wanting to leave an unseemly gap on a C60 tape. This track, “Dead Eyes Opened” was catchy enough to get a lot of airplay on the main non-commercial radio station in Sydney. The band was asked to make this song into a 12” single. For this extended version, Tom Ellard and producer Patrick Gibson went to M Squared studio and passed the multitracked recordings through various EQ's and delays. “Dead Eyes Opened” features samples from a radio program narrated by Edgar Lustgarten, a crime journalist from England, referencing a double murder case that occurred in 1924. The rhythms are made by a TR-808 drum machine and an SH-1 synthesizer. A KORG PolySix was used for strings and additional atmospheric elements. The lead solo was a Casiotone run through an Octaver foot pedal. On the B-side are two solo compositions “Bullet” and “Mount” that Ellard recorded at Terse Tapes in 1982. 

All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Housed in the original jacket featuring the iconic photograph of a girl with a painted face wrapped in some cloth by Juilee Pryor. Each copy includes a fold-out newsprint poster with a large photo of the band wearing Art Unit skull shirts on one side and liner notes and press clippings on the other. 30 years later Severed Heads are still paving the way for powerful, imaginative, and challenging music.

Severed Heads - Dead Eyes Opened extended 12" mix

http://www.meditations.jp/index.php?main_page=product_music_info&products_id=15886

Charlie - Spacer Woman

order Vinyl / Cd digipak / Digital:
hyperurl.co/BlackDevilPreorders 
2015 re-issue

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Timing, Forget The Timing

20070905

Ancêtres (Vocal )

Buy on bandcamp

Blaise Amoussou - Ancêtres (Vocal )

Mag & The Suspects ‎– Erection

patrickcowley.bandcamp.com/album/afternooners

Dark Entries and Honey Soundsystem Records have teamed up once more to release the final volume of gay porn soundtracks by San Francisco-based musician and producer, Patrick Cowley. One of the most revolutionary and influential figures in the canon of disco, Cowley created his own brand of Hi-NRG dance music, “The San Francisco Sound.” Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco in 1971 to study at the City College of San Francisco. He founded the Electronic Music Lab at the school, where he would make experimental soundtracks by blending various types of music and adapting them to the synthesizer.

By the mid-70’s, Patrick’s synthesis techniques landed him a job composing and producing songs for disco superstar Sylvester, including hits like “You Make Me Feel (Mighty Real)”, “Dance Disco Heat” and “Stars.” This helped Patrick obtain more work as a remixer and producer. His 18-minute long remix of Donna Summer’s “I Feel Love” and his production work with edgy New Wave band Indoor Life were both of particular note. By 1981, Patrick had released a string of dance 12″ singles, like “Menergy” and “Megatron Man”. He also had founded Megatone Records, the label upon which he released his debut album, “Menergy”. Around this time Patrick was hospitalized and diagnosed with an unknown illness: that which would later be called AIDS. Throughout 1982, he recorded two more Hi-NRG hits, “Do You Wanna Funk” for Sylvester, and “Right On Target” for Paul Parker, as well as a second solo album “Mind Warp”. On November 12, 1982, he passed away.

In 1979 Patrick was contacted by John Coletti, owner of famed gay porn company Fox Studio in Los Angeles. Patrick jumped on this offer and sent reels of his college compositions from the 70s to John in LA. Coletti then used a variable speed oscillator to adjust the pitch and speed of Patrick’s songs in-sync with the film scenes. The result was the VHS collections “Muscle Up” and “School Daze” released in 1979 and 1980. “Afternooners” is the third collection of Cowley’s instrumental songs, recorded in between 1979 and 1982. Some of these recordings are demos from the album "Mind Warp".  All songs were originally untitled, so we’ve used the titles from Fox Studio’s 8mm film loops. This compilation also includes three bonus tracks found in the archives of fellow Megatone Records recording artist Paul Parker and the attic of teenage friend Lily Bartels. Influenced by Tomita, Wendy Carlos, and Giorgio Moroder, Patrick crafted a singular sound from his collection of synthesizers, percussion, modified guitars, and hand-built equipment. The listener enters a world of forbidden vices, evocative of Patrick’s time spent in the bathhouses of San Francisco. The songs on “Afternooners” reflect the advances of the equipment available at the onset of the 1980s. Cowley's unadulterated electronic forms are stripped down and dubbed up. Lush electronic percussion, soaring synthesizer riffs and low slung funk grooves comingle on these magnificent soundscapes.

Featuring 70 minutes of music never before released on vinyl. All songs have been remastered by George Horn at Fantasy Studios in Berkeley, CA. The vinyl is housed in a gatefold jacket designed by Berlin-based artist Gwenael Rattke, featuring black and white photos of Patrick in his studio that opens to a full color array of x-rated scenes from the Fox Studio vaults. Included is a fold-out poster featuring a handmade collage using photography and xeroxed graphics of classic gay porn imagery and an essay from Drew Daniel of Matmos. For Patrick’s 67th birthday, Dark Entries and Honey Soundsystem Records present a glimpse into the futuristic world of a young genius. These recordings shed a new light on the experimental side of a disco legend who was taken too soon.

Afternooners

Patrick Cowley - Surfside Sex

Disco Peanuts (Decius Remix)

The enigma of The Black Devil Disco Club:

More than 30 years after the first album, the ‘extremely rare disco masterpiece’ got a follow up, an epic journey into the deepest electronic disco, full of haunting vocals, warped lyrics, twisted yet melodic electronics and crisp disco beats.

In 2004 Aphex Twin’s Rephlex label released an album by Black Devil called Disco Club, a re-issue of a long lost supposedly ‘italo disco’ classic from 1978. Given it’s absurdly ‘modern’ sound many doubted it’s authenticity, some even suggesting that it was a collaboration between Richard James and Luke Vibert.

The real story is stranger still. Although credited to Joachim Sherylee and Junior Claristidge with executive production by Jacky Giordano, the album was actually the work of obscure French producer Bernard Fevre known only for his incredibly rare electronic masterpiece ‘The Strange World of Bernard Fevre’ and the even rarer ‘Earthmessage ‘ as sampled by the Chemical Brothers on ‘Got Glint?’ - from their ‘Surrender’ album (1999)

From 2006 new records have been released by Lo Recordings: innovative music so ahead of its time that Black Devil Disco Club can still be considered as avant-garde.

Black Devil Disco Club is still producing new gems and touring worldwide in the best clubs and festivals.

One thing’s for sure, you will never hear a more unusual or beguiling electronic dance music.

Fans include: The Chemical Brothers, Pilooski, Tiga, Andy Butler (Hercules and Love Affair), Aeroplanes, Aphex Twin, Afrika Bambaataa, Alex Kapranos (Franz Ferdinand), James Murphy (LCD Soundsystem), Nancy Sinatra, Morgan Geist of Metro Area, Groove Armada, Lindstrom, Alden Tyrell, Emperor Machine and Quiet Village, ParaOne & Tacteel, Bryan Ferry (Roxy Music), Jon Spencer (Blues Explosion), Faris Badwan (The Horrors), Nicolas Ker (Poni Hoax), Holy Ghost, Mondkopf, Etienne Jaumet / Zombie Zombie, Luke Vibert, YACHT, Cosmetics, Dee Lite, Sal P (Liquid Liquid), Logo, Danger, dDamage, Stopmakingme, Horse Meat Disco...

GET READY FOR SOME BLACK DEVIL DISCO CLUB ACTION. 